“Well, well,” said the Rocking Chair
£20.00Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
100 Funk Grooves for Electric Bass is your complete guide to mastering the essential skills of funk bass groove. From old school to new, Funk has never gone away, because it’s all about the groove. Here, Dan Hawkins teaches what you can learn from the funk bass players who laid down the story of funk on thousands of deep cuts.
The shadows hide a deadly story…
1979. It is the winter of discontent, and reporter Allie Burns is chasing her first big scoop. There are few women in the newsroom and she needs something explosive for the boys’ club to take her seriously.
Soon Allie and fellow journalist Danny Sullivan are exposing the criminal underbelly of respectable Scotland. They risk making powerful enemies — and Allie won’t stop there.
When she discovers a home-grown terrorist threat, Allie comes up with a plan to infiltrate the group and make her name. But she’s a woman in a man’s world… and putting a foot wrong could be fatal.
This is the atmospheric, heart-pounding first novel in a gripping new series by Queen of Crime Val McDermid.
Winston Churchill’s political career spanned over 50 years, during which time he was alternately at the centre of power and out of favour. He is most remembered for his inspirational leadership in the second world war and his rousing speeches urging Britain to fight on. This book reveals the influences that shaped his life and career and looks at his strengths and weaknesses.
Quotation panels, featuring many of Churchill’s well-known sayings and comments, and the opinions of his well-known contemporaries, such as Stalin, are scattered liberally throughout. The final chapter examines his legacy and attempts to answer the question: how justifiable is his reputation in view of his achievements?
A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
Organ donation is in its infancy and Daisy Howard, who is giving a kidney to her aunt, is in the hands of a pioneering surgeon. After the operation, Daisy is desperate to get back to her family, yet the days go by and she remains in the hospital; meanwhile, an old friend keeps visiting with news of home, and Daisy becomes increasingly uneasy.
A Fold in the Map charts two very different voyages: a tracing of the dislocations of leaving one’s native country, and a searching exploration of grief at a father’s final painful journey. In the first part of the collection, Plenty — “before the fold” — the poems deal with family, and longing for home from a new country, with all the ambiguity and doubleness this perspective entails. In the book’s second half, Meet My Father, the poems recount events more life-changing than merely moving abroad — a father’s illness and death, the loss of some of the plenty of the earlier poems.
“Italian writer and director Pier Paolo Pasolini once wrote that if a poet doesn’t manage to scare his readers anymore, then it would be better for him to run away from this world. What kind of use can in fact be a tamed poet to the human race? Apparently, Dan Fante knows this well: his first collection of poems by the unpronounceable title, A Gin Pissing, Raw Meat, Dual Carburattor V-8 Son-of-a-Bitch from Los Angeles, shows that he literally aims with his works not only to scare, but also to scar his readers, biting their minds, hearts and souls with his words: indeed, Dan Fante’s poems are a poetic ebb and flow revolving on the readers conscience…” – Erasing Clouds
An exquisite collection from a poet at the peak of her powers, A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. Extending the territory of her zeitgeist collection Girls Are Coming Out of the Woods, these new poems traverse history, from the cosmic to the everyday. There is a playful spikiness to be found in poems like ‘Why the Brazilian Butt Lift Won’t Save Us’, while others, such as ‘I Found a Village and in it Were All Our Missing Women’, are fed by rage. As the collection unfolds, there are gem-like poems such as ‘I Carry My Uterus in a Small Suitcase’ which sparkles on the page with impeccable precision. Later, there are the sharp shocks delivered by two mirrored poems set side by side, ‘Microeconomics’ and ‘Macroeconomics’. Tishani Doshi’s poetry deploys beauty to heal trauma, enabling the voices of the oppressed to be heard with piercing clarity. From flightless birds and witches, to black holes and Marilyn Monroe, A God at the Door illuminates with lines and images that surprise, inflame and dazzle.
As art critic of The Spectator, Andrew Lambirth’s reviews and articles have been entertaining and informing readers of the magazine since 1996. As he himself has written : “The coverage that this magazine, a weekly, gives to the arts is far wider than many daily newspapers. I wish more arts editors would take the initiative to cover a greater range of exhibitions than just the obvious.”
Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.
Practical tips for living a truly better life in a precarious economy:
Live better on less and have more fun doing it! This book offers hardcore, real-world, practical advice on how anyone can survive in a precarious economy. Learn useful tips and creative strategies, from a hardworking musician who, like most professional musicians, knows, from hard-won experience, how to not only keep the annoying wolf from the door, but how to give him a painful wedgie, so he’ll finally give up and leave you the f*&k alone.
Frances Howard has beauty and a powerful family – and is the most unhappy creature in the world.
Anne Turner has wit and talent – but no stage on which to display them. Little stands between her and the abyss of destitution.
When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked. Frankie sweeps Anne into a world of splendour that exceeds all she imagined: a Court whose foreign king is a stranger to his own subjects; where ancient families fight for power, and where the sovereign’s favourite may rise and rise – so long as he remains in favour.
With the marriage of their talents, Anne and Frankie enter this extravagant, savage hunting ground, seeking a little happiness for themselves. But as they gain notice, they also gain enemies; what began as a search for love and safety leads to desperate acts that could cost them everything.
Based on the true scandal that rocked the court of James I, A Net for Small Fishes is the most gripping novel you’ll read this year: an exhilarating dive into the pitch-dark waters of the Jacobean court.
Maura Dooley was Poet-in-Residence at Jane Austen s home in Chawton, Hampshire. The house, now a museum, is where Austen wrote most of her novels. These poems offer glimpses of Austen’s still potent presence in the modest house in which, at a tiny table, she wrote her greatest works.
A Surprising City is a celebration, a collection of some of the work performed during the first year of Open Mic Afternoons at the Wrecking Ball Arts Centre, on Whitefriargate, Hull. The collection reflects the truly eclectic mix of writers and poets who have been welcomed to the stage by hosts, Dave and Polly Pattison.
Open Mic Afternoons are held on the first Tuesday of every month at 2:00pm (doors 1:30pm). Admission is free with a bucket collection to support Emmaus – a charity working to support Hull’s homeless people. All are welcome!
Born into a Roma family in 1960s’ Yugoslavia, Janek Hudorovec has grown up with a terrible secret. Given the opportunity to ‘make something of himself’, he abandons the familiar wild and tactile world of nature and enters the controlled, rational life of university and the city. Here Janek proves himself to be not a conscious rebel but a spontaneous one; under the influences of impulses he cannot control. While his teachers try to understand and categorize him, it is only his fellow student, Daria, who seems able to provide a rational insight into the causes of his behaviour and offer him true affection. Yet the battle that Janek must fight with his past leads him back to the gypsy village, and a terrible denouement. This tragic story of self-punishment explores the idea that man and nature, if they are to survive, together and separately, must forever remain in conflict. Flisar’s ability to describe Janek’s inner states through juxtaposition with the outer world create a mesmerizing claustrophobia, as the reader is pulled inexorably into the nightmarish world of a man in anguish. A Swarm of Dust is widely considered to be one of Flisar’s finest works of fiction, questioning the very notion of objective truth and subverting the norms of Judeo-Christian morality.
This is Mike Smith’s second book arising from the Coronavirus Pandemic which arrived in this country at the beginning of 2020.
Mike hopes that this book, along with his first book, Dreaming of Onions, will prove to be not only pleasurable read now but become increasingly interesting as the months and years roll on…
The cover picture shows a section of Parsons Lane, Howden, the town where Mike lives, with The Ashes Playing Field beyond the hedge to the left.
“A Traveller’s History of Cyprus” offers a complete and authoritative history of the island’s past and also touches on the sensitive present-day issues for both sides of the island. Although Cyprus is a relatively small island, its position in the East Mediterranean has always given it strategic importance beyond its size. Well-placed for travel from all over the globe with plenty of sunshine throughout the year, Cyprus has become a favored tourist destination. All visitors, whether to the Greek or Turkish side of the island, discover the immensely rich history, which has resulted in so many civilizations making their mark upon its soil. With a historical gazetteer, chronology of major events, index, bibliography and historical and contemporary maps, this book is an invaluable companion to students or visitors to the island.
Throughout the millennia Turkey formed the core of several Empires–Persia, Rome, Byzantium–before becoming the center of the Ottoman Empire. All these civilizations have left their marks on the landscape, architecture and art of Turkey–a place of fascinating overlapping cultures. Traveller’s History of Turkey offers a concise and readable account of the region from prehistory right up to the present day. It covers everything from the legendary Flood of Noah, the early civilization of Catal Huyuk seven thousand years before Christ, through the treasures of Troy, Alexander the Great, the Romans, Seljuks, Byzantines and the Golden Age of the Sultans, to the twentieth century’s great changes wrought by Kemal Ataturk and the strong position Turkey now holds in the world community.
A Vertical Art gathers the expansive and spirited public lectures delivered by Simon Armitage during his acclaimed four-year tenure as Oxford University Professor of Poetry. Armitage tries to identify a ‘common sense’ approach to an artform that can lend itself to grand statements and vacuous gestures, questioning both the facile and obscure ends of the poetry spectrum, asserting certain fundamental qualities that separate the genre from near-neighbours such as prose and song lyrics, examining who poetry is written for and its values and use in contemporary society. Above all, these are personal essays that enquire into the volatile and disputed definitions of poetry from the point of view of a dedicated reader, a practising writer and a lifelong champion of its power and potential.
A Watchful Astronomy by Paul Deaton is the thoughtful debut poetry collection by this already well-regarded author who has published his work in national magazines like The Spectator, and London Magazine as well as in more literary journals like the PN Review. A Watchful Astronomy has a distinctive flavour. The author is a realist and a formalist, preferring simple, accurate language and use of formal meter. This makes for unusually clear and accessible work. A powerful underlying current of emotion also drives these poems and is contained and restrained by the more austere formal qualities. The book is haunted by the ghost of the author’s father, a figure that appears throughout the collection as an overbearing, even threatening presence, embodied in glowering mountain ranges, in icy blasts of weather, in bits of bleak, monosyllabic dialogue. It is to the author’s credit that grudging admiration for the father’s practical skills (‘Shoemaker Father’), and a profound and lingering sense of compassion overcome what could be obdurate (if understandable) resentment. Nature is also a prime factor and facilitator in this book, both rural and urban scenes are beautifully observed and presented. There is a gift for the visceral here, for tastes and sounds. There is a tendency to describe liminal scenes and moods: dusk, a sleepless hour, a view from a precipice, a changing mood. A rigorous intelligence meets an adept sensitivity in these poems by this already accomplished as well as promising poet.
“And I struggle to find my place in this dark novel. I yearn for passion and despair for that is what makes good literature while Ishwari seeks a life of joy for herself and her son.”
A powerful novel about a woman who runs away from home, seeking to free herself from the shackles of society and familial attachments, and instead devote her attentions to writing a novel. When she realises that her five year old son Roo has followed her, Ishwari struggles with her identity as a mother and the responsibilities that brings, versus the guilty knowledge that she cannot want her own child when his existence requires her to suppress her own dreams.
Ishwari and Roo wander the streets at night, looking for a place to stay, until an elderly caretaker takes pity on them and offers them an empty room on the terrace of a guest house. Ishwari gets work as a caregiver to the handsome gentleman who lives next door, while Roo, who is lame, spends all day locked up in the room on the roof. Pulsating with raw energy, Abandon gives voice to the perpetual conflict between life and art.
When Matt leaves his kindergarten class for a quick trip to the bathroom, he never imagines what will happen next. He suddenly finds himself in a stranger’s car, being driven to an unfamiliar place. Who is this man, and is he really a stranger? When the school bell rings and Matt is nowhere to be found, his frantic sister, Bonnie, realises that her little brother is not lost but missing. She must do everything in her power to save him, even if it puts her own life in danger…
Publication date: 7th June 2021
“This is the first time we are seeing… a conversation about defunding, and some people having a conversation about abolishing the police and prison state. This must be what it felt like when people were talking about abolishing slavery.” – Patrisse Cullors, Black Lives Matter.
Abolishing the Police (An Illustrated Introduction) is both a contribution to this conversation and an invitation to join it. It provides rigorous and accessible analyses of why we might want to abolish the police, what abolishing them would involve, and how it might be achieved, introducing readers to the rich existing traditions of anti-police theory and practice.
Its authors draw on their diverse on-the-ground experiences of political organising, protest, and resistance to policing in the UK, France, Germany, and the United States, as well as their original research in academic fields ranging from law to security studies, political theory to sociology to public health.
Without assuming any prior specialist knowledge, they present the critical tools and insights these disciplines have to offer to ongoing struggles against the injustices of policing (and consider, in turn, what these disciplines must learn from these struggles.)
The complete guide to playing the Acoustic Guitar from the first time you pick it up all the way to playing your first songs along with backing tracks.
With Jacques-Louis Daguerre, William Talbot Fox, Etienne Jules-Marey and William Blake as his predecessors, Adam Fuss creates photograms and daguerreotypes that evoke a general poetic and spiritual vision akin to urbanites of the 1800s, people who have lost contact with nature and God. While technically seeking to refine the beginnings of photography, Fuss attempts, in the 100 new works presented here, to record life and death. Colorful spirals created by pendulums lead into great depths; snakes create geometric waves in water; loving pairs of rabbits appear in silhouette; a hunched woman cries; sunflowers sprout withered leaves and broken stems; otherwise placid water bears the concentric marks of water drops; the shadows of silvery children’s clothing hover in mid-air; light reflects on birds in flight–and all, for Fuss, mark the simultaneous presence and absence of the corporeal under the title My Ghost.
In a momentous publication, Seamus Heaney’s translation of Book VI of the Aeneid, Virgil’s epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld.
In Stepping Stones, a book of interviews conducted by Dennis O’Driscoll, Heaney acknowledged the importance of the poem to his writing, noting that ‘there’s one Virgilian journey that has indeed been a constant presence, and that is Aeneas’s venture into the underworld.
‘The motifs in Book VI have been in my head for years – the golden bough, Charon’s barge, the quest to meet the shade of the father.’ In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and flawless poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of Bernard O’Donoghue, brought the ancient poem back to life in ‘a miraculous mix of the poem’s original spirit and Heaney’s voice’.
A mesmerizing, continent-spanning survey of the most dynamic scenes in contemporary African photography, and an introduction to the creative figures who are making it happen.
Africa State of Mind gathers together the work of an emergent generation of photographers from across Africa, including both the Maghreb and sub-Saharan Africa. It is both a summation of new photographic practice from the last decade and an exploration of how contemporary photographers from the continent are exploring ideas of ‘Africanness’ to reveal Africa to be a psychological space as much as a physical territory – a state of mind as much as a geographical place.
Dispensing with the western colonial view of Africa in purely geographic or topographic terms, Ekow Eshun presents Africa State of Mind in four thematic parts: Hybrid Cities; Inner Landscapes; Zones of Freedom; and Myth and Memory. Each theme, introduced by a text by Eshun, presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities and multitudinous conurbations of the continent, turning the legacy of the continent’s history into the source of resonant new myths and dreamscapes and exploring questions of gender, sexuality and identity. Each of the photographers seeks to capture the experience of what it means, and how it feels, to live in Africa today.
Three plays, ‘all written for live theatre – with the emphasis on live’, and all first performed at the Stephen Joseph Theatre, Scarborough: The Revengers’ Comedies (1989); Things We Do for Love (1997); and House & Garden (1999).
The Revengers’ Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage – Strangers on a Train, Rebecca, Kind Hearts and Coronets – and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times
Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times
House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
Snake in the Grass
“A terrific piece – brilliant, bizarre and yet totally believable… In fact, it’s more than classic; it’s close to the top of its class.” Yorkshire Post
If I Were You
“A blissfully funny comedy that’s also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature.” Daily Telegraph
Life and Beth
“A wise, humane, funny play about the inevitability of death and the continuity of life.” Guardian
My Wonderful Day
“A transformation happens as magical as the most magnificent pantomime transformation anyone could ever imagine… the playwright dissolves the paraphernalia of our adult selves and uncovers that space inside each of us that is still the child we once were.” Observer
Life of Riley
“As perceptive as ever… Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity.” Daily Telegraph
The definitive monograph on Alex Prager, one of the truly original image makers of our time.
Alex Prager is a photographer and filmmaker whose elaborate sets and complex staging draw on a rich cultural heritage of cinematic style, informed by street photography, to produce work that is unerringly memorable. At once temporal and timeless, bright but shadowed, Prager’s images exist within a hyperreal world, deeply rooted in the eerie undertones of Los Angeles, where the line between reality and fiction is blurred.
Prager’s critically acclaimed work is introduced here, spanning a decade of photographic work and five films. This collection of carefully curated photographs is complemented by an in-depth interview by Nathalie Herschdorfer, director of the Musee des Beaux-Arts Le Locle, Switzerland, and discursive essays by Michael Govan, director of the Los Angeles County Museum of Art, Michael Mansfield, executive director of the Ogunquit Museum of American Art, Maine, and Clare Grafik, senior curator at The Photographers’ Gallery, London.