£20.00
The shadows hide a deadly story…
1979. It is the winter of discontent, and reporter Allie Burns is chasing her first big scoop. There are few women in the newsroom and she needs something explosive for the boys’ club to take her seriously.
Soon Allie and fellow journalist Danny Sullivan are exposing the criminal underbelly of respectable Scotland. They risk making powerful enemies — and Allie won’t stop there.
When she discovers a home-grown terrorist threat, Allie comes up with a plan to infiltrate the group and make her name. But she’s a woman in a man’s world… and putting a foot wrong could be fatal.
This is the atmospheric, heart-pounding first novel in a gripping new series by Queen of Crime Val McDermid.
1 in stock
| Weight | 0.6984 kg |
|---|---|
| Dimensions | 240 × 160 × 38 mm |
| ISBN | 9780751583090 |
| Publication Year | 2021 |
| Cover | Hardback |
Cora has everything a woman is supposed to want – a career, a caring husband, children, and a stylish home. Desperate for release and burdened with guilt she falls into a pattern of ever increasing violence and sexual degradation till a one night stand tips her over the edge and she finds herself in a Dominatrix’s dungeon. Wounding explores a woman’s search for redemption, identity and truth.
Hull, 1998. Unemployed, single and broke. These chains are what eighteen-year-old Ginger is determined to break free from, away from his indifferent parents and toward the ever-elusive achievement of a girlfriend. Life is monotonous to the point of tears – until the chance acquisition of a gold ring unbalances Ginger’s whole world.
Suddenly Ginger finds himself caught up with violence and tinpot crime, betrayed by his best friend and escaping from local villains desperate to reclaim their property. An encounter with a middle class ‘daddy’s girl’, hitching a ride for a little excitement, holds promise – but when her own questionable past is thrown into the light, their situation worsens and the frying pan erupts into the fire. With their lives at risk, they must hatch a plan to turn the tables on their enemies and dare to play the criminals at their own game. A hilarious tale of kidnapping, bad sex and self-discovery.
Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
Byron and the Beauty is loosely based on Byron’s biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author’s style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.
Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.
J SS Bach is the story of three generations of women from either side of Germany’s 20th Century horror story – one side, a Jewish family from Vienna, the other linked to a ranking Nazi official at Dachau concentration camp – who suffer the consequences of what men do.
Fast forward to 1990s California, and two survivors from the families meet. Rosa is a young Australian musicologist; Otto is a world-famous composer and cellist. Music and history link them. A novel of music, the Holocaust, love, and a dog.
