A Vertical Art gathers the expansive and spirited public lectures delivered by Simon Armitage during his acclaimed four-year tenure as Oxford University Professor of Poetry. Armitage tries to identify a ‘common sense’ approach to an artform that can lend itself to grand statements and vacuous gestures, questioning both the facile and obscure ends of the poetry spectrum, asserting certain fundamental qualities that separate the genre from near-neighbours such as prose and song lyrics, examining who poetry is written for and its values and use in contemporary society. Above all, these are personal essays that enquire into the volatile and disputed definitions of poetry from the point of view of a dedicated reader, a practising writer and a lifelong champion of its power and potential.
Radio Castle, the voice of Jerusalem. Your local news broadcast from the bed of housebound ex-fireman, John Edward. His son doesn’t want to join the family business, and his wife is in love with the town’s ex-policeman, but Radio Castle continues to broadcast despite everything life throws at John Edward. When the coveted position of Entertainment Secretary at the Jerusalem Social Club comes up, only one man stands between John Edward and his dream – a certain ex-policeman. As two old adversaries square up, who will get the girl and who will get the job?
This dark musical comedy premiered at West Yorkshire Playhouse in November 2005.
When Simon Armitage burst on to the poetry scene in 1989 with his spectacular debut Zoom!, readers were introduced to an exceptional new talent who would reshape the landscape of contemporary poetry in the years to come. Now, twenty-five years on, Simon Armitage’s reputation as one of the nation’s most original, most respected and best-loved poets seems secure. Paper Aeroplane: Poems 1989-2014 is the author’s own selection from across a quarter-century of work, from his debut to the latest, uncollected work. Drawing upon all of his award-winning poetry collections, including Kid, Book of Matches, The Universal Home Doctor and Seeing Stars, this generous selection provides an essential gathering of this most thrilling of poets, and is key reading for students and general readers alike.
Over the course of several years, Simon Armitage has written hundreds of poems for various projects, commissions, collaborations and events, which stand outside of his mainstream collections but now form a substantial body of work in their own right. They vary from single poems, such as ‘Zodiac T Shirt’, written to be performed at the launch of Beck’s Song Reader, to the suite of ten poems about Branwell Brontë written at the time of the writer’s bicentenary. Some have been published – such as the Walking Home and Walking Away poems – but the majority has not, and together they cover an eclectic array of subjects including sculpture, the environment, travel, drama, and media.
Sandettie Light Vessel Automatic represents the nature and scale of Armitage’s work – it is an important reflection of his public engagement as a poet and the astonishing range of his interests and talents.
A high-ranking government minister with a colourful past is sent on a diplomatic mission to Istanbul. When his trip ends up in a bar-room brawl, he becomes Europe’s most wanted man overnight. Chased by the authorities, damned by religious leaders, pursued by those looking for vengeance and head-hunted by fanatics, his odyssey begins.
Plunged into the ancient past, Odysseus must now contend with all the unworldly beings and unnatural phenomena that stand in his way. The Cyclops, the Sirens, witches, whirlpools and flesh-eating armies must all be overcome in the struggle for survival and the long voyage back home.
Simon Armitage’s The Odyssey: Missing Presumed Dead premiered at the Liverpool Everyman in September 2015 then toured the UK in a co-production with English Touring Theatre.
As the title implies, Simon Armitage’s flesh-and-blood account of numerous personal journeys reads like a private encyclopaedia of emotion and health. Vivid and engaged, the poems range from the rainforests of South America to the deserts of Western Australia, but are set against the ultimate and most intimate of all landscapes, the human body. Equally, the body politic comes into question, through subtle enquiries into Englishness and the idea of home.
Engaging above all with the matter of England in the here and now Simon Armitage focuses his attention on the conflicts within society today. The result is his wittiest, most alertly combative and impassioned collection to date.