|Dimensions||199 × 133 × 23 mm|
A is a Critic: Writings from the Spectator
As art critic of The Spectator, Andrew Lambirth’s reviews and articles have been entertaining and informing readers of the magazine since 1996. As he himself has written : “The coverage that this magazine, a weekly, gives to the arts is far wider than many daily newspapers. I wish more arts editors would take the initiative to cover a greater range of exhibitions than just the obvious.”
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In Dark Land, Dark Skies, astronomer Martin Griffiths subverts conventional astronomical thought by eschewing the classical naming of constellations and investigating Welsh and Celtic naming. Ancient peoples around the world placed their own myths and legends in the heavens, though these have tended to become lost behind the dominant use of classical cultural stories to name stars. In many cases it is a result of a literary culture displacing an oral culture. Griffiths has researched past use of Welsh heroes from the Mabinogion in the naming of constellations and his new book is an interesting and provocative combination of a new perspective on Welsh mythology and an astronomy guidebook. Modeled on the principles of Star-Names and Their Meanings by Richard Hinckley Allen (1899) Dark Land, Dark Skies is an informative guide to star-gazing which will be welcomed by the amateur and professional astronomer alike. The book includes fifty-two star charts covering the entire celestial year to aid identification of the changing constellations and 80 photographs of astronomically interesting objects, and Griffiths’ practical commentary is accompanied by his alternative, Welsh-orientated interpretation of the night sky.
Provides a basic introduction for all individuals and groups wishing to undertake the production of a play. It is aimed at the amateur enthusiast and anyone intending to pursue their interest further and undertake professional training. The author, who has over 30 years of experience in drama, takes the reader through the production of a play step by step, from setting up a drama group to the first night and entire run. The book can be read straight through or consulted as a handy reference work.
This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history.
Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.
Featuring a vibrant cast of supporting characters (from school friends to rock stars), and built up from notebooks, diaries, interviews, letters, and issues of his now legendary fanzine Jamming!, Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.
Combining life-writing with poetic prose, Anthony Joseph gets to the heart of the man behind the music and the myth, reaching behind the sobriquet to present a holistic portrait of the calypso icon Lord Kitchener.
The poet and musician Anthony Joseph met and spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone for a moment in the heat of Port of Spain s Queen’s Park Savannah, one Carnival Monday afternoon. It was a pivotal meeting in which the great calypsonian, outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph’s unique biography of the Grandmaster.
Lord Kitchener (1922 – 2000) was one of the most iconic and prolific calypso artists of the 20th century. He was one of calypso’s most loved exponents, an always elegantly dressed troubadour with old time male charisma and the ability to tap into the musical and cultural consciousness of the Caribbean experience. Born into colonial Trinidad in 1922, he emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post War Britain. In the process Kitch, as he was affectionally called, single handedly popularised the calypso in Britain.