Dan Fante

Author's books

A Gin Pissing, Raw Meat, Dual Carburettor V-8 Son-of-a-bitch from Los Angeles


“Italian writer and director Pier Paolo Pasolini once wrote that if a poet doesn’t manage to scare his readers anymore, then it would be better for him to run away from this world. What kind of use can in fact be a tamed poet to the human race? Apparently, Dan Fante knows this well: his first collection of poems by the unpronounceable title, A Gin Pissing, Raw Meat, Dual Carburattor V-8 Son-of-a-Bitch from Los Angeles, shows that he literally aims with his works not only to scare, but also to scar his readers, biting their minds, hearts and souls with his words: indeed, Dan Fante’s poems are a poetic ebb and flow revolving on the readers conscience…” – Erasing Clouds



The thread connecting the tales in ‘Corksucker‘ is the years Fante spent as a cab driver and self loathing alcoholic in the pitiless sunshine of Los Angles. All of the anger and rage of the novels are here, yet the format of the short story allows him to shift focus away from Fante as anti-hero and focus on the bizarre and damaged characters who come in and out of his orbit: the sad, petty, spiteful alcoholic doorman known as Wifebeater Bob, the beautiful, grief-crazed, tragic Mrs. Randolph and most memorably the smacked-out, fast talking, amoral Libby who along with his girlfriend Niggabitch and their insatiable pet boa constrictor form the nucleus of one of the collections stand out stories – the outrageous, ghoulish black comedy ‘Princess.’

Spitting Off Tall Buildings


Bruno Dante, aspirant playwright, part-time depressive and long-time drunk has hitch-hiked cross country. Escaping the sunshine, have-a-nice-day culture of LA, for the more cynical climate of New York. He should fit right in. But if there’s money for beer he’s sure to fuck up. A rut of deadbeat tempting jobs follow. But Dante won’t play office politics or kiss ass. So they don’t last long. Longer stints as the night manager of a run-down hotel, a window cleaner and, finally, a cabbie, are punctuated by whacked-out affairs, drinking binges and bouts of depression. Beautiful and brutal in equal measures, Fante’s insights are fiercely compelling, desperately compassionate and obscenely funny. This is utterly unmissable.