The traveller guides series are informative and concise, and are aimed at mainstream travelers wanting to discover something a little different on their trip. These indispensable guides offer the perfect blend of culture, history, practical information, mapping, photography and listings.
Winner of the 2020 Wainwright Prize, Diary of a Young Naturalist chronicles the turning of Dara McAnulty’s world, from spring to summer, autumn to winter, on his home patch, at school, in the wild and in his head. Evocative, raw and beautifully written, this very special book vividly explores the natural world from the perspective of an autistic teenager juggling homework, exams and friendships alongside his life as a conservationist and environmental activist. With a sense of awe and wonder, Dara describes in meticulous detail encounters in his garden and the wild, with blackbirds, whooper swans, red kites, hen harriers, frogs, dandelions, skylarks, bats, cuckoo flowers, Irish hares and many more species. The power and warmth of his words also draw an affectionate and moving portrait of a close-knit family making their way in the world.
“At the multi-laned intersection to the M20 I listened to Alanis singing her heart out about the pain of isolation and loss and I burst into tears in an Oxford Green Jaguar X Series 3 litre car.”
Like missiles, these poems shoot out into the world seeking light and warmth from out of the darkness of illness. Peter Carr’s poetic voice mirrors the fast-paced juxtopositions of a life previously spent in an internationalist world of commerce. Wide-ranging and uncompromising, ironic, darkly comedic and sometimes bitter, and populated by the unconventional, the displaced and the lonely, the collection is nevertheless bound together by the realisation and need of the importance of human encounter, companionship and love in an illusory and earth-shifting world. – Maggie Harris
Based on a remarkable true story, Don’t Tell Me You’re Afraid is a moving, inspiring novel of a life lived in hope.
Samia Omar grows up in war-torn Somalia, dreaming of being a world-class sprinter. She sleeps with a photo of Mo Farah by her bed and trains hard. After achieving a place on the national team to compete in the Beijing Olympics, she sets her sights on the 2012 games in London. But with the war encroaching on the lives of her family, Samia decides to join her sister and make the treacherous journey to Europe, putting her life and her dreams in the hands of traffickers.
Don t Forget the Couscous is a book of poetry about exile and home, love and loss. It is a beautiful love-song to the Arab world Syria, Kurdistan, Morocco, Palestine and his native Aleppo. It is a memoir of the failed Arab Spring and the civil-war that has turned his native Syria into a fountain of blood. It s a bitter account of the demonization of Islam in the West, and the violent interference of the West in the Islamic world. It is about being a Muslim and not a terrorist. Amir Darwish draws on the magical-realism of Naguib Mahfouz, the social satire of Muhammad al-Maghut and the love poetry of Rumi to describe the experience of Islam in Europe from a Friday night dőner kebab after a good night out to a girl who has taken off the hijab in order to feel safe and a mosque with broken windows. It is a book about travel and love, and an apology on behalf of Muslims everywhere for having contributed nothing to the modern world except astronomy, coffee, clocks, algebra, falafels, apricots and dőner kebabs. And don t forget the couscous…
Doom 94 is Jonevs’ debut novel, published first as Jelgava 94 in Latvia in 2013 and was quickly proved to be a big hit and bestseller. Translated into 11 languages already, it is here for the first time in English.
The story is set in the 1990s in the Latvian city of Jelgava and looks at the burgeoning craze during this decade for the alternative culture of heavy metal music. Jonevs takes the reader deep inside the world of music, combining the intimate diary of a youngster trying to find himself by joining a subculture, as well as a skilful, detailed, and almost documentary-like depiction of the beginnings of the second independence of Latvia–where Jonevs is the first writer to stir up memories of this period through a fully-fledged literary depiction.
Doom 94 is a portrait of a generation searching for their identity and up against the world, trying not to become ‘one of them’. But is it for real? Can any adult keep the promise made as a child?
Double Take tells how to rob Heathrow Airport and get away with it.
An ‘Italian Job’ for the 21st century, with swearing in several languages – some of it translated – chillis as offensive weapons, but no Minis. Double Take deconstructs one of Agatha Christie’s most audacious plots.
Part of Penguin’s beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the ‘Master’ and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.
An eclectic collection of poems from the unique perspective of a poet who has spent much of his life at the hard edge of education.
These poems reflect the emotions and experience of being a teacher as well as the thoughts and feelings about everything that externally impinges on teaching English. While the collection will have broad appeal to fellow practitioners, it will also resonate with anyone and everyone who has attended school.
Mike Ferguson’s poems about teaching and examining were written over a 30 year period as an English teacher, and over 35 years as an examiner of English Literature at GCSE level. The eclecticism comes not only from reflecting over a long period of time but, more pertinently, on a varying focus of style and the experiences themselves.
Ferguson’s most recent writing is almost exclusively ‘experimental’ in vein. A small core of poems are sonnets. A number of poems air the poet’s political and critical views on education.
“The concept of ‘following your dream’ seems like a very modern concoction, but here we have an example of it in the first half of the twentieth century . . . And, for a few brief years between the wars, the dream blossomed.” Amy Liptrot
In 1927, R. M. Lockley became the custodian of Skokholm and its derelict farmhouse, where he spent twelve years with his wife and daughter, building his utopia from the bounty of the sea, recording and studying migratory birds, working the land, living out his dream until it was shattered by the outbreak of the Second World War. Dream Island is an inspiring journey of how R.M. Lockley, a naturalist of international renown, discovered his love of nature and the freedom and struggle of living a self-sufficient life.
Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.
Winner of the 2013 Forward Poetry Prize for Best Collection
Winner of the 2013 Costa Poetry Award
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2015 Portico Prize
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.
Earwigging is a journey, never lingering for too long in any one place. It is the written equivalent of walking through a train station or waiting for a friend in a pub, conversations drifting in and out of earshot, only ever in part and neither beginning nor resolved. It is the overheard world. It is poignant, it is as unreal as only reality can be. It is hilarious.
A dozen songs from this contemporary British pop singing & strumming star: ‘The A Team’, ‘All of the Stars’, ‘Don’t’, ‘Give Me Love’, ‘I See Fire’, ‘I’m a Mess’, ‘Kiss Me’, ‘Lego House’, ‘Photograph’, ‘Sing’, ‘Tenerife Sea’ and ‘Thinking Out Loud’.
Edward Bond Plays:9 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope’s Wedding, and Early Morning. The volume comprises five new plays and a comprehensive introduction by the author exploring theories of writing and theatre.
Innocence is the final play in The Paris Pentad, a dramatic epic stretching from the 1940s to the end of the twenty-first century. The conflicts at the heart of civilisation have erupted into violence, and the characters in Innocence must seek refuge in each other to escape the cruelty of war.
Window, Tune, Balancing Act and The Edge are plays commissioned by The Big Brum Theatre. With themes of drug use, violence, suicide, and mother-son relations, the plays focus on problems directly aimed at modern youth culture. Ideally suited to students, performers and particularly university showcases, they are short, interesting and powerful pieces.
This edition also includes some of Bond’s previously unpublished Theatre Poems.
A fire rages through a sleepy West London square, engulfing a small convent hidden away among the residential houses. When DI Jack Carrigan and DS Geneva Miller arrive at the scene they discover eleven bodies, yet there were only supposed to be ten nuns in residence.
It’s eleven days before Christmas, and despite their superiors wanting the case solved before the holidays, Carrigan and Miller start to suspect that the nuns were not who they were made out to be. Why did they make no move to escape the fire? Who is the eleventh victim, whose body was found separate to the others? And where is the convent’s priest, the one man who can answer their questions?
Fighting both internal politics and the church hierarchy, Carrigan and Miller unravel the threads of a case which reaches back to the early 1970s, and the upsurge of radical Liberation Theology in South America – with echoes of the Shining Path, and contemporary battles over oil, land and welfare. Meanwhile, closer to home, there’s a new threat in the air, one the police are entirely unprepared for…
Spanning four decades and two continents, Eleven Days finds Carrigan and Miller up against time as they face a new kind of criminal future.
In this stunning anthology Carol Ann Duffy has selected 99 poems exploring parenting.
The special bond between parent and child is both powerful and unique. And yet there is a time when that bond must ease, where our grip on that dear one must loosen, when we must let them go whether we are ready to or not.
After the battle of Brunanburh, when Æthelstan’s army defeated an invading alliance of Scots, Irish, Britons and Norse, the Viking mercenary Egil Skallagrimsson extemporised a panegyric for the English and their king. Englaland is a stunning re-imagining of Skallagrimsson’s song, an unapologetic and paradoxical affirmation of a bloody, bloody-minded and bloody brilliant people. Danish huscarls, Falklands war heroes, pit-village bird-nesters, aging prize-fighters, flying pickets, jihadi suicide-bombers and singing yellowhammers parade through the book in an incendiary combination, rising to the challenge of the skald s affirmation: you are the people in the land; know you are the people; know it is your land.
Dorothy Lehane’s debut poetry collection is experimental and exploratory – part daybook, and part astronomical chart, this is a voyage into both the self, the body and the personal as well as into an ever-expanding cosmos of stars, planets and space. The poems of Ephemeris are fiercely bright and tuned in on a precise, musical wavelength of sound and form. Language, seen here through this particular telescope, is exuberant and numerous with possibilities, gracefully testing its own boundaries. In galaxies of sounds and shapes, Lehane brilliantly takes a giant lyric leap from poem to poem, making for something of a stellar debut.
Shivanee Ramlochan’s poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic. Her poems reference the language and structural patterns of the genres of fantasy or speculative fiction, though with her own distinctive features, including the presence of such folkloric Trinidadian figures as the Duenne, those wandering lost spirits whose feet point backwards. Her characters are variously described as soldier, thaumaturge, surgeon and much else, and her speakers live in a world that is located somewhere between the fantastic and the ordinary, everyday world of school buses, home chores and domesticity.
In Shivanee Ramlochan’s first collection of poems, Trinidad and Caribbean poetry finds an exciting new voice, one that displays a sharp intelligence, and iconoclastic spirit and fertility of imagination. Ramlochan’s poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic.
In this, her first poetry collection since the award-winning Countries of the Body, Tishani Doshi returns to the body as a central theme, but extends beyond the corporeal to challenge the more metaphysical borders of space and time. These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers’ childhoods. As much about loss as they are about reclamation, Doshi’s poems guide us through an ‘underworld of longing and deliverance’, making the exhilarating claim that through the act of vanishing, we may be shaped into existence again.
Exire is not a novel. It is not a collection of short stories. It is, instead, both of these things: stories that may stand alone whilst being inextricably tied together. It is Helen Mort’s first foray into the world of fiction beyond poetry.
Exire: Dystopian Britain, the year unspecified. A new website, Exire, offers those who feel disconnected from their lives one last act of choice, packaged as a bespoke service. In this unsettling collection, voices fade in and out, people connected by Exire’s troubling appeal. At the heart of it all is Lorna, a young musician who has made a painful decision. We hear her story in reverse.
Expressions from London & Home Counties is a unique collection of poetry and verse written in a variety of styles and themes, brought to us from many of today’s modern and traditional writers. The poems provide an insight into the concerns of people who reside in this area and capture the essence of life living there. They are easy to relate to and encouraging to read, offering engaging entertainment to their reader.
This delightful collection is sure to win your heart. It will be a companion for life, perhaps even earning that favourite place on your bookshelf.
The collection ‘Fariground Magician’ brings together stories about love fulfilled and unfulfilled, about things that are visible in the everyday world and values that are perceptible only at exceptional moments. The narration moves from apparent realism to other genres, such as crime fiction, the thriller and erotic prose. Memories, intimations, and premonitions are infused in these stories with a tranquillity that accepts what fate brings, even when, as in the stories Pockets Full of Stones or Nosedive, efforts are made to change it. Lengold uses eroticism as a natural ingredient of human life, as an integrated tension consisting of two inseparable aspects – body and soul – energising stories like Love Me Tender, Fairground Magician, Zugzwang, Wanderings, and Aurora Borealis. In Fairground Magician, Lengold is a lucid observer of minute details and subtle emotional shifts. In stories like It Could Have Been Me, Shadow, or Ophelia, Get Thee to a Nunnery, she manages to leap over the wall between the bodily surface and the human interior in a very distinctive way. No matter how common the situations she depicts – whether it be broken marriages, unfulfilled expectations, or the motives of forlorn lovers – Lengold is constantly searching for the authentic, finding it within the sophisticated irony which is a trademark of her fiction.
Created from more than forty hours of intimate conversations with the journalist Sean O’Hagan, this is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity.
The book examines questions of belief, art, music, freedom, grief and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years.
Faith, Hope and Carnage offers ladders of hope and inspiration from a true visionary.
First published in 1932 and written in simple, direct prose, Farmer’s Glory is a portrait of a farming life in southern England and in western Canada, and is a model of the genre: warm and humorous as well as an astute and unflinching account of the hardships of a farming life. Introduced, in this new, edition by James Rebanks, bestselling author of The Shepherd’s Life.
Henry Wadsworth Longfellow (1807–1882) was the most popular American poet of his time, and one of the most famous American poets of all time. It has been said that certain of his poems — the long narratives Evangeline and The Song of Hiawatha most notably — were once read in every literate home in America. A former teacher who fulfilled his dream to make a living as a poet, Longfellow taught at Bowdoin and Harvard, was eventually honored for his poetry with degrees from Oxford and Cambridge, and is one of the few Americans to have a monument dedicated to his memory in Westminster Abbey. This choice collection of his works, which reflects his mastery of a rich variety of poetic forms and meters, includes one of his best narrative poems, The Courtship of Miles Standish. Here, too, are such famous poems as “The Village Blacksmith,” “The Wreck of the Hesperus,” “The Children’s Hour,” “Paul Revere’s Ride,” and other poems on subjects ranging from lost youth and Giotto’s Tower to slavery and the building of a ship. Includes a selection from the Common Core State Standards Initiative: “Paul Revere’s Ride.”
These poems are luminous despatches from the charged, porous boundary between “animal” and “human”. They pull apart and remake definitions and categorisations of wildness and civilisation, training their focus on the language we use to describe youth, social class, and the body. From iron horses to grizzly bears, from deep-water fish to scanderoons, Feral roams the limits of power, language, and love. Cinematic, playful, edgy, tender, startlingly imaginative and strange, Feral’s voices carve out a space in the borderlands. Kate Potts’ Whichever Music was a Poetry Book Society Pamphlet Choice in 2008 and shortlisted for a Michael Marks Award. Her first book-length collection, Pure Hustle, was published by Bloodaxe in 2011. Feral is her second collection and is a Poetry Book Society Recommendation. ‘Intricate, vital-tender, dazzling work – Potts’ poetry sings even as it bares its teeth.” – Eley Williams on Feral
How do we even begin to narrate the history of the world? Where do we start, and where do we end? Fireflies is Luis Sagasti’s bold and original attempt to answer these questions. Taking an eclectic array of influences and personalities from modern history, he teases out events that at first glance seem random and insignificant and proceeds to weave them together masterfully, entertaining as he enlightens. Joseph Beuys, Antoine de Saint-Exupéry, Stanley Kubrick, Neil Armstrong, Wittgenstein, Glenn Miller and the Beatles; poets and authors, priests, astronauts and Russian sailors all make an appearance, and Sagasti finds common threads to bind their stories together.
The fireflies themselves perhaps provide the key to understanding this book. They become a metaphor for the resistance of certain luminous moments, certain twinkling fragments of history, to the passing of time. They remind us that events do not always disappear neatly into the darkness, but rather remain, floating in the air, lighting up the night sky for years to come. Sagasti shows us that the present moment, like this novel, is a tapestry woven of a multiplicity of times.
Using his unique, poetic and keenly observant style, Sagasti turns the accidents of history into a single, lyrical constellation, and for the reader it’s an extraordinary sight.
