|Dimensions||220 × 150 × 25 mm|
Doom 94 is Jonevs’ debut novel, published first as Jelgava 94 in Latvia in 2013 and was quickly proved to be a big hit and bestseller. Translated into 11 languages already, it is here for the first time in English.
The story is set in the 1990s in the Latvian city of Jelgava and looks at the burgeoning craze during this decade for the alternative culture of heavy metal music. Jonevs takes the reader deep inside the world of music, combining the intimate diary of a youngster trying to find himself by joining a subculture, as well as a skilful, detailed, and almost documentary-like depiction of the beginnings of the second independence of Latvia–where Jonevs is the first writer to stir up memories of this period through a fully-fledged literary depiction.
Doom 94 is a portrait of a generation searching for their identity and up against the world, trying not to become ‘one of them’. But is it for real? Can any adult keep the promise made as a child?
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W. H. Auden, in his essay, The Poet and the City, (the Dyer’s Hand, 1962), starts with a quote by H. D. Thoreau: “There is little or nothing to be remembered written on the subject of getting an honest living…….One would never think, from looking at literature, that this question had ever disturbed a solitary individual’s musings.”
Auden covers much in this essay, but it’s his concept of the modern hero which is relevant here: “the man or woman in any walk of life who, despite all the impersonal pressures of modern society, manages to acquire and preserve a face of his own.”
In Geoff Hattersley’s latest collection, Harmonica, we have Auden’s hero; in fact, a succession of them. These are heroes battling against the complexity, confusion, drudgery and relentlessness of making ends meet.
This collection is appealing on many levels: for its simple language, the way he maps the struggle against these ‘impersonal pressures’, the optimism you unearth as you read more deeply, and the love of people.
In a land not too far away and a time yet to be decided, one man and his Dad embark on an epic journey of war, peace, love, religion, magnificent flying machines and mushy peas.
The Bastard Wonderland is the astonishing debut fantasy novel from Hull writer Lee Harrison.
The thread connecting the tales in ‘Corksucker‘ is the years Fante spent as a cab driver and self loathing alcoholic in the pitiless sunshine of Los Angles. All of the anger and rage of the novels are here, yet the format of the short story allows him to shift focus away from Fante as anti-hero and focus on the bizarre and damaged characters who come in and out of his orbit: the sad, petty, spiteful alcoholic doorman known as Wifebeater Bob, the beautiful, grief-crazed, tragic Mrs. Randolph and most memorably the smacked-out, fast talking, amoral Libby who along with his girlfriend Niggabitch and their insatiable pet boa constrictor form the nucleus of one of the collections stand out stories – the outrageous, ghoulish black comedy ‘Princess.’
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
CCTV cameras, TV recording equipment, microphones, all capturing and recording events in peoples lives. In today’s Big Brother world, these constant intrusions are at once a threat and a comfort – moments would be lost forever without surveillance. Tim cumming tells of events caught on camera as they happen to disparate protagonists, seemingly at random, but which dissolve into one another as they loose partners, jobs, identities and belief. “Contact Print” is set in a traffic jam on the Holloway Road in London. Its hero is Tony Harris, who is seen driving away for the last time from his married girlfriend’s house into a traffic snarl-up, a demo, a pub, a maze of memories, the city or the city itself, repeating itself to the horizon, which finally swallows him up. Along the way we are treated to arresting images of urban life, from the kidnapping of a junior minister to doing smack in the toilets of Paddington station. This is a world of personal and political instability, captured with photographic accuracy.
Tim Cumming’s poems have been published widely in Britain and America, and he writes regularly for The Guardian and The Independent. His work has been broadcast on BBC radio and TV, and he has featured in the New Voices season at the South Bank. He lives and works in London.