£4.00
Thomas Cromwell. Son of a blacksmith, political genius, briber, charmer, bully. A man with a deadly expertise in manipulating people and events.
Mike Poulton’s ‘expertly adapted’ (Evening Standard) two-part ad adaptation of Hilary Mantel’s acclaimed novels Wolf Hall and Bring Up the Bodies is a ‘gripping piece of narrative theatre … history made manifest’ (Guardian). The plays were premiered to great acclaim by the Royal Shakespeare Company in Stratford-upon-Avon in 2013, before transferring to the Aldwych Theatre in London’s West End in May 2014.
3 in stock
| Weight | 0.320 kg |
|---|---|
| Dimensions | 198 × 129 × 21 mm |
| ISBN | 9780007549894 |
| Cover | Paperback |
| Publication Year | 2014 |
| Publisher | HarperCollins Publishers |
How far would you go to resist oppression? What would you choose to remember, and what to forget? Are some wounds never meant to heal?
Siddhartha Bose’s play takes us to 1930s India to tell the story of Pritilata Waddedar, a young, female revolutionary who leads an attack on a whites-only club. ‘No Dogs, No Indians’ was commissioned by five major performing arts venues to mark the 70th anniversary of Indian independence.
Double Take tells how to rob Heathrow Airport and get away with it.
An ‘Italian Job’ for the 21st century, with swearing in several languages – some of it translated – chillis as offensive weapons, but no Minis. Double Take deconstructs one of Agatha Christie’s most audacious plots.
Three plays, ‘all written for live theatre – with the emphasis on live’, and all first performed at the Stephen Joseph Theatre, Scarborough: The Revengers’ Comedies (1989); Things We Do for Love (1997); and House & Garden (1999).
The Revengers’ Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage – Strangers on a Train, Rebecca, Kind Hearts and Coronets – and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times
Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times
House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
A Wedding Story
‘A spry if wintry comedy about a lesbian, a wedding-day bonk, and a mother who contracts Alzheimer’s… It dares to find failure and frivolity (a sure sign of dramatic honesty) in the face of domestic hell. Funny, frank and churning by turns, this struck me as a lyrical new play about the unlyrical business of coping when real life knocks on the door.’ Daily Express
Frozen
Winner of the TMA Best New Play award and Eileen Anderson Central Television Award for Best Play.
‘Bryony Lavery’s big, brave, compassionate play about grief, revenge, forgiveness and bearing the unbearable.’ Guardian
‘A major play… thrilling, humane and timely.’ The Times
‘Consistently surprising and even bravely comic… The almost thriller-like promise of the play’s climactic confrontation is like a time-bomb ticking in the back of your head.’ Independent
Illyria
A young war reporter gets abducted and finds herself in the midst of a cycle of violence, in a land crippled by hate.
More Light
‘Triumphant… A startlingly metaphorical play about the creation of art.’ Independent
For Butterfly Boy – sitting alone in a Fiat 500 in the pouring rain – the reasons for joining a gay and inclusive rugby union team in a rugby league obsessed city didn’t seem that apparent. But once in the changing room a whole new world opens up.
Inspired by a true story Safer is a hard hitting, tender and funny exploration of the toxic side of team sports and how one new team decided to tackle it head on.
Radio Castle, the voice of Jerusalem. Your local news broadcast from the bed of housebound ex-fireman, John Edward. His son doesn’t want to join the family business, and his wife is in love with the town’s ex-policeman, but Radio Castle continues to broadcast despite everything life throws at John Edward. When the coveted position of Entertainment Secretary at the Jerusalem Social Club comes up, only one man stands between John Edward and his dream – a certain ex-policeman. As two old adversaries square up, who will get the girl and who will get the job?
This dark musical comedy premiered at West Yorkshire Playhouse in November 2005.
