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Harmonica

£7.99

W. H. Auden, in his essay, The Poet and the City, (the Dyer’s Hand, 1962), starts with a quote by H. D. Thoreau: “There is little or nothing to be remembered written on the subject of getting an honest living…….One would never think, from looking at literature, that this question had ever disturbed a solitary individual’s musings.”

 

Auden covers much in this essay, but it’s his concept of the modern hero which is relevant here: “the man or woman in any walk of life who, despite all the impersonal pressures of modern society, manages to acquire and preserve a face of his own.”

 

In Geoff Hattersley’s latest collection, Harmonica, we have Auden’s hero; in fact, a succession of them. These are heroes battling against the complexity, confusion, drudgery and relentlessness of making ends meet.

 

This collection is appealing on many levels: for its simple language, the way he maps the struggle against these ‘impersonal pressures’, the optimism you unearth as you read more deeply, and the love of people.

Harris’s Requiem

£6.50

From Booker-Prize winning novelist Stanley Middleton.

 

Thomas Harris is on the cusp of success as a classical composer with a growing reputation.

 

When his father, a coal miner, dies Thomas decides to write a requiem for him which is also a thinly veiled attack on the powerful elite. In spite of opposition he finally succeeds in getting his work performed but how will the critics react?

Harry Gruyaert: Between Worlds

£40.00

A new collection from the award-winning Magnum photographer.

A master of colour-saturated images, Harry Gruyaert has roamed the world searching for the perfect light for more than forty years. His very intuitive and physical sense of place immerses the spectator in a world that borrows simultaneously from the cinematic universe and from that of the painter. Dissolving the boundaries between the exterior and interior, Between Worlds offers just such a sensory immersion.

No matter the setting, the country or the era, Gruyaert deploys a luminous alchemy suspended in time. Where are we? It doesn’t matter: in Gruyaert’s world, the pleasure of getting lost reigns.

Haunted Houses

£10.99

From the author of Weird Fucks, a witty, bleak, and outrageous account of American girlhood. Haunted Houses is the story of three young women. Jane’s occasionally violent father reads her the Gettysburg Address at bedtimes, while Emily’s parents are FDR Democrats who only privately concede she may be normal. Grace believes her dolls come alive at night and talk against her, and has a mother who likes animals more than people. Tillman charts the girls’ unsteady drift into womanhood, revealing the multiple forms of inheritance – family, gender, culture – that a girl must swallow or rebel against. Haunted Houses is about the past within the present, the inescapability of private memory and public history. In prose that is uncanny and precise, it showcases Lynne Tillman at her boldest and most trenchant.

 

Her Majesty’s Royal Coven

£14.99

THE #1 SUNDAY TIMES BESTSELLERThe first in a supernatural new series from the author of Wonderland , Her Majesty’s Royal Coven follows a top-secret government department of witches and the deadly threat to the nationt they must confront.

‘Juno Dawson is at the top of her game in this vibrant and meticulous take on witchcraft. Her characteristic wit and grit shine through’
Samantha Shannon

Hidden among us is a secret government department of witches known as Her Majesty’s Royal Coven.

They protect crown and country from magical forces and otherworldly evil, but their greatest enemy will come from within…

There are whisperings of a prophecy that will bring the coven to its knees, and four best friends are about to be caught at the centre.

Life as a modern witch was never simple … but now it’s about to get apocalyptic.

Prepare to be bewitched by Juno Dawson’s first adult series. A story of ancient prophecies and modern dating, of sacred sisterhood and demonic frenemies.

High Spirits: A Round of Drinking Stories

£9.99

Winner, “Best Anthology” at the Saboteur Awards 2019

 

Drinking stories are told by drunks, or about drunks; they are told in pubs, or set in pubs. They are stories where people drink, and stories which somehow induce a sense of drunkenness in readers and listeners. Anton Chekhov may or may not have drunkenly compared the experience of reading a short story to downing a shot of vodka, and F. Scott Fitzgerald claimed that a good short story could “be written on a bottle.” Here is a collection of contemporary short stories written on and about bottles – stories about the comedies, tragedies, pleasures, pains and horrors of alcohol – all of which can be downed like (and perhaps with) a glass of vodka.

 

‘An intoxicating cocktail of stories. Drink deep, but be warned: there is darkness in the cup.’  Will Buckingham

Hollywood

£9.99

Henry Chinaski has a penchant for booze, women and horse-racing. On his precarious journey from poet to screenwriter he encounters a host of well-known stars and lays bare the absurdity and egotism of the film industry. Poetic, sharp and dangerous, Hollywood – Bukowski’s fictionalisation of his experiences making the film Barfly – explores the many dark shadows to be found in the neon-soaked glare of Hollywood’s limelight.

Holt House

£5.99

t’s a quiet house, sheltered, standing in a mass of tangled old trees called the Holtwood. Raymond watches it. He’s been watching it, through a gap in the fence at the bottom of the garden, for weeks. Thinking about the elderly owners, Mr and Mrs Latch, who took him in one night when he was a frightened boy caught up in an emergency. Mr Latch showed him something that was kept in a wardrobe in the spare room. He can’t remember what it was. He only knows how sick it made him feel. Raymond watches Holt House. He has to remember what he saw. He has to get inside.

Home Home

£6.99

A coming-of-age tale with a twist: a clinically depressed Trinidadian teenager, who has attempted suicide, is banished by her mother to Canada to live with her aunt. She feels lonely and in exile. But with the help of her lesbian aunt, a gorgeous-looking boy and her Skyping best friend “back home” in Trinidad, she begins to realise that loving families can exist in different shapes and sizes. Then her mother arrives and threatens to take her back to Trinidad. Where then is home?

Homunculus

£10.99

Homunculus is a long poem from award-winning poet and translator James Womack, based around the Elegies of the Roman poet Maximian. The last of the Roman poets, Maximian wrote in the sixth century, after the fall of the Western Roman Empire; critics have called his Elegies ‘one of the strangest documents of the human mind’, and W.H. Auden singled him out as a ‘really remarkable poet’. Womack’s versioning of the Elegies shows how this harsh poem of sex and old age can speak to our own contemporary, collapsing world.

House

£9.99

Myra Connell’s House is a startling debut collection from a poet adept at turning the poem’s confines in rooms for the reader to inhabit. These poems are by turns enchanting and darkly disquieting; they invite us in, ask questions, look for clues and mark out telling absences. The house in question could be in the heart of the woods, high up on the moors, or lone block at the end of a lost urban terrace. A cast of characters come and go from its spaces, life moves onwards as the day fades to twilight. The outside world presses in at the windows, a wilderness awaits at the threshold.

How To Be A Poet

£14.99

As a natural follow-on to the 52 Project of 2014, this book aims to help poets taking the next step in developing, working and participating in the wider creative community as a writer. How to be a Poet combines practical advice and topical mini-essays that examine both the technical and creative dimensions of being a poet. It’s a no-nonsense manual where we’ve replaced the spanners with lots of ink, elbow grease and edits. At each step, we ask plenty of questions – what makes a poem tick over perfectly, how do we get it started when it stalls, and which warning lights should you never ignore?

Hull Speedway: Craven Park – The First Ten Years

£12.00

The ten years since 1995, when speedway returned to Hull after a fourteen-year absence, have been a rollercoaster ride for the Vikings. A string of new owners oversaw successive periods of on-track success and failure, and closure often seemed imminent until the club finally succumbed in 2003. Bouncing back under Paul Hodder, the Vikings enjoyed their best ever season in 2004, winning the league title to herald in an exciting new era for the club and the city.

 

Charmed life, luck, tenacity, refusal to die – whatever – the first ten years at Craven Park have been anything but dull, and all this is brought to life in the second volume of Roger Hulbert’s history of the club, which like the first volume contains many quality photographs and all the relevant statistics to complement the narrative of Hull Speedway’s most recent era. It is an essential read for all fans of the club.

Hydra’s Heads

£9.99

German poet Nora Gomringer is here translated into English for the first time by Scottish poet and editor Annie Rutherford. There is no simple equivalent to Nora Gomringer in the UK but Kate Tempest is perhaps the closest in terms of the way she is experimental wile remaining accessible and in her ability to stride seamlessly from stage to page to film to literature festival. These are poems which defy categorisation – interweaving the best of page and spoken word poetry to create something entirely of her own. They are poems which laugh, howl, stamp their lines. They are candid, wry, compassionate. There are poems about the darker times of Germany’s modern history, reworkings of myths and fairy tales, and a 3-page-long ode to sex against a wall. All brought perfectly into English by Annie Rutherford.

I & I: The Natural Mystics

£9.50

The history of the original Wailers — Tosh, Livingstone and Marley — as never before told.
 

Over one dramatic decade, a trio of Trenchtown R&B crooners, Peter Tosh, Bunny Wailer and Bob Marley, swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers — one of the most influential groups in popular music.
 

One of our best and brightest non-fiction writers examines for the first time the story of the Wailers. It charts their complex relationship, their fluctuating fortunes, musical peak, and the politics and ideologies that provoked their split, illuminating why they were not just extraordinary musicians, but also natural mystics. And, following a trail from Jamaica through Europe, America, Africa and back to the vibrant and volatile world of Trench Town, Colin Grant travels in search of the last surviving Wailer.

I Am Both Stranger and of This Place

£5.00

Poems from Indonesia and the UK by Rufus Mufasa, Irma Agryanti, Billy Letford, Mario F. Lawi, Roseanne Watt, Jamil Massa.

 

The Indonesia – UK Poetry Indigenous Language Exchange is a project conceived by the British Council, Makassar International Writers’ Festival, Contains Strong Language and Wrecking Ball Press to enable cultural and linguistic exchange between poets from East Indonesia and the UK.

 

This project also celebrates UNESCO’s Year of Indigenous Language. This project is part of the broader programme of events for the Indonesia Market Focus at London Book Fair and is supported by the Indonesia Ministry of Education and Culture, the Indonesia Agency for Creative Economy (Bekraf) and the Indonesia National Book Committee.

I Just Stepped Out

£5.50

In October 2013 Felix Dennis was told he had terminal cancer. He was in the midst of a 30-day poetry reading tour, and characteristically he chose to continue, performing to sell-out audiences with his legendary verve and enthusiasm. He also began compiling this, his tenth, book of verse. Divided into two parts: the first, ‘Premonitions’, is a selection of poems written over the years when, in Dennis’s words, ‘the heart knew what the mind dared not perceive’. Having always lived on the edge, he intuited an early death. The second part, ‘A Verse Diary’, consists of poems slected by Dennis from the many he wrote between the date of his terminal diagnosis and his death. Poems which, he felt, were possibly the best he had ever written. Topped and tailed with the Author’s Notes, this book takes readers on a physical, emotional and psychological journey. Sadly, Felix Dennis did not live to see its publication.

I, From Nothing

£14.00

Luísa from Nothing, born Matilde Boshoff in 1911, is the last living heiress of Nothing, a vast estate in the wine countryside north of the Portuguese capital. Without heirs of her own, the only way to save Nothing from the nothingness of disappearance is to accept living. In anonymous company, Luísa tells the story of Nothing and the paradox of a place name that nullifies existence. Luísa is also a non-existence, with a name she never took but in which she has lived from birth.

 

Going back to the early 19th century when Nothing was created out of the chaos of the Napoleonic Invasions, Luísa traces the story of her family and its intersection with Portuguese and world history in a place where oddities and unpronounceable possibilities were always as natural occurrences as ghosts and werewolves. After a life of losses and brushes with the unfathomable, Luísa realises Nothing is her own eternal self.

 

Based on true events and characters…

Ian Hamilton: Collected Poems

£8.00
Edited by Alan Jenkins, this authoritative Collected Poems contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most distinctive bodies of work in twentieth-century English poetry.

If These Apples Should Fall: Cezanne and the Present

£30.00

A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world’s most respected art historians.

For more than a century the art of Paul Cezanne was held to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rilke revered him deeply, as did Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding.

If These Apples Should Fall: Cezanne and the Present looks back on Cezanne from a moment – our own – when such judgments may seem to need justifying. What was it, the book asks, that held Cezanne’s viewers spellbound?

At the heart of Cezanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, examining the art of Pissarro, Matisse and others in relation to it. Above all, he speaks to the uncanniness and beauty of Cezanne’s achievement.

If This Were Real

£7.95

Gerda Stevenson s long-awaited first full-length collection is filled with music skipping rhymes, piano, fiddle and dance music, laments and lullabies. She sings about butterflies, snowberries, aunts, teachers, Pentland rain, Sarajevo roses, graveyards, driftwood and the lost Eden of childhood; about wild weather, warm companionship and unmarked graves, about Bosnia, Iraq, Syria the Pyrenees and Scotland. If This Were Real is a kind of autobiography in verse, informed by intense relationships with places and people, by the personal and the political, by family life and the wider community in her native Scotland and beyond. Stevenson s experience as an actor and singer/song-writer is evident in the rhythmic sound structure of her writing these are poems that demand not just to be read, but to be performed, spot-lit lies, floodlit truths, and shadowed ambiguities / in our retellings of the world s old tales .

If You Look For Me, I am Not Here

£8.99

Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.

In Another Country

£9.99

The stories of David Constantine are unlike any others. His characters possess you instantly, making you see the world as they do – sometimes as exiles, driven into isolation by convictions that even they don’t fully understand; sometimes as carriers of an unspoken but unbearable weight. The things they pursue, or evade, are often unseen and at a distance – like the perfectly preserved body of a woman in the title story, waiting to be discovered in the receding ice of a Swiss glacier.

In the Blood

£16.99

In the Blood is Andrew Motion’s beautifully written memoir of growing up in post-war England – an unforgettable evocation of family life, school life and country life. It also tells the story of how these worlds are shattered, when his mother suffers a terrible riding accident.

 

 

The tragedy shadows the book, feeding its mood of elegy as well as its celebratory vigilance. Written from a teenage child’s point of view, without the benefit of adult hindsight, Motion captures the pathos and puzzlement of childhood with great clarity of expression and freshness of memory. We encounter a strange but beguiling extended family, a profound love of the natural world, a troubled schooling, and a growing passion for books and writing.

 

 

By turns funny and elegiac, In the Blood is a wonderful picture of a vanishing England, a remarkable insight into a poet’s mind, and a deeply moving portrait of the bond between a mother and her son.

In the Event

£10.99

John Birtwhistle has said that ‘one writes each poem just to learn how to write it’, and insists that he ‘doesn’t care a dried pea for Artistic Development or Finding One’s Own Voice’. The result, of course, is that a strongly recognisable voice comes through. For all their variety of forms and ideas, his poems are consistent in their visual precision, their scrupulous phrasing and their formal clarity. These qualities are brought to everything he touches, whether it is a passing moment of childhood, a natural detail, a wryly stoic observation, or perennial emotions in the face of events from before birth (first foetal movements) to after burial (removal to an ossuary).

 

Many scores of individuals are named or make their appearance in some way. If one poem is satiric, the next is unashamedly lyrical. Several reflect on the adequacy of art, and a feature is the stream of very short pieces by way of illustration or riposte, like the border of the Bayeux Tapestry. Wit and feeling are so interwoven in Birtwhistle’s technique, that when it comes to the register of loss and death he is able to find what an otherwise hostile critic admitted ‘can be a kind of bridled eloquence’. Word frequency analysis shows a high incidence of time, thought, light, morning, child, apple tree, painting and fossil.

Incedium Amoris

£8.95

Steve Ely s new book takes its inspiration and its title from Incendium Amoris ( The Fire of Love ) by the fourteenth century saint and mystic Richard Rolle, the hermit of Hampole . The book offers a vision of pre-Reformation and post-industrial England through the eyes of the trespasser, the poacher, the recusant and the revolutionary, in solidarity with the swinish multitude against the landed power. Contesting language and landscape and addressing issues including carnality, class, scepticism and belief, Incendium Amoris is a peasant s revolt against the accelerating cultural, social and environmental devastations of globalising capital, a guerilla-pastoral prophecy of a yeoman-anarchist utopia.

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