Saxophone Colossus: A Portrait of Sonny Rollins

Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere’s backing in 1922), publication of The Hollow Menand the course of Eliot’s thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot’s intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot’s first publication with the house with which he would be associated for the rest of his life.

It was partly because of Eliot’s profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.

Sir Robert Vere (‘Robin’) Darwin, great-grandson of Charles Darwin, was a British artist of note and the highly influential Rector of the Royal College of Art from 1948 until 1971. His story, beginning in 1910, takes in life as an art student and then a teacher, his wartime involvement in camouflage, British postwar reconstruction and the Festival of Britain 1951. His influence in shaping British arts education for the future is uncontested (the list of RCA graduates from 1950-1980 is particularly impressive, including not only fine artists (David Hockney, Peter Blake) but also leaders in industrial design such as James Dyson.

The current status of the Royal College of Art is largely the result of one man, a formidable force with the drive, vision and ability to inspire huge loyalty and first-class creative thinking in others. The list of RCA professors, tutors and visiting lecturers recruited by Darwin reads like a rollcall of the best in post-war British design and art, and their influence continues to inspire students to this day.