Weight | 0.315 kg |
---|---|
Dimensions | 205 × 138 × 21 mm |
ISBN | 9780747555230 |
Cover | Hardback |
Publication Year | 2001 |
Publisher | Bloomsbury |
£7.50
Sabrina Fludde
Abren is washed ashore along the Welsh river Sabrina Fludde, inexplicably alone. Who is she? Where did she come from and where is her family? As Abren seeks answers to the unknowns in her life, she encounters several other characters, mysterious in their own right. The thread that weaves their stories together is the mystical river and it is the same river that, in the end, will link Abren to her past. Expertly grounded in place and character, legend comes to life in this book.
5 in stock
Related products
Boy About Town: A Memoir
£8.00As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history.
Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.
Featuring a vibrant cast of supporting characters (from school friends to rock stars), and built up from notebooks, diaries, interviews, letters, and issues of his now legendary fanzine Jamming!, Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.
Under the Mound
£9.00During the Yule season of 1153 Malcolm mac Alasdair is sent to serve the half-Scottish, half-Viking Earl of Orkney, who is on a quest to regain his earldom from a treacherous cousin. Malcolm is an artistic boy with no knack for warfare, he is certain that he will only hinder the young earl – and get himself killed in the bargain. His father’s reason for sending him out on this adventure does nothing to allay his fears: in a vision he has seen Malcolm go to Orkney with Earl Harald. But this vision is incomplete – he hasn’t seen Malcolm return…
Protect the Children
£5.50Is your father a member of a satanic order? And would your own mother conspire to have you silenced in order to keep the secret?
When an unsuspecting care worker stumbles across a plan to abduct a young girl from a children’s home, intuition is ignored, the consequences high.
Hidden behind the establishment’s polished façade exists a cult. Paedophilia and ritual sacrifice, life-giving blood in exchange for power and wealth are rife.
Below Europe’s surface, a labyrinth is discovered. The Atanii, half human half animal, dwell within its realm – the gods worshiped by the elite, the hidden force that has manipulated the world above for thousands of years.
Set in three European countries, five lives collide and become tangled in a web of mysterious intrigue. A dark but humorous tale of missing children, reincarnation and mind control.
On the Genealogy of Morals (Audiobook CDs)
£7.50This is one of the most accessible of Nietzsche’s works. It was published in 1887, a year after Beyond Good and Evil, and he intended it to be a continuation of the investigation into the theme of morality. In the first work, Nietzsche attacked the notion of morality as nothing more than institutionalised weakness, and he criticised past philosophers for their unquestioning acceptance of moral precepts. In On the Genealogy of Morals, subtitled ‘A Polemic’, Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards ‘morality’ evolved and the way congenital ideas of morality were heavily coloured by the Judaic and Christian traditions.
The Dark Film
£5.99The Dark Film, Paul Farley’s first collection since the highly acclaimed Tramp in Flames, expands the poet’s research into ‘the art of seeing’, and all that humans project of themselves into the world. Farley’s great poetic gift is his ability to switch between the local and the universal, the present and the historical past, with the most apparently effortless of gear changes; he brings to our immediate attention things previously hidden – whether out of sight, in the periphery of our vision, or right under our noses. The Dark Film is a profound meditation on time, on the untold stories of our history, and on the act of human beholding – as well as Farley’s most richly entertaining and rewarding collection to date.