|Dimensions||125 × 142 × 24 mm|
On the Genealogy of Morals (Audiobook CDs)
This is one of the most accessible of Nietzsche’s works. It was published in 1887, a year after Beyond Good and Evil, and he intended it to be a continuation of the investigation into the theme of morality. In the first work, Nietzsche attacked the notion of morality as nothing more than institutionalised weakness, and he criticised past philosophers for their unquestioning acceptance of moral precepts. In On the Genealogy of Morals, subtitled ‘A Polemic’, Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards ‘morality’ evolved and the way congenital ideas of morality were heavily coloured by the Judaic and Christian traditions.
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In 2015, Inua Ellams was poet in residence at the Poetry Library at the Southbank Centre in London. His #Afterhours project took him on a voyage of cultural translation and transposition through time and place, to the heart of the libraries archive collections, and through his own life s story as he selected poems published during each year of his life, from birth to the age of 18.
In return, Ellams opens up a captivating and potent dialogue between poems, writing a diary and intricately-crafted poems of his own in conversational response to the poems he selected from the library collections. Here, for the first time together, are the collected #Afterhours poems alongside the re-discovered poems which inspired them and the diary entries which follow this journey. In Ellams meticulous hands, this becomes an entire narrative in its own right, compelling and magnetic, drawing parallels of displacement, language and reclamation, and showing poetry’s great capacity to be a powerful amplifier of human experience.
This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
‘Owen writes fast and tough, like a cop flick voice-over – if anything, Clubland Confidential is Robin Moore’s The French Connection remixed for the “chemical generation” ‘ -The Guardian
Clubland Confidential is the true story of the rise and fall of a decadent nocturnal empire that stretched over several American cities and spawned its own subculture of celebrities and wannabes. Journalist, Frank Owen spent nearly a decade inside the nightclubs of the 1990s – an era when disco gave way to more unsettling dance music, cocaine was supplanted by Ecstacy and heroin, ‘clubkids’ mingled with bully boys, trans people danced with stockbrokers, and celebrities looked on. But as the drugs got out of control, their world became murkier and slowly began to implode. As clubland decadence turned to darkness, its self-publicised king, Michael Alig, committed one of the most notorious crimes of New York’s recent history – the violent murder of Angel Melendez. With his friends fleeing for cover, a tangled web of mafia-related crimes begins to emerge and the secrets of New York nightlife are dragged through the courts.
Imagine being alongside one of the greatest bands in the history of rock, touring the world and being there as they perform at some of the best and biggest music venues in the world. Peter Hince didn’t have to imagine: for more than a decade, he lived a life that other people can only dream of as he worked with Queen as head of their road crew. In 1973, Queen was the support act for Mott the Hoople, for whom Peter was a roadie. Back then, Queen had to content themselves with being second on the bill and the world had not yet woken up to the flamboyant talent of Freddie Mercury. Peter started working full time for Queen just as they were making A Night at the Opera, the album which catapulted them to international stardom. In this intimate and affectionate book, Peter recalls the highlights of his years with the band. He was with Freddie when he composed ‘Crazy Little Thing Called Love’; he was responsible for making sure that Freddie’s stage performances went without a hitch – and was often there to witness his famed tantrums! He was also party to the sex, drugs and rock ‘n’ roll which are invariably part of life on the road with a rock band.