Weight | 1.412 kg |
---|---|
Dimensions | 254 × 203 × 26 mm |
ISBN | 9781861543141 |
Cover | Paperback |
Publication Year | 2010 |
Publisher | Booth-Clibborn Editions |
£14.50
Newspeak: British Art Now
Over a decade after Sensation and the advent of the YBAs, a new generation of artists has arrived, whose work collectively reveals an arresting insight into the future of contemporary art in Britain. In Orwell’s novel Nineteen Eighty- Four, Newspeak is the only language in the world whose vocabulary gets smaller every year. This book turns that Orwellian vision on its head, showing that the range of visual languages being exploited and invented by these artists is in fact expanding and multiplying. Through sculpture, painting, photography and installation, they explore such issues as class, consumerism and the phenomenon of instant success culture, often with a distinctly British dry wit.
Out of stock
Related products
The Distance Between Us
£12.99This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
Translation as Transhumance
£10.00Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.
Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.
The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.
The Writer’s War
£7.00‘When I come home and leave behind Dark things I would not call to mind …’ wrote Leslie Coulson, one of the many soldiers who tried to express his wartime experiences in writing: dreaming of an idyllic England in the face of the horror of the Western Front. Coulson was one of the hundreds of thousands who did not come home – but because of his poetry we glimpse something of his thoughts and experiences.
Today we can be grateful that so many of those who endured the First World War did write about it: giving us an unmatched view of an event which would otherwise be completely beyond our ability to imagine. The Writers’ War is a collection of excerpts from outstanding accounts of the First World War. It provides an essential insight to anyone interested in modern history or early twentieth-century literature. Extraordinary extracts bring the human experience of war brilliantly to life – from the terror of bombardment, or the camaraderie of military service, to the home front.
The writing reflects an enormous range of nationalities and personalities. It includes memorable poetry, fiction, and journalism. Some great names of modern English literature appear, such as Arthur Conan Doyle, D. H. Lawrence and Rudyard Kipling. In addition, there are superb accounts by foreign authors such as novelists Edith Wharton and Henri Barbusse, and flying ace Manfred von Richthofen. The Writers’ War gives an unparalleled insight into a world-changing event, and what it meant in human terms both to the writers and millions of others caught up in it.
Cover Versions: Singing Other People’s Songs
£4.00Back in pop’s early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people’s songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions – the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.
Leeds in the Eighties and Nineties
£12.00This is a photographic history book of the 1980s and 1990s from the Yorkshire Evening Post, chronicling life in Leeds throughout these twenty years.