Weight | 0.125 kg |
---|---|
Dimensions | 210 × 210 × 3 mm |
ISBN | 9781914288104 |
Cover | Paperback |
Publication Year | 2021 |
Publisher | Mad Hatter's Campsite |
£5.00
Mad Hatter, What’s the Matter?
Once there was a man who made hats, so everybody called him the Hatter…
5 in stock
Related products
On the Genealogy of Morals (Audiobook CDs)
£7.50This is one of the most accessible of Nietzsche’s works. It was published in 1887, a year after Beyond Good and Evil, and he intended it to be a continuation of the investigation into the theme of morality. In the first work, Nietzsche attacked the notion of morality as nothing more than institutionalised weakness, and he criticised past philosophers for their unquestioning acceptance of moral precepts. In On the Genealogy of Morals, subtitled ‘A Polemic’, Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards ‘morality’ evolved and the way congenital ideas of morality were heavily coloured by the Judaic and Christian traditions.
Jubilee Lines: 60 Poets for 60 Years
£6.50To mark the Diamond Jubilee of Queen Elizabeth II’s accession to the throne, Poet Laureate Carol Ann Duffy brings together a dazzling array of contemporary poets (sixty in fact) to write about each of the sixty years of Her Majesty’s reign. An all star line up – which includes such celebrated writers as Simon Armitage, Gillian Clarke, Wendy Cope, Geoffrey Hill, Jackie Kay, Michael Longley, Andrew Motion, Don Paterson and Jo Shapcott, alongside some of the newest young talent around – address a moment or event from their chosen year, be it of personal or political significance or both. Through a series of specially commissioned poems, Jubilee Lines offers a unique portrayal of the country and times in which we have lived since 1953, culminating in an essential portrait of today: the way we speak, the way we chronicle, the way we love and fight, the way we honour and remember. Brilliantly introduced by Carol Ann Duffy, Jubilee Lines is an unforgettable commemoration: not only a monarch’s reign but of a way of life.
On the Edge: My Story (Audiobook CDs)
£6.50Richard Hammond is one of our most in-demand and best-loved television presenters. On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars.
Spending Time with Walter
£4.50The long poem at the centre of John Hartley Williams’ new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway. Some of his remarks are addressed to his talisman, the shrunken head of an African tribesman. The barge carries a sinister cargo and its captain has a preference for sadistic sex. Other poems in the book undertake joumeys – to Northern Cyprus, China medieval France, Florida – but like ‘The Barge’ they’re not exactly travel poems, more poems which travel. Welcome to the unsettling world of John Hartley Williams, whose restless, inexhaustible imagination, originality and maverick humour have enlivened contemporary poetry for years. Paranoid, erotic, disturbed and disturbing, these are bulletins from a dislocated, parallel world that excites, entertains and terrifies – and often feels more real to us than our own.
Drysalter
£6.00Winner of the 2013 Forward Poetry Prize for Best Collection
Winner of the 2013 Costa Poetry Award
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2015 Portico Prize
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.