£4.99
Literary Lives is a book of decidedly unauthorised biographies by the acclaimed caricaturist Edward Sorel, who has long believed, that next to composers, writers are the craziest people in the world. The ten writers he has used to prove this thesis are Norman Mailer, George Eliot, Marcel Proust, Jean-Paul Sartre, Lillian Hellman, Leo Tolstoy, Bertolt Brecht, William Butler Yeats, Carl Jung and Ayn Rand. Although these comic strips are clearly meant to amuse, and the facts uncovered are sometimes hard to believe, each and every statement is absolutely true.
4 in stock
| Weight | 0.380 kg |
|---|---|
| Dimensions | 172 × 198 × 14 mm |
| ISBN | 9780747582878 |
| Cover | Hardback |
| Publication Year | 2017 |
| Publisher | Bloomsbury |
Every day, thousands of people worldwide consult Roget’s Thesaurus. How many stop to consider why that endlessly useful reference book is so called? How many know anything about the man behind it? Nick Rennison’s biography reveals the full story of Roget’s involvement with the great issues and the great personalities of the 19th century and recounts the forgotten life behind one of the most famous of all reference books.
This is a fascinating and nostalgic collection of pictures taken by a Brighton seaside photographer from the late 1940s to the present day. They capture the spirit of the daytripper eras of the 1950s and 1960s; show the stars of the stage and screen who appeared at the Palace Pier Theatre, the Hippodrome and the Theatre Royal, as well as musicians, pop stars, tv personalities and politicians. there are photos recalling colourful, annual special events, such as the London to Brighton Veteran Run and others illustrating the changing face of the city.
Cassini Historical Map Kingston upon Hull 1924. Ordnance Survey Popular Edition One-Inch maps enlarged and re-projected to match Ordnance Survey Landranger Sheet 107. Scale 1:50,000.
Discover the Landscape of the Past in your locality.
Includes Kingston upon Hull, Barton-up-on-Humber, Beverley, Driffield, Hedon, Hornsea, Withernsea.
Forbidden Lives is a fascinating collection of portraits and discussions that aims to populate LGBT gaps in the history of Wales, a much neglected part of Welsh heritage. In it Norena Shopland reviews the reasons for this neglect while outlining the activity behind the recent growth of the LGBT profile here. She also surveys LGBT people and their activity as far back as Giraldus Cambrensis’ Journey Through Wales in the twelfth century where he reports on ‘bearded women’ and other hermaphrodites. Other subjects include Edward II and Hugh DeSpenser, seventeenth century poet Katherine Philips, the Ladies of Llangollen, Henry Paget, artists Gwen John and Cedric Morris, and actor Cliff Gordon. Shopland also identifies the strong Welsh connections to the exploration of homosexuality and transgender during the twentieth century, highlighting the contributions of John Randell, AE Dyson and Griff Vaughan Williams, and MPs Desmond Donnelly and Leo Abse. They helped to transform social and legal attitudes towards LGBT people across the whole of Britain, particularly in the post-war period, which created the more accepting culture present today. There is still plenty of work to do, as chapters on the responses to Pride in Wales and the first gay play, We All Fall Down, clearly show. But the stories of the people portrayed in this book are less likely to be repeated: the LGBT community has moved from living forbidden lives to a place largely less forbidding. Norena Shopland helps us understand the struggle which achieved these changes.
Joseph Suss Oppenheimer (1698-1738), better known as Jew Suss, was a court Jew, who advised the Duke of Wurttemberg. Clever and handsome, even ostentatious, he fitted easily into court life, despite his humble origins. However, his unpopular economic policies made him enemies and when the Duke died suddenly Suss was arrested, convicted of ‘destestable abuses’ and exectued in Stuttgart in an iron cage. His spectacular rise and fall inspired a media outpouring in the eighteenth century and he has been much written about subsequently. In the twentieth century two films were made about him, one British in 1934, the other German in 1940. Goebbels took an active interest in the latter. After the war its director, Veit Harlan, was tried for Crimes against Humanity for having made the film. Despite his acquittal, the film’s association with the Holocaust remains controversial to this day.
Though images of women were ubiquitous in the Roman world, these were seldom intended to be taken simply at face value. The importance of marriage, motherhood and political stability was often conveyed to the Roman people through carefully constructed representations of the women of the ruling house. Mythological representations were used to present moral and political lessons to the women of Rome. Roman society was, on most levels, male dominated and women’s roles were sometimes subordinate to political and cultural needs and imperatives. Images of mortal women – empresses and other female members of the imperial family, elite women from around the empire and working women from Rome, Ostia, Pompeii and elsewhere – are analysed alongside images of goddesses and personifications and of complex mythological figures such as Amazons. This is the first general book to present a coherent, broad analysis of the numerous images of women in Roman art and to interpret their meaning and significance, all set against the broader geographical, chronological, political, religious and cultural context of the world of the Roman republic and empire and of Late Antiquity.
