Weight | 0.796 kg |
---|---|
Dimensions | 282 × 200 × 18 mm |
ISBN | 9781859839928 |
Cover | Hardback |
Publication Year | 2011 |
Publisher | Derby Books Publishing |
£12.00
Leeds in the Eighties and Nineties
This is a photographic history book of the 1980s and 1990s from the Yorkshire Evening Post, chronicling life in Leeds throughout these twenty years.
5 in stock
Related products
A Clutch of Curious Characters
£4.95A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
Who Shot Van Gogh?: Facts and counterfacts about the world’s most famous artist
£16.99Fact or fiction? An imaginative collection of statements about Vincent van Gogh that challenges what we think we know about the artist’s much mythologized existence.
Van Gogh is the most famous artist in the world, yet our understanding of his life is full of contradictions. Art historians, filmmakers, journalists, psychologists and conspiracy theorists have offered theories on his life and work, yet their views are often poles apart. Van Gogh has been described as a suffering genius, a madman, the embodiment of peace and compassion, a man of violence who was a danger to himself and others, a religious fanatic and a Marxist. Where does the truth lie and the myth begin?
This book examines the continual rewriting of Van Gogh’s story since the first publications on the artist appeared at the beginning of the twentieth century. Presenting a collage of succinct facts and ‘counterfacts’, the text is drawn from a wide field of sources: fellow artists, friends and family, doctors and psychoanalysts, actors and writers, theorists, crackpots and scholars. Conflicting statements go hand in hand with an unconventional curation of images, which include postcards of locations associated with the artist, photographs of a fraudster’s legal trial, a children’s toy, a bottle label and a rusty revolver.
Turnbull presents a kaleidoscope of fact and fiction about the world’s most discussed artist – sometimes funny, sometimes heartrending, always revealing – giving readers new insights into the artist, his work and his legacy. Van Gogh himself would be amazed not only to see what people have said about him, but also to grasp the global phenomenon that he has become. A must-have for art lovers and museumgoers, this book invites all readers familiar with Van Gogh to challenge long-accepted ideas about the man and his work.
If These Apples Should Fall: Cezanne and the Present
£30.00A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world’s most respected art historians.
For more than a century the art of Paul Cezanne was held to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rilke revered him deeply, as did Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding.
If These Apples Should Fall: Cezanne and the Present looks back on Cezanne from a moment – our own – when such judgments may seem to need justifying. What was it, the book asks, that held Cezanne’s viewers spellbound?
At the heart of Cezanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, examining the art of Pissarro, Matisse and others in relation to it. Above all, he speaks to the uncanniness and beauty of Cezanne’s achievement.
The Writer’s War
£7.00‘When I come home and leave behind Dark things I would not call to mind …’ wrote Leslie Coulson, one of the many soldiers who tried to express his wartime experiences in writing: dreaming of an idyllic England in the face of the horror of the Western Front. Coulson was one of the hundreds of thousands who did not come home – but because of his poetry we glimpse something of his thoughts and experiences.
Today we can be grateful that so many of those who endured the First World War did write about it: giving us an unmatched view of an event which would otherwise be completely beyond our ability to imagine. The Writers’ War is a collection of excerpts from outstanding accounts of the First World War. It provides an essential insight to anyone interested in modern history or early twentieth-century literature. Extraordinary extracts bring the human experience of war brilliantly to life – from the terror of bombardment, or the camaraderie of military service, to the home front.
The writing reflects an enormous range of nationalities and personalities. It includes memorable poetry, fiction, and journalism. Some great names of modern English literature appear, such as Arthur Conan Doyle, D. H. Lawrence and Rudyard Kipling. In addition, there are superb accounts by foreign authors such as novelists Edith Wharton and Henri Barbusse, and flying ace Manfred von Richthofen. The Writers’ War gives an unparalleled insight into a world-changing event, and what it meant in human terms both to the writers and millions of others caught up in it.
The Artist’s Studio: A Cultural History
£30.00An exciting narrative and visual history of the artist’s studio, examining the myth and reality of the creative space from early times to today.
The artist’s workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist’s atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day.
Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople – workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well plein air painting and the development of portable studios.