|Dimensions||216 × 138 × 13 mm|
As Fit as a Fish
Did you know that the Italians invented the fork, and the English named the Dolomites? That you can’t drink cappuccino after noon or buy coloured pasta in Italy without being instantly recognised as English?
This original guide to English-Italian stereotypes and prejudices – sometimes funny, sometimes serious – is an essential part of every European traveller’s luggage!
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In 2013, Leanne O’Sullivan’s husband Andrew suffered a severe infection in his brain. He spent just over three weeks in a coma, during which time his temperature soared to 42 degrees. When he finally woke it immediately became clear that his memory had been almost completely destroyed; he didn’t even know his wife. More present and visual to him were the birds and wild animals that he believed he could see during his recovery: foxes, wildcats and herons – animals that seemed to be guiding him back.
This became the starting point for poems that deal not simply with personal memory and recovery, but also the ways in which, collectively, even globally, we are trying (or not) to save entire species of plants and animals that we are now actually losing because of human activity. Nature has a voice that can speak back. This is a collection that celebrates the earth’s intoxicating wildness as well as the richness and preciousness of human experience. Overall, we can rejoice in the fact that we’re here, whatever the challenges.
Winner of the inaugural Farmgate Café National Poetry Award 2019
Shortlisted for the Irish Times Poetry Now Award 2019 and for the Pigott Poetry Prize 2019 in association with Listowel Writers’ Week
The bustle of an English seaside resort gives way to the unreal calm of a coastal community in southern Sri Lanka as Savi and Renu, two cousins separated by civil war, are reunited just weeks before the tsunami strikes. Renu is struggling to find evidence that will bring political killers to justice; Savi is struggling to heal the damage wrought by a broken childhood. They are just catching up with the secrets of the past when the past catches up with them.
This haunting and richly textured novel of intersecting lives, memory and loss confronts the twin tragedies of a brutal civil war and the Boxing Day tsunami, revealing the intimate connections between silence and violence, displacement and desire.
Daring, funny, fierce and musical, Eva Salzman has in her new collection managed to combine a robust yet never unsubtle take on modern life and love. Addressing itself primarily to the muse and the blues, this ‘songbook’ is woven through with references to history and myth so that the personal is always balanced by an awareness of community to which she sings.
With two published collections to her credit and this remarkable recent compilation, Eva Salzman is one of the most accomplished poets working in Britain today. She is a New Yorker, but such is the universal catchment area of poetry now that her living and writing in Britain does not make her either an American or a British Poet, but simply a very good one.
The epigraph to the collection draws on St Thomas ‘When one becomes two what will you do?’ and this becomes the central metaphor of the book: twins, doubles, doppelgangers. For a short book with so light a touch there’s a tightness and surety to the way in which preoccupations are worked through. So that amidst the personal lamentation of ‘Remembering Before Forgetting’ and ‘After Verlaine’ are juxtaposed a poem on the Brooklyn Bridge, a poem about the Buddhas of Bamiyan, as well as a poem on the cutting of the OUP poetry list, the sharply satirical ‘In the OUP hospital’ where she writes ‘I’d rather be lying unpublished / than be published by you and be dead’. Refreshing, dangerous, ironic, always surprising, this is Salzman at her most Salzmannesque. – Poetry Book Society Special Commendation Spring 2003
From well-known and award-winning authors-including Bernardine Evaristo, Fred D’Aguiar, and Leone Ross-to previous unpublished writers, this ambitious and intriguing anthology of short stories showcases each author’s most challenging work. These works from writers who are happy to describe themselves as Black British, have a rich variety of styles, forms, and themes, from raw realism, the erotic, and elegant economy, to the fanciful, humorous, and the tender.
The contributors to Closure display a keen awareness of the short story form in all its contemporary possibilities as a way of telling and finding a form for the writer’s vision. These are stories about the ways in which we do and do not love, unrequited yearnings, the quiet and often hidden violence in our lives, moments of epiphany, and the precious occasions of jubilation and uplift.
A city lies in ruins. Spires topple, planes fall. Rubble is broken by wildflower.
Birdsong and chatter cut through. Discover the urban wild in Meryl Pugh’s debut collection. Join the poet as flaneuse wandering the city’s hidden spaces to encounter its flora and fauna; its many-voiced song. A book of witnessing and overhearing, Natural Phenomena asks where the beauty is in the city of plastic, wire and glass; holds a mirror up to the self and asks how we contend with loss and absence in a constantly bustling environment.