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When Gillian Allnutt was awarded the Queen’s Gold Medal for Poetry, Carol Ann Duffy wrote that her work ‘has always been in conversation with the natural world and the spiritual life’. Her latest collection, wake, shows the two beginning to meld into one: to speak for, even as, one another. As her title signals, these are poems about looking back, keeping watch over the dying and death of an old world and the ways of being human in that world; but also forward, waiting for the new world and being ready to awaken to it when it comes. There are, as always in her work, many displaced people. No one here is fully at home in the world. These are turbulent times – individually and collectively – and the poems here reflect that. And yet the poems are more ‘among’ than ‘about’ people: speaking out of the horde, and the hoard, of humanity as a whole.

We Need to Talk is a poetry collection on sexual violence, survivorship and solidarity. On gender-based violence and genuine social change. On things that are hushed and need to be spoken of with empathy – and fact-checking. Poet Agnes Török writes honestly and courageously about lived experience and statistical societal structure, inviting the reader to reflect and join in the conversation on how to end gender-based violence. With sections speaking directly to victims and survivors, and directly to friends and family of survivors, We Need To Talk is an empathic engagement with an experience shared by 1 in 3 women, 1 in 2 trans and non-binary people and, 1 in 5 men – sexual violence. We Need to Talk is a manifesto. A call to arms. A boiling down of statistics into the long-term effects on real people. And a roadmap for how we get out of this mess. Török speaks about the issues each of us needs to be involved in understanding and solving. The economics and politics that lead to violence becoming “normal”. The online climate in which gender-based violence becomes recreated and amplified. And the logic by which most of us personally know a victim of sexual assault or abuse, but few of us will believe we know any perpetrators. Aside from Török’s award-winning poetry, the collection also includes writing exercises for survivors of gender-based violence and their friends and family. Because making art is part of speaking. And We Need To Talk.

Tony Hoagland’s zany poems poke and provoke at the same time as they entertain and delight. He is American poetry’s hilarious ‘high priest of irony’, a wisecracker and a risktaker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge. His first UK book of poems is a selection drawing on three collections, Sweet Ruin (1992), Donkey Gospel (1998) and What Narcissism Means to Me (2003). He has since published two later collections with Bloodaxe Books, with a fourth to appear in 2019.

In Wheels, Kwame Dawes brings the lyric poem face to face with the politics, natural disasters, social upheavals and ideological complexity of the world in the first part of this century. Somewhere between prophecy and meditation, this major and extensive new collection of Kwame Dawes’ work illuminates our confusing world.

America’s Kim Addonizio has been called ‘one of the nation’s most provocative and edgy poets’. Her poetry is renowned both for its gritty, street-wise narrators and for a wicked sense of wit. With passion, precision and irreverent honesty, her poems explore life’s dual nature: good and evil, light and dark, joy and suffering, exposing raw emotions often only visible when truly confronting ourselves – jealousy, self-pity, fear, lust.

Roddy Lumsden’s first collection Yeah Yeah Yeah is a large and varied debut collection which uses the lives of lovers and losers, eavesdroppers and entertainers to explore romance, faith and last orders at the bar. The poems are formal but with a frantic edge; they are lyrical, but laced with a cruel streak and a measured dose of indulgence. Roddy Lumsden is concerned with how relationships shift and twist and restore an order, with how people meet and part. The poems range over weddings, revenge and phobias, beer, girls and the need `to get these answers right’. Yeah Yeah Yeah was shortlisted for the Forward Prize for Best First Collection. Now out of print, most of the poems in the book are included in Mischief Night: New & Selected Poems (2004).