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Viva Loch Lomond!

£9.99

Viva Loch Lomond! is the first full length collection of poems published by the stand-up poet, comedian and broadcaster Elvis McGonagall. It features pieces from his hit Edinburgh Fringe Festival shows “One Man and His Doggerel” and “Countrybile” together with a number of greatest hits, B-sides and previously unpublished gems. Deftly witty, satirical but not afraid to be plain daft, Elvis McGonagall’s work takes aim at our septic isle of zero-hours contracts, food banks and Kirsty Allsopp cup-cakery and beyond. From Scottish independence to the “war on terror” via turbo-capitalist greed, from Blair and Bush to Dave and Boris via the death of Thatcher, from William Wallace’s taste for cheese to the Queen’s love of gangsta rap, Elvis kicks against the pricks and the injustices inherent in austerity Britain but still finds time to wax lyrical about the joys of whisky, Greek islands and the godforsaken rural idyll where he currently abides. His tightly written quick-fire verse, shot through with his customary moral umbrage and rhetorical power, is here annotated with his own irreverent explanatory notes highlighting the workings of his befuddled mind as he scribbled these poems from the dubious comfort of his revolting armchair at the Graceland Caravan Park. The book also features fabulous illustrations from the acclaimed artist Tony Kerins. And a poem about Vincent Van Gogh’s left ear.

Vivian Maier

£45.00

A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier’s archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Born in New York in 1926, she worked as a nanny in New York and Chicago for much of her adult life. It was during her years as a nanny that she took many of the photographs that have made her posthumously famous. Maier’s incredible body of work consists of more than 150,000 photographic images, Super 8 and 16 mm films, various recordings and a multitude of undeveloped films. Working primarily as a street photographer, Maier’s work has been compared with such luminaries as Helen Levitt, Robert Frank, Diane Arbus and Joel Meyerowitz. Drawing on previously unpublished archives and recent scientific analyses, this retrospective sheds new light on Maier’s work. With texts by Anne Morin and Christa Blumlinger, this thorough look at Maier’s entire archive is organized thematically in sections that cover self-portraits, the street, portraits, gestures, cinematography, children, colour work and forms. A valuable addition to the continuing assessment of Maier’s work, this book is a one-volume compendium of her most enduring images.

Waiting for the Past

£9.99

The clearly-focussed lyrics of Les Murray’s Waiting for the Past are rich in topographies and the languages peculiar to them – wonga vines, lyre birds, gum trees, shrike thrushes, tallow boughs, boab trees, the octopus in Wylies Baths killed by sterilising chlorine.

 

With the erasures the modern world brings, words, landscapes and lives descend to the Esperanto of the modern.

 

The poet, with a salutary resistance, rejects the computer and the incursions of the levelling Modern in favour of old-fashioned typewriters, unlikely saints, lived-in places, an Easter rabbit ‘edible and risen’, farming in the spirit of ancestors.

 

This is the past he waits for in scenes unmade by human carelessness, not only in his rural place but across the world.

 

The poems speak of the unspeakable, including old age, vertigo, illness, and the durable resilience of married love.

Wake

£9.95

When Gillian Allnutt was awarded the Queen’s Gold Medal for Poetry, Carol Ann Duffy wrote that her work ‘has always been in conversation with the natural world and the spiritual life’. Her latest collection, wake, shows the two beginning to meld into one: to speak for, even as, one another. As her title signals, these are poems about looking back, keeping watch over the dying and death of an old world and the ways of being human in that world; but also forward, waiting for the new world and being ready to awaken to it when it comes. There are, as always in her work, many displaced people. No one here is fully at home in the world. These are turbulent times – individually and collectively – and the poems here reflect that. And yet the poems are more ‘among’ than ‘about’ people: speaking out of the horde, and the hoard, of humanity as a whole.

War and Peace

£20.00

A beautiful Penguin Classics clothbound edition of Tolstoy’s magnificent epic novel of love, conflict, fate and human life in all its imperfection and grandeur

At a glittering society party in St Petersburg in 1805, conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon’s army marches on Russia, and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants to soldiers and Napoleon himself. In War and Peace , Tolstoy entwines grand themes – conflict and love, birth and death, free will and faith – with unforgettable scenes of nineteenth-century Russia, to create a magnificent epic of human life in all its imperfection and grandeur.

Translated with an introduction and notes by Anthony Briggs, and with an afterword by Orlando Figes

Anthony Briggs’s superb translation combines stirring, accessible prose with fidelity to Tolstoy’s original, while Orlando Figes’s afterword discusses the novel’s vast scope and depiction of Russian identity. This edition also contains appendices, notes, a list of prominent characters and maps.

‘A masterpiece … This new translation is excellent’ – Anthony Beevor

Way More Than Luck

£9.99

Way More Than Luck is the vivid debut collection from the well-known young poet and critic Ben Wilkinson. The book opens with a series of poems that, with a remarkable clarity and sympathy, recall a battle with clinical depression: the “days when you weren’t anyone. Days gone undercover…”. The author interrogates this malady: “two-parts sadness, one-part anger”, grapples to understand that its sources are both personal and cultural. It soon emerges that competitive running, which possibly starts as therapy, a means of combat, becomes a way of life, not just for fitness but for the long-haul, for endurance. The poet finds a still, calm centre: “Running is the pure solitude of a wordless hour.”

Ways of Life: On Places, Painters and Poets

£10.00

Andrew Motion was appointed Poet Laureate in 1999, but alongside his work as a poet he also had a significant career as a prize-winning biographer and an illuminating critic. Ways of Life celebrates this talent with a selection of his articles about painters and poets, as well as a number of striking personal pieces. The literary essays in Ways of Life look at a wide assortment of writers, from John Clare and Ivor Gurney, to marginal figures such as Leigh Hunt and Joseph Severn, and reassess the less well-known work of celebrated writers including John Donne, Christina Rossetti and Thomas Hardy. Ways of Life is an original, acute and emotionally-charged collection of writings, from a truly important and insightful writer.

We Need to Talk

£9.99

We Need to Talk is a poetry collection on sexual violence, survivorship and solidarity. On gender-based violence and genuine social change. On things that are hushed and need to be spoken of with empathy – and fact-checking. Poet Agnes Török writes honestly and courageously about lived experience and statistical societal structure, inviting the reader to reflect and join in the conversation on how to end gender-based violence. With sections speaking directly to victims and survivors, and directly to friends and family of survivors, We Need To Talk is an empathic engagement with an experience shared by 1 in 3 women, 1 in 2 trans and non-binary people and, 1 in 5 men – sexual violence. We Need to Talk is a manifesto. A call to arms. A boiling down of statistics into the long-term effects on real people. And a roadmap for how we get out of this mess. Török speaks about the issues each of us needs to be involved in understanding and solving. The economics and politics that lead to violence becoming “normal”. The online climate in which gender-based violence becomes recreated and amplified. And the logic by which most of us personally know a victim of sexual assault or abuse, but few of us will believe we know any perpetrators. Aside from Török’s award-winning poetry, the collection also includes writing exercises for survivors of gender-based violence and their friends and family. Because making art is part of speaking. And We Need To Talk.

What Is It like?

£12.00

A collection of poetry in translation from Lidija Dimkovska, a poet and novelist from North Macedonia living in Slovenia. Born in 1971, Lidija writes in Macedonian. She has published seven books of poetry, three novels, one American diary and one collection of short stories which have been awarded and translated into 15 languages (English, German, Polish, Hungarian, Slovak, Czech, Romanian, Serbian, Slovenian, French, Croatian, Italian, Albanian, Bulgarian and Latvian).

 

Lidija has participated at numerous international literary festivals (Princeton Poetry Festival, Stockholm, Rotterdam, Sarajevo, Belgrade, Vilnius, Manchester, Chicago, Zagreb, Vilenica, Medana, Struga,  Leipzig, Lido Adriano, Manchester, Kazan, Dresden, Taipei, Cork, Warsaw, Berlin, etc.) and was a writer-in-residence in London, Berlin, Iowa, Vienna, Graz, Salzburg, Krems, Tirana, and Split.

What Narcissism Means to Me

£8.95

Tony Hoagland’s zany poems poke and provoke at the same time as they entertain and delight. He is American poetry’s hilarious ‘high priest of irony’, a wisecracker and a risktaker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge. His first UK book of poems is a selection drawing on three collections, Sweet Ruin (1992), Donkey Gospel (1998) and What Narcissism Means to Me (2003). He has since published two later collections with Bloodaxe Books, with a fourth to appear in 2019.

When God is a Traveller

£9.95

These are poems of wonder and precarious elation, about learning to embrace the seemingly disparate landscapes of hermitage and court, the seemingly diverse addresses of mystery and clarity, disruption and stillness – all the roadblocks and rewards on the long dangerous route to recovering what it is to be alive and human. Wandering, digging, falling, coming to terms with unsettlement and uncertainty, finiteness and fallibility, exploring intersections between the sacred and the sensual, searching for ways to step in and out of stories, cycles and frames – these are some of the recurrent themes. These poems explore various ambivalences – around human intimacy with its bottlenecks and surprises, life in a Third World megapolis, myth, the politics of culture and gender, and the persistent trope of the existential journey (which intensifies in the new poems). Arundhathi Subramaniam’s previous book from Bloodaxe, Where I Live: Selected Poems (2009), drew on her first two books published in India plus a whole new collection. When God Is a Traveller is her fourth collection of poetry.

Where Am I?

£6.00

Redstone Press presents a charming children’s book by Tatiana Glebova, a celebrated soviet book illustrator and painter. A friend to many of Russia’s best-known avant-garde artists, poets and writers, her book Where Am I? was completed in 1928 but never printed.

 

Published to coincide with the House of Illustration’s much anticipated show A New Childhood: picture books from Soviet Russia, the images are both startlingly original yet completely timeless.

 

The perfect gift for curious children and parents alike, these engaging images will brighten any playroom!

White Teeth

£4.00

At the centre of this novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them to his Islamic faith.

White Time

£4.90

Time out of time, people call it., but they’re wrong. It’s all time, like white light is all colours, or white noise is all pitches of noise coming at you together.

 

In this transcendent collection of short stories, Lanagan deftly navigates a new set of worlds in which the boundaries between reality and possibility are paper-thin . . . and sometimes disappear altogether.

 

Prepare to be unsettled, intrigued and dazzled by what a master storyteller can do in a few short pages.

Who Shot Van Gogh?: Facts and counterfacts about the world’s most famous artist

£16.99

Fact or fiction? An imaginative collection of statements about Vincent van Gogh that challenges what we think we know about the artist’s much mythologized existence.

Van Gogh is the most famous artist in the world, yet our understanding of his life is full of contradictions. Art historians, filmmakers, journalists, psychologists and conspiracy theorists have offered theories on his life and work, yet their views are often poles apart. Van Gogh has been described as a suffering genius, a madman, the embodiment of peace and compassion, a man of violence who was a danger to himself and others, a religious fanatic and a Marxist. Where does the truth lie and the myth begin?

This book examines the continual rewriting of Van Gogh’s story since the first publications on the artist appeared at the beginning of the twentieth century. Presenting a collage of succinct facts and ‘counterfacts’, the text is drawn from a wide field of sources: fellow artists, friends and family, doctors and psychoanalysts, actors and writers, theorists, crackpots and scholars. Conflicting statements go hand in hand with an unconventional curation of images, which include postcards of locations associated with the artist, photographs of a fraudster’s legal trial, a children’s toy, a bottle label and a rusty revolver.

Turnbull presents a kaleidoscope of fact and fiction about the world’s most discussed artist – sometimes funny, sometimes heartrending, always revealing – giving readers new insights into the artist, his work and his legacy. Van Gogh himself would be amazed not only to see what people have said about him, but also to grasp the global phenomenon that he has become. A must-have for art lovers and museumgoers, this book invites all readers familiar with Van Gogh to challenge long-accepted ideas about the man and his work.

Wild Kitchen

£25.00

Join leading chefs, food bloggers and restaurateurs in their private kitchens and dining spaces, and discover how they cook and entertain using home-grown, local and seasonal produce.

 

Green is the new black. The desire to know where our food comes from and to minimize our carbon footprints is ever-growing. Wild Kitchen offers fresh insights into kitchen design and styling from those who understand the sustainable lifestyle best, taking you into the home kitchens and dining areas of twenty of the world’s top chefs, food bloggers and restaurateurs, and revealing inspiring ways that the food-obsessed are embracing the ‘wild’ at home in their everyday cooking and dining.

Wild Nights

£12.00

America’s Kim Addonizio has been called ‘one of the nation’s most provocative and edgy poets’. Her poetry is renowned both for its gritty, street-wise narrators and for a wicked sense of wit. With passion, precision and irreverent honesty, her poems explore life’s dual nature: good and evil, light and dark, joy and suffering, exposing raw emotions often only visible when truly confronting ourselves – jealousy, self-pity, fear, lust.

William Klein: Yes

£65.00

The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein’s legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein’s career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein’s entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein’s prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

Wolf Hall & Bring Up the Bodies

£4.00

Thomas Cromwell. Son of a blacksmith, political genius, briber, charmer, bully. A man with a deadly expertise in manipulating people and events.

 

Mike Poulton’s ‘expertly adapted’ (Evening Standard) two-part ad adaptation of Hilary Mantel’s acclaimed novels Wolf Hall and Bring Up the Bodies is a ‘gripping piece of narrative theatre … history made manifest’ (Guardian). The plays were premiered to great acclaim by the Royal Shakespeare Company in Stratford-upon-Avon in 2013, before transferring to the Aldwych Theatre in London’s West End in May 2014.

Women in Design

£14.99

A history of women designers and consumers from 1900 to the present day.

The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making.

Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.

Wounding

£8.99

Cora has everything a woman is supposed to want – a career, a caring husband, children, and a stylish home. Desperate for release and burdened with guilt she falls into a pattern of ever increasing violence and sexual degradation till a one night stand tips her over the edge and she finds herself in a Dominatrix’s dungeon. Wounding explores a woman’s search for redemption, identity and truth.

Woven Landscapes

£9.95

Woven Landscapes is a vivid intermingling of landscapes emotional and physical, glowing colours of nature and love threaded together in a tapestry of sensual, intoxicating verse by six acclaimed poets. “Another stellar offering . . . each of the six poets anthologised here have something unique to say about the world around them and their place within it. An enlightened and illuminating collection that is a life-affirming celebration of the nature of being. This comes thoroughly recommended.” Literature Works

WOW

£10.99

A Poetry Book Society Winter 2020 Recommendation

 

Bill Manhire’s Wow opens with the voice of an extinct bird, a song from anciency, and takes us forward into the present and the darkening future of other extinctions. For Manhire, the reach of the lyric is long: it has the penetration of comedy, satire, the Jeremiad, but also the delicacy of minute detail and the rhythms of nature’s comfort and hope, the promise of renewal. In the title poem the baby says ‘Wow’, and the wonder is real at the world and at language. But the world will have the last word.

 

Writing of Manhire, Teju Cole declared, ‘Being the leading poet in New Zealand is like being the best DJ in Estonia, impressive enough on its own terms. But Bill Manhire is more than that: he’s unquestionably world-class. As with Seamus Heaney, you get a sense of someone with a steady hand on the tiller, and both the will and the craft to take your breath away.’

 

Bill Manhire was New Zealand’s first poet laureate. He established and until recently directed the International Institute of Modern Letters at Victoria University of Wellington. This is the ninth of his Carcanet books in 30 years. They include a Selected and a Collected Poems.

Wuthering Heights

£14.99

Part of Penguin’s beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design.

In a house haunted by memories, the past is everywhere …

As darkness falls, a man caught in a snowstorm is forced to shelter at the strange, grim house Wuthering Heights. It is a place he will never forget. There he will come to learn the story of Cathy: how she was forced to choose between her well-meaning husband and the dangerous man she had loved since she was young. How her choice led to betrayal and terrible revenge – and continues to torment those in the present. How love can transgress authority, convention, even death.

Yeah Yeah Yeah

£7.95

Roddy Lumsden’s first collection Yeah Yeah Yeah is a large and varied debut collection which uses the lives of lovers and losers, eavesdroppers and entertainers to explore romance, faith and last orders at the bar. The poems are formal but with a frantic edge; they are lyrical, but laced with a cruel streak and a measured dose of indulgence. Roddy Lumsden is concerned with how relationships shift and twist and restore an order, with how people meet and part. The poems range over weddings, revenge and phobias, beer, girls and the need `to get these answers right’. Yeah Yeah Yeah was shortlisted for the Forward Prize for Best First Collection. Now out of print, most of the poems in the book are included in Mischief Night: New & Selected Poems (2004).

You’re So Vain You Probably Think This Book Is About You

£8.95

Barring Geoff Hattersley, you’d think most contemporary poets have never done a proper days work in their life. For me this poetic vacuum, this space walked around or avoided, leaves me unable sometimes to link myself to poetry and poets. We all work don’t we? So in, You’re So Vain You Probably Think This Book Is About You (YSVYPTTBIAY), I wanted to address this balance, to tackle work, the toad as Larkin called it, to show the vicissitudes of the work place, how employment shapes us and what it does to us. In doing this I use a sometime working class hero Crusoe whose mix of fecklessness and bad luck acts as a conduit for my own socio-political brand of Hulldonian existentialism. Either that or I just chew the fat about the workaday.

 

As the author, it would be completely wrong of me to tell you the subtext or underlying themes of this book, which are of course a virulent and rational hatred of Margaret Thatcher and a new blast in the re-emerging class war. So since my last book Cowboy Hat, I’ve pulled together all the poems about the toad and here they are. It’s not all work though, I can be found smashing up my old sofa in the kitchen, or telling you about Badger the Cadger, the slotterhodge blagging a free meal, or me being tied to Animal on a three legged pub crawl, or Renwick the serial chorer. Mostly it is work. You’re So Vain You Probably Think This Book Is About You, is a tribute to Bobby the TWOCKER, Ox the toilet door kettle balancing nutcase and the motley gang of wonderful workmates and workbanes I’ve had the fortune to work with. For me, a poetry book should be like a good night out with your mates, when you’re wearing a new snazzy shirt. It encompasses storytelling, drama, emotion, courage, humour and ultimately belief and spirit. Work will never diminish my spirit and my faith will remain strong. So here I come with my Northern Heart on one sleeve and my Yorkshire Soul on the other. I’ve bared my heart in this book to give you these poems. Now it’s your turn reader, chuffing eck, buy the book.

Young Mungo: The No. 1 Sunday Times Bestseller

£16.99

The number one Sunday Times bestseller

‘A touching, tender tale of boy meets boy in the bleak tenements of Glasgow . . . Superb’ – The Time s ‘Best Summer Reading’

‘Love and hope across the religious divide in a fervent, gritty and emotionally engrossing novel’ – The Guardian ‘Best Reads For Summer’

‘Writing of transcendent beauty’ – The Financial Times ‘Best Summer Books’

The extraordinary, powerful second novel from the Booker prizewinning author of Shuggie Bain , Young Mungo is both a vivid portrayal of working-class life and the deeply moving story of the dangerous first love of two young men: Mungo and James.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city, and Mungo must work hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.

But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, with two strange men behind whose drunken banter lie murky pasts, he needs to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.

Imbuing the everyday world of its characters with rich lyricism, Douglas Stuart’s Young Mungo is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.

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