Weight | 0.230 kg |
---|---|
Dimensions | 210 × 150 × 12 mm |
ISBN | 978-1-903-11044-7 |
£10.00
Vagabond
‘I am sitting on the twenty-fourth storey of a hotel in Singapore. I am having a very serious nervous breakdown…’
If you want to know why the hero of A.P. Wolf’s riotous novel is going quietly insane in a concrete tower block, you’ll have to read Vagabond. It’s a story of twenty four hour piss-ups, cock fights, mah-jong, and unsafe sex in the kampongs and back-alleys of old Singapore. It features a pair of dogs called Rape and Pillage, a cat called Shitbag, a very large and very dangerous monkey, a crazed older brother called Dave, a posse of under-age and over curious daughters of local army officers, various murderous Marines, and Richard Chan, the most awe inspiring man in all Singapore. And one hell of a lot of Tiger beer.
And it all ends… well, badly.
Out of stock
Related products
Nosebleeds
£10.00“Nosebleed is the first time you feel alien to yourself, even as a child, so imagine how I felt, when this came out.”
Isaiah Hull’s Nosebleeds is visceral and raw, a voice far older than the poet’s young years, exploring family, life, and the real world. Hull’s writing is soul-searching and down to earth, Nosebleeds an exploration of expression, traversing emotion and form. It is hard-hitting poetry, written to be spoken aloud but making the transfer to the page with remarkable ease and clarity.
A Gin Pissing, Raw Meat, Dual Carburettor V-8 Son-of-a-bitch from Los Angeles
£7.95“Italian writer and director Pier Paolo Pasolini once wrote that if a poet doesn’t manage to scare his readers anymore, then it would be better for him to run away from this world. What kind of use can in fact be a tamed poet to the human race? Apparently, Dan Fante knows this well: his first collection of poems by the unpronounceable title, A Gin Pissing, Raw Meat, Dual Carburattor V-8 Son-of-a-Bitch from Los Angeles, shows that he literally aims with his works not only to scare, but also to scar his readers, biting their minds, hearts and souls with his words: indeed, Dan Fante’s poems are a poetic ebb and flow revolving on the readers conscience…” – Erasing Clouds
Cornrows & Cornfields
£8.95Cornrows and Cornfields is a heartfelt journey from the childhood fields of Indiana to the glittering metropolis of Chicago. Spinning together memory, popular culture and personal politics, celeste doaks makes words dance, weep, wail and sing – often in the space of just a couple of lines. This sublime collection of delightfully bold and vivid poems burn upon the mind’s eye long after the final page is turned.
Art, Survival & So Forth: The Poetry of Charles Bukowski
£11.95This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
Contact Print
£7.99CCTV cameras, TV recording equipment, microphones, all capturing and recording events in peoples lives. In today’s Big Brother world, these constant intrusions are at once a threat and a comfort – moments would be lost forever without surveillance. Tim cumming tells of events caught on camera as they happen to disparate protagonists, seemingly at random, but which dissolve into one another as they loose partners, jobs, identities and belief. “Contact Print” is set in a traffic jam on the Holloway Road in London. Its hero is Tony Harris, who is seen driving away for the last time from his married girlfriend’s house into a traffic snarl-up, a demo, a pub, a maze of memories, the city or the city itself, repeating itself to the horizon, which finally swallows him up. Along the way we are treated to arresting images of urban life, from the kidnapping of a junior minister to doing smack in the toilets of Paddington station. This is a world of personal and political instability, captured with photographic accuracy.
Tim Cumming’s poems have been published widely in Britain and America, and he writes regularly for The Guardian and The Independent. His work has been broadcast on BBC radio and TV, and he has featured in the New Voices season at the South Bank. He lives and works in London.