Weight | 0.430 kg |
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Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
Anne Bronte: A Biography
£50.00A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
£11.95
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
4 in stock
Weight | 0.430 kg |
---|---|
Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
David Lean’s films were nominated for an astonishing 57 Academy Awards, of which 27 won Oscars. He made unique movies on a grand scale, with huge stories on vast canvases. He was aided by hundreds of technicians, thousands of extras and the most talented actors in the world. Yet he singularly controlled this vast army giving pleasure and inspiration to millions.
His films reflected his own life – the single brooding perfectionist force to a great endeavour – whether they be Lawrence of Arabia, The Bridge on the River Kwai, Doctor Zhivago or Brief Encounter. Collated by his widow, Lady Sandra Lean, this is a highly personal account in text and images by the people that came into contact with David through his work and his private life.
Thousands of words have been written about David Lean the film director and the work he created. Yet until now, very little has been said about the man who sacrificed his private life for his art. Six marriages are proof of a man whose preferred family was the film crew and whose personal life was always subservient to making films. Yet, without a strong understanding of human emotion, how could a man make so many productions that touched the hearts of millions?
In this fascinating book, the answers are presented in both text and pictures. David always said that a good book should contain “Really good pictures…That’s all. Just bloody good pictures.” Illustrated throughout with over 300 well-known and previously unpublished photographs, which are complemented by David’s inspiration: letters, quotations, memorabilia or an anecdote relating to his travels or his films David Lean – An Intimate Portrait is a unique study, containing a wealth of fascinating photography, of a man who continues to entertain millions.
A woman in the audience once handed Elvis a crown saying, “You’re the King.” “No, honey,” Elvis replied. “There is only one king — Jesus Christ. I’m just a singer.” Gary Tillery presents a coherent view of Elvis’s thoughts through such anecdotes and other recorded facts.
We learn, for instance, that Elvis read thousands of books on religion; that his crisis over making bimbo movies like Girl Happy led him to writers such as Gurdjieff, Krishnamurti, and Helena Blavatsky; and that, while driving in Arizona, an epiphany he had inspired him to learn Hindu practice. Elvis came to believe that the Christ shines in everyone and that God wanted him to use his light to uplift people. And so he did. Elvis’s excesses were as legendary as his generosity, yet, despite his lethal reliance on drugs, he remained ever spiritually curious. When he died, he was reading “A Scientific Search for the Face of Jesus.” This intimate, objective portrait inspires new admiration for the flawed but exceptional man who said, “All I want is to know and experience God. I’m a searcher, that’s what I’m all about.”
Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs.
In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill’s life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill’s writings and speeches on art, not only ‘Painting as a Pastime’, but his addresses to the Royal Academy, his reviews of two of the Academy’s summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchill’s contemporaries: Augustus John’s hitherto unpublished introduction to the Royal Academy exhibition of Churchill’s paintings in 1959, and essays and reviews by Churchill’s acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton. The book is lavishly illustrated with reproductions of many of Churchill’s paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.
In November 1960, Frank Sinatra gave Marilyn Monroe a dog. His name was Maf. He had an instinct for the twentieth century. For politics. For psychoanalysis. For literature. For interior decoration. This is his story.
Maf the dog was with Marilyn for the last two years of her life. Not only a picaresque hero himself, he was also a scholar of the adventuring rogue in literature and art, witnessing the rise of America’s new liberalism, civil rights, the space race, the New York critics, and was Marilyn Monroe’s constant companion.
The story of Maf the dog is a hilarious and highly original peek into the life of a complex canine hero – he was very much a real historical figure, with his license and photographs sold at auction along with Marilyn’s other person affects. Through the eyes of Maf we’re provided with an insight into the life of Monroe herself, and a fascinating take on one of the most extraordinary periods of the twentieth century.
Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.
Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.
The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.