Weight | 0.430 kg |
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Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
Anne Bronte: A Biography
£50.00A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
£11.95
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
4 in stock
Weight | 0.430 kg |
---|---|
Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.
Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.
The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.
Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs.
In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchill’s life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchill’s writings and speeches on art, not only ‘Painting as a Pastime’, but his addresses to the Royal Academy, his reviews of two of the Academy’s summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchill’s contemporaries: Augustus John’s hitherto unpublished introduction to the Royal Academy exhibition of Churchill’s paintings in 1959, and essays and reviews by Churchill’s acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton. The book is lavishly illustrated with reproductions of many of Churchill’s paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.
Winston Churchill’s political career spanned over 50 years, during which time he was alternately at the centre of power and out of favour. He is most remembered for his inspirational leadership in the second world war and his rousing speeches urging Britain to fight on. This book reveals the influences that shaped his life and career and looks at his strengths and weaknesses.
Quotation panels, featuring many of Churchill’s well-known sayings and comments, and the opinions of his well-known contemporaries, such as Stalin, are scattered liberally throughout. The final chapter examines his legacy and attempts to answer the question: how justifiable is his reputation in view of his achievements?