Weight | 0.575 kg |
---|---|
Dimensions | 242 × 165 × 27 mm |
ISBN | 9781445633725 |
Cover | Hardback |
Publication Year | 2015 |
Publisher | Amberley Publishing |
£9.00
The Mirror of Venus
Though images of women were ubiquitous in the Roman world, these were seldom intended to be taken simply at face value. The importance of marriage, motherhood and political stability was often conveyed to the Roman people through carefully constructed representations of the women of the ruling house. Mythological representations were used to present moral and political lessons to the women of Rome. Roman society was, on most levels, male dominated and women’s roles were sometimes subordinate to political and cultural needs and imperatives. Images of mortal women – empresses and other female members of the imperial family, elite women from around the empire and working women from Rome, Ostia, Pompeii and elsewhere – are analysed alongside images of goddesses and personifications and of complex mythological figures such as Amazons. This is the first general book to present a coherent, broad analysis of the numerous images of women in Roman art and to interpret their meaning and significance, all set against the broader geographical, chronological, political, religious and cultural context of the world of the Roman republic and empire and of Late Antiquity.
2 in stock
Related products
Women in Design
£14.99A history of women designers and consumers from 1900 to the present day.
The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making.
Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.
Cuba: Music and Revolution
£35.00The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolution , when Cuba’s Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia’s financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism.
Over the past century, Cuban music has produced a seemingly endless variety of styles―rumba, mambo, son, salsa―at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York’s jazz and Latin scene on fire, and master drummer Chano Pozo’s entry into Dizzy Gillespie’s group led to the birth of Latin jazz, to name just two.
After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island’s recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music.
Generously illustrated with hundreds of colour images, Cuba: Music and Revolution presents the history of Cuban record cover art, including many examples previously unseen outside the island itself.
A Traveller’s History of Turkey
£4.90Throughout the millennia Turkey formed the core of several Empires–Persia, Rome, Byzantium–before becoming the center of the Ottoman Empire. All these civilizations have left their marks on the landscape, architecture and art of Turkey–a place of fascinating overlapping cultures. Traveller’s History of Turkey offers a concise and readable account of the region from prehistory right up to the present day. It covers everything from the legendary Flood of Noah, the early civilization of Catal Huyuk seven thousand years before Christ, through the treasures of Troy, Alexander the Great, the Romans, Seljuks, Byzantines and the Golden Age of the Sultans, to the twentieth century’s great changes wrought by Kemal Ataturk and the strong position Turkey now holds in the world community.
Ravilious & Co: The Pattern of Friendship
£20.00The acclaimed biography detailing the lives of the British inter-war artists and designers centred on Ravilious – an enthralling narrative of creative achievement, joy and tragedy.
In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash’s teaching at the Royal College of Art – Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values.
Eighty years after Ravilious’s untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.
Who Shot Van Gogh?: Facts and counterfacts about the world’s most famous artist
£16.99Fact or fiction? An imaginative collection of statements about Vincent van Gogh that challenges what we think we know about the artist’s much mythologized existence.
Van Gogh is the most famous artist in the world, yet our understanding of his life is full of contradictions. Art historians, filmmakers, journalists, psychologists and conspiracy theorists have offered theories on his life and work, yet their views are often poles apart. Van Gogh has been described as a suffering genius, a madman, the embodiment of peace and compassion, a man of violence who was a danger to himself and others, a religious fanatic and a Marxist. Where does the truth lie and the myth begin?
This book examines the continual rewriting of Van Gogh’s story since the first publications on the artist appeared at the beginning of the twentieth century. Presenting a collage of succinct facts and ‘counterfacts’, the text is drawn from a wide field of sources: fellow artists, friends and family, doctors and psychoanalysts, actors and writers, theorists, crackpots and scholars. Conflicting statements go hand in hand with an unconventional curation of images, which include postcards of locations associated with the artist, photographs of a fraudster’s legal trial, a children’s toy, a bottle label and a rusty revolver.
Turnbull presents a kaleidoscope of fact and fiction about the world’s most discussed artist – sometimes funny, sometimes heartrending, always revealing – giving readers new insights into the artist, his work and his legacy. Van Gogh himself would be amazed not only to see what people have said about him, but also to grasp the global phenomenon that he has become. A must-have for art lovers and museumgoers, this book invites all readers familiar with Van Gogh to challenge long-accepted ideas about the man and his work.