|Dimensions||224 × 263 × 10 mm|
Little Toller Books
The Farmer’s Year
In the early 1930s Clare Leighton began work on a sequence of wood engravings depicting traditional farming in England over the course of a calendar year. The country was in the grips of the Great Depression. Unemployment had doubled. Hunger marches were beginning to spread through towns and cities. Machines were replacing men and women on the land.
Clare Leighton (1898-1989) was born in London and studied at Brighton, Slade and Central schools of art. Travel in Europe nurtured an empathy for rural workers and their culture, reflected in much of her work. An accomplished writer, Clare Leighton was encouraged to write a series of sketches to accompany the twelve engravings she produced. The Farmer’s Year was the result, published in 1933 to great acclaim in Britain and North America, running to three impressions by February 1934.
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Waterfalls of Stars is Rosanne Alexander’s love letter to Skomer Island, the nature reserve where she spent ten years as a warden. It portrays a relationship with nature enthralling in its immediacy and engages readers as she cares for Skomer’s bird and seal colonies while exploring her own character during periods of isolation from the mainland.
In Syria, culture has become a critical line of defence
Syria Speaks is a celebration of a people determined to
reclaim their dignity, freedom and self-expression. It
showcases the work of over fifty artists and writers who
are challenging the culture of violence in Syria. Their
literature, poems and songs, cartoons, political posters
and photographs document and interpret the momentous
changes that have shifted the frame of reality so drastically
Moving and inspiring, Syria Speaks is testament to the
courage, creativity and imagination of the Syrian people.
A unique anthology providing a window into Syrian art and
writing since the uprising. Contributors include
internationally renowned artists and writers, such as
Ali Ferzat, Samar Yazbek, Khaled Khalifa and Robin Yassin-Kassab.
The book includes 108 colour illustrations.
In a pink-walled motel, a teenage prostitute brings a grown man to tears. A lovestruck young boy holds the dismembered hand of his crush, only to find himself the object of a complex ménage à trois. A naked body falls from the window of a twenty-storey building, while two female office workers offer each other consolation in the elevator…
In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.
We all want something to believe in. It s 1987 and Frankie Vah gorges on love, radical politics, and skuzzy indie stardom. But can he keep it all down?
Following the multi-award-winning What I Learned From Johnny Bevan, Luke Wright s second verse play deals with love, loss, and belief, against a backdrop of skuzzy indie venues and 80s politics. Expect frenetic guitars, visceral verse, and a Morrissey-sized measure of heartache.
Like many of Marina’s essay and poems, ‘Letter to the Amazon’ is addressed to another writer, in this case Natalie Clifford Barney, a wealthy American expatriate in Paris. Though written in 1932, Marina’s letter was in response to what Natalie said about lesbian relationships and motherhood in her 1920 ‘Pensées dune Amazone’ (Thoughts of an Amazon).