|Dimensions||200 × 130 × 18 mm|
The False Apocalypse
This unique and disturbing work concerns the events of 1997, a tragic year in the history of post-communist Albania. After the world’s most isolated country emerged from Stalinist dictatorship and opened to capitalism, many people fell prey to fraudsters who invited them to invest in so-called ‘pyramid schemes’. At the start of 1997, these pyramids crumbled one after another causing wide-spread demonstrations and protests. The conflict became increasingly violent, leading to the collapse of the state and of the country’s institutions. Prisons were opened, crowds stormed arms depots, and the country was abandoned to anarchy and gang rule. Lubonja has chosen to tell this incredible story through a narrative technique that operates on two levels: a third-person narrator, who describes the large-scale events that made international headlines, and the narrative of Fatos Qorri, the author’s alter ego, who describes his own dramatic experiences in a personal diary. The book begins with the synopsis of a novel entitled “The Sugar Boat” that Fatos Qorri intends to write about the spread of a small pyramid scheme luring people to invest supposedly in a sugar business. However, as the major pyramids collapse, real events overtake anything he has imagined and Fatos Qorri finds himself in the midst of a real-life tragedy.
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When Vladan Borojević googles the name of his father Nedelko, a former officer in the Yugoslav People’s Army supposedly killed in the civil war after the decay of Yugoslavia, he unexpectedly discovers a dark family secret. The story which then unfolds takes him back to the catastrophic events of 1991, when he first heard the military term ‘deployment’, and his idyllic childhood came to a sudden end. Seventeen years later, Vladan’s discovery that he is the son of a fugitive war criminal sends him off on a journey round the Balkans to find his elusive father. On the way, he begins to understand how the falling apart of his family is closely linked with the disintegration of the world they used to live in. The story of the Borojević family deals intimately with the tragic fates of the people who managed to avoid the bombs, but were unable to escape the war.
The City Always Wins is a remarkable novel from the psychological heart of a revolution. From the communal highs of pitched night battles against the police in Cairo to the solitary lows of defeated exile in New York, Omar Robert Hamilton’s debut is a unique immersion into one of the key chapters of the 21st century.
Bringing to life the 2011 Egyptian revolution, The City Always Wins conveys with extraordinary intensity all the stages of that place and that time through the lives of its two main characters Mariam and Khalil, ordinary young people caught up in an extraordinary moment.
Furthermore, The City Always Wins is a novel not just about Egypt’s revolution but about a global generation that tried to change the world.
Reminiscent of the writing of Jeet Thayil, Zia Haider Rahma and Nadeem Aslam, Hamilton’s prose is arrestingly visual, intensely lyrical and uncompromisingly political. A genuinely exciting new writer, he looks set to become a defining voice of his generation.
” … Something has happened to cause the heart to start beating its own drum. And from that moment on, that rhythm is the only thing that matters …”
After his girlfriend pushes him through a fortune-teller’s window, fading TV star Kieran Falcon realizes his life needs to take a decisive turn. Aided by an assorted cast of eccentrics, mavericks and outright maniacs, Kieran sets off an epic quest for true love and immortality.
Everyone wants to be loved. Everyone ants to be remembered. The Heart Goes Boom is the unforgettable debut novel from Alex Green.
The short-sighted adolescent is a poor schoolboy who is in love with literature, and tries to emulate the lives and works of the writers he most admires. He is also fascinated by science and history, and stays up all night reading. At the age of 17 he decides to write a novel to prove to his teachers that he is not as mediocre as his fellow pupils, and is prepared to give up everything in order to do so. The novel is written in a series of notebooks – the ‘diary’ of the title – but instead of achieving fame as an author, the myopic protagonist fails his exams and has to repeat the school year. From the perspective of a schoolboy’s diary of everyday life in Bucharest in the early 20th century, – his teachers, his classmates’ academic and amorous rivalries, his first sexual experiences – we are introduced to the themes of religion, self-knowledge, erotic sensibility, artistic creation and otherness, subjects that would preoccupy Mircea Eliade, one of Romania’s most prominent intellectuals, until the end of his life. Diary of a Short-Sighted Adolescent was written when he was the same age as the book’s adolescent hero, and remained unpublished until it was found in an attic in Bucharest after the author’s death in 1986. As such it provides a unique insight into the early career of a great novelist and religious philosopher whose work has been neglected in the English language for too long.
Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.