Weight | 0.613 kg |
---|---|
Dimensions | 236 × 192 × 30 mm |
ISBN | 9781419732522 |
Cover | Hardback |
Publication Year | 2018 |
Publisher | Abrams Press |
£10.50
The Downtown Pop Underground
The 1960s to early ’70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and filmmaking. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn’t become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce—and changed the cultural landscape of not just the city but the world.
Out of stock
Related products
Possessions: Indigenous Art / Colonial Culture / Decolonization
£35.00A timely re-examination of European engagements with indigenous art and the presence of indigenous art in the contemporary art world.
The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation?
This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.
The Artist’s Studio: A Cultural History
£30.00An exciting narrative and visual history of the artist’s studio, examining the myth and reality of the creative space from early times to today.
The artist’s workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist’s atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day.
Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople – workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well plein air painting and the development of portable studios.
Paula Modersohn-Becker: A Life in Art
£25.00An accessible introduction to the life and work of this trailblazing pioneer of early modernism, published to coincide with a major exhibition at the Royal Academy, London.
Paula Modersohn-Becker is today hailed as one of the great pioneers of modernism. When she died in 1907 at the age of just 31, she had completed more than 700 paintings and 1,000 drawings and prints. Despite selling only a few paintings during her lifetime, her distinct style, daring subject matter and perseverance in overcoming barriers to women left a significant artistic mark on the brief epoch between the old and the new, and paved the way for the German avant-garde.
Uwe M. Schneede, one of the foremost experts on Modersohn-Becker’s work, shows how the artist translated her life’s experiences into her own, very distinctive, pictorial language. He focuses in particular on her time in Paris, where she absorbed the luminous palette and expressive brushwork of the French avantgarde, and which so strongly impacted her ambitions and artistic trajectory. Schneede’s lively narrative is supported by some 120 illustrations, and peppered throughout with quotations from Modersohn’s letters and diaries.
A Clutch of Curious Characters
£4.95A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
A Traveller’s History of Turkey
£4.90Throughout the millennia Turkey formed the core of several Empires–Persia, Rome, Byzantium–before becoming the center of the Ottoman Empire. All these civilizations have left their marks on the landscape, architecture and art of Turkey–a place of fascinating overlapping cultures. Traveller’s History of Turkey offers a concise and readable account of the region from prehistory right up to the present day. It covers everything from the legendary Flood of Noah, the early civilization of Catal Huyuk seven thousand years before Christ, through the treasures of Troy, Alexander the Great, the Romans, Seljuks, Byzantines and the Golden Age of the Sultans, to the twentieth century’s great changes wrought by Kemal Ataturk and the strong position Turkey now holds in the world community.