£30.00
Sir Robert Vere (‘Robin’) Darwin, great-grandson of Charles Darwin, was a British artist of note and the highly influential Rector of the Royal College of Art from 1948 until 1971. His story, beginning in 1910, takes in life as an art student and then a teacher, his wartime involvement in camouflage, British postwar reconstruction and the Festival of Britain 1951. His influence in shaping British arts education for the future is uncontested (the list of RCA graduates from 1950-1980 is particularly impressive, including not only fine artists (David Hockney, Peter Blake) but also leaders in industrial design such as James Dyson.
The current status of the Royal College of Art is largely the result of one man, a formidable force with the drive, vision and ability to inspire huge loyalty and first-class creative thinking in others. The list of RCA professors, tutors and visiting lecturers recruited by Darwin reads like a rollcall of the best in post-war British design and art, and their influence continues to inspire students to this day.
4 in stock
| Weight | 0.820 kg |
|---|---|
| Dimensions | 229 × 153 × 28 mm |
| ISBN | 9781910065396 |
| Cover | Hardback |
| Publication Year | 2015 |
| Publisher | Unicorn Press |
The children’s novel “Black Beauty” was written by Anna Sewell in her fifties and she sold it outright for GBP20. She did not live to know of its success. This work chronicles her extraordinary life from the tragic accident that left her lame at the age of 14 to the writing of her novel from her death bed.
Marlon Brando will never cease to fascinate us: for his triumphs as an actor (On the Waterfront, The Godfather, Last Tango in Paris), as well as his disasters; for the power of the screen portrayals he gave, and for his turbulent, tumultuous personal life.
Seamlessly intertwining the man and the work, Kanfer takes us through Brando’s troubled childhood, to his arrival in New York in the 1940s, where he studied with the legendary Stella Adler, and at the age of twenty-three became the toast of Broadway in A Streetcar Named Desire. Kanfer expertly examines each of Brando’s films – from The Men in 1950 to The Score in 2001 – making clear the evolution of Brando’s singular genius, while also shedding light on the cultural evolution of Hollywood itself. And he brings into focus Brando’s self-destructiveness, his lifelong dissembling, his deeply ambivalent feelings towards his chosen vocation, and the tragedies that shadowed his final years. This is a never-before-seen portrait of one of the most extraordinary talents of the twentieth century.
One of the most powerful and provocative writers to have emerged in Britain in recent years, James Kelman has engendered a good deal of controversy over his widely reported, but often misconceived use of `bad’ language words. This introduction to the whole range of his works, from the early short stories through the plays and essays to the Booker Prize winning novel How Late it Was, How Late and the latest experimental fiction, examines the embattled Kelman’s literary politics. H. Gustav Klaus pays close attention to the Scottish culture in which Kelman’s writing was nurtured, to the uncompromising treatment of the `underclass’, the intricacies of the narrative voice and the existentialist anguish behind it. A writer of international reputation now, Kelman’s principled anti-authoritarianism raises uncomfortable questions about the continuing reality of class, dominant social and literary values and the role of writers in our time.
Andrew Motion was appointed Poet Laureate in 1999, but alongside his work as a poet he also had a significant career as a prize-winning biographer and an illuminating critic. Ways of Life celebrates this talent with a selection of his articles about painters and poets, as well as a number of striking personal pieces. The literary essays in Ways of Life look at a wide assortment of writers, from John Clare and Ivor Gurney, to marginal figures such as Leigh Hunt and Joseph Severn, and reassess the less well-known work of celebrated writers including John Donne, Christina Rossetti and Thomas Hardy. Ways of Life is an original, acute and emotionally-charged collection of writings, from a truly important and insightful writer.
A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere’s backing in 1922), publication of The Hollow Menand the course of Eliot’s thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot’s intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot’s first publication with the house with which he would be associated for the rest of his life.
It was partly because of Eliot’s profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.
