£6.00
Paul Godfrey is “so good, so nervy and alert with imagination and intelligence” (Sunday Times). Includes the plays:
Inventing a New Colour
“Godfrey’s appealing first play is, with its ominous signs of disjunction, like a surrealist painting”(Guardian)
Once in a While the Odd Thing Happens
“A fictional-biographical account of Benjamin Britten…lyrical, poetic prose, sinuous, swift, eloquent and dramatic” (Sunday Times)
A Bucket of Eels
“Danger gives Paul Godfrey’s wonderful play its drama. Six young people enter a Freudian forest of their own imaginings” (Financial Times)
The Blue Ball
“An enquiry into the magic of space exploration…a rather interesting, idiosyncratic and well written play” (Observer) is an imaginative investigation of the experience of Space researched by the playwright among the astronauts themselves. This ambitious play questions the politics of a culture in which the wondrous is rendered mundane and what seems commonplace is rendered absurd. The Blue Ball was commissioned by the Royal National Theatre and received its premiere at the Cottesloe Theatre in 1995.
2 in stock
| Weight | 0.189 kg |
|---|---|
| Dimensions | 203 × 127 × 20 mm |
| ISBN | 9780413718808 |
| Cover | Paperback |
| Publication Year | 1998 |
| Publisher | Methuen Drama |
For Butterfly Boy – sitting alone in a Fiat 500 in the pouring rain – the reasons for joining a gay and inclusive rugby union team in a rugby league obsessed city didn’t seem that apparent. But once in the changing room a whole new world opens up.
Inspired by a true story Safer is a hard hitting, tender and funny exploration of the toxic side of team sports and how one new team decided to tackle it head on.
A high-ranking government minister with a colourful past is sent on a diplomatic mission to Istanbul. When his trip ends up in a bar-room brawl, he becomes Europe’s most wanted man overnight. Chased by the authorities, damned by religious leaders, pursued by those looking for vengeance and head-hunted by fanatics, his odyssey begins.
Plunged into the ancient past, Odysseus must now contend with all the unworldly beings and unnatural phenomena that stand in his way. The Cyclops, the Sirens, witches, whirlpools and flesh-eating armies must all be overcome in the struggle for survival and the long voyage back home.
Simon Armitage’s The Odyssey: Missing Presumed Dead premiered at the Liverpool Everyman in September 2015 then toured the UK in a co-production with English Touring Theatre.
Three plays, ‘all written for live theatre – with the emphasis on live’, and all first performed at the Stephen Joseph Theatre, Scarborough: The Revengers’ Comedies (1989); Things We Do for Love (1997); and House & Garden (1999).
The Revengers’ Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage – Strangers on a Train, Rebecca, Kind Hearts and Coronets – and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times
Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times
House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
A Wedding Story
‘A spry if wintry comedy about a lesbian, a wedding-day bonk, and a mother who contracts Alzheimer’s… It dares to find failure and frivolity (a sure sign of dramatic honesty) in the face of domestic hell. Funny, frank and churning by turns, this struck me as a lyrical new play about the unlyrical business of coping when real life knocks on the door.’ Daily Express
Frozen
Winner of the TMA Best New Play award and Eileen Anderson Central Television Award for Best Play.
‘Bryony Lavery’s big, brave, compassionate play about grief, revenge, forgiveness and bearing the unbearable.’ Guardian
‘A major play… thrilling, humane and timely.’ The Times
‘Consistently surprising and even bravely comic… The almost thriller-like promise of the play’s climactic confrontation is like a time-bomb ticking in the back of your head.’ Independent
Illyria
A young war reporter gets abducted and finds herself in the midst of a cycle of violence, in a land crippled by hate.
More Light
‘Triumphant… A startlingly metaphorical play about the creation of art.’ Independent
Translations of four great Spanish dramas: Calderon de la Barca Life Is a Dream; Miguel de Cervantes Siege of Numantia; Lope de Vega Fuente Ovejuna; Tirso de Molina The Trickster of Seville.
PUBLISHED 22/03/2021
The Ormering Tide is a coming of age story set amidst a series of darkly foreboding events. Rozel lives with her triplet older brothers and her parents in the bay of a small island. One of her brothers goes missing and the family’s landlord, Mr Willow, is implicated as the menacing truths are discovered. The island is rich with nature; and the islanders’ lives and the steady passing of the seasons contrast sharply with the realities of violence and inevitable revelations. The Ormering Tide explores the inherent human need to keep – and bury – secrets.
Kathryn Williams’ first novel, The Ormering Tide, is about processing the past, after the fact. This is a brooding and astonishing debut from the Mercury Music Prize nominated singer-songwriter.
The Ormering Tide shines as brightly as the beautiful shell from which this novel draws its title and is as impressive and adventurous as the author’s music.
