Weight | 0.125 kg |
---|---|
Dimensions | 210 × 210 × 3 mm |
ISBN | 9781914288104 |
Cover | Paperback |
Publication Year | 2021 |
Publisher | Mad Hatter's Campsite |
£5.00
Mad Hatter, What’s the Matter?
Once there was a man who made hats, so everybody called him the Hatter…
5 in stock
Related products
Robert Browning: Selected Poems
£3.99In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.
Robert Browning (1812-89) was largely educated in his father’s vast library and spent only one term at university. In 1846 he married Elizabeth Barrett Browning, eloping to Italy until her death in 1861, when he returned to England to complete his celebrated work The Ring and the Book (1868-9). He died in Venice in 1889.
Classic Women’s Poetry
£6.99Women throughout the ages contribute to this diverse collection. From Bronte to Mansfield, Rosetti to Sappho, Behn to Dickinson and Elizabeth I to Barrett Browning – these poems are a celebration of all things female, dealing with the timeless themes of life, love, motherhood and independence.
Spending Time with Walter
£4.50The long poem at the centre of John Hartley Williams’ new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway. Some of his remarks are addressed to his talisman, the shrunken head of an African tribesman. The barge carries a sinister cargo and its captain has a preference for sadistic sex. Other poems in the book undertake joumeys – to Northern Cyprus, China medieval France, Florida – but like ‘The Barge’ they’re not exactly travel poems, more poems which travel. Welcome to the unsettling world of John Hartley Williams, whose restless, inexhaustible imagination, originality and maverick humour have enlivened contemporary poetry for years. Paranoid, erotic, disturbed and disturbing, these are bulletins from a dislocated, parallel world that excites, entertains and terrifies – and often feels more real to us than our own.
Drysalter
£6.00Winner of the 2013 Forward Poetry Prize for Best Collection
Winner of the 2013 Costa Poetry Award
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2015 Portico Prize
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.