Weight | 0.416 kg |
---|---|
Dimensions | 272 × 167 × 10 mm |
ISBN | 9780431068558 |
Cover | Hardback |
Publication Year | 1998 |
Publisher | William Heinemann |
£6.00
Living Through History: Britain 1750-1900
A study of British history from 1750 to 1900, suitable for project work and for studying medieval topics in detail, which provides text alongside source materials, and also recounts weird and sometimes gory stories behind people and events.
4 in stock
Related products
Mick Imlah: Selected Poems
£5.00Selected Poems brings together the best work of a poet who can now be seen, with increasing clarity, as a ‘lost leader’ of Scottish poetry in our time.
Spending Time with Walter
£4.50The long poem at the centre of John Hartley Williams’ new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway. Some of his remarks are addressed to his talisman, the shrunken head of an African tribesman. The barge carries a sinister cargo and its captain has a preference for sadistic sex. Other poems in the book undertake joumeys – to Northern Cyprus, China medieval France, Florida – but like ‘The Barge’ they’re not exactly travel poems, more poems which travel. Welcome to the unsettling world of John Hartley Williams, whose restless, inexhaustible imagination, originality and maverick humour have enlivened contemporary poetry for years. Paranoid, erotic, disturbed and disturbing, these are bulletins from a dislocated, parallel world that excites, entertains and terrifies – and often feels more real to us than our own.
Peter Redgrove: Collected Poems
£15.00Peter Redgrove, who died in 2003, was one of the most prolific of post-war poets and, as this Collected Poems reveals, one of the finest. A friend and contemporary of Ted Hughes and Sylvia Plath in the early 1950s, Redgrove was regarded by many as their equal, and his work has been championed by a wide variety of writers – from Margaret Drabble to Colin Wilson, Douglas Dunn to Seamus Heaney. Ted Hughes once wrote warmly to Redgrove of ‘how important you’ve been to me. You’ve no idea how much – right from the first time we met.’
In this first Collected Poems, Neil Roberts has gathered together the best poems from twenty-six volumes of verse – from The Collector (1959) to the three books published posthumously. The result is an unearthed treasure trove – poems that find new and thrilling ways of celebrating the natural world and the human condition, poems that dazzle with their visual imagination, poems that show the huge range and depth of the poet’s art. In Redgrove’s poetry there is a unique melding of the erotic, the terrifying, the playful, the strange, and the strangely familiar; his originality and energy is unparalleled in our time and his work was the work of a true visionary.
Two Old Men’s Tales
£4.00First published in 1834, Two Old Men’s Tales is made up of two novels told by old men reflecting on events in their respective pasts. The Deformed tells of the “deformed” Earl of St. Germains, heir to the Marquis of Brandon. After his step-mother gives birth to a son, Lord Louis, who is as good-looking as his mother, the young Earl is neglected. He finds companionship in Lilia, a poor relative. The Admiral’s Daughter relates the story of Iñez, daughter of Admiral Thornhaugh, who is intended to marry Captain Harry Vivian, an honest and sensible naval officer. On one of his visits he brings with him his friend Laurence Hervey, a character quite different from Vivian. Vivian marries Iñez, while Hervey goes away to Paris for five years. When he visits his old friend and his wife, he is captivated by Mrs. Vivian, leading to an elopement and the consequences attendant upon such a drastic action, a time when honour was defended with pistols at dawn.
Drysalter
£6.00Winner of the 2013 Forward Poetry Prize for Best Collection
Winner of the 2013 Costa Poetry Award
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2015 Portico Prize
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.