Paul Simon: Lyrics 1964-2006
£10.00Featuring lyrics from Paul Simon’s ten solo albums, four collaborations with Art Garfunkel, and his ‘Songs from the Capeman’, Lyrics is a landmark collection of folk history.
£18.98
Legendary Rock n’ Roll Hall of Fame composer Leonard Cohen presents twenty of his famous songs, arranged for Piano, Voice and Guitar.
Featuring lyrics from Paul Simon’s ten solo albums, four collaborations with Art Garfunkel, and his ‘Songs from the Capeman’, Lyrics is a landmark collection of folk history.
Scott Walker is undoubtedly one of the most brilliant, serious and intelligent of artists today. As one of the greatest lyricists of the 20th century and front man of globally loved pop trip, The Walker Brothers, Walker commands huge devotion. A major event, Sundog is the first ever selection of Walker’s lyrics curated by the artist himself, published for the first time with a stunning introduction by Eimear McBride. Walker’s iconic lyrics will proudly follow in the footsteps of other famous musicians who have been published by Faber & Faber, including Jarvis Cocker, Billy Bragg, and Van Morrison.
The first and best Beatles biography, Norman had close working relationships with each of the Fab Four, having interviewed them many times since 1965 and observed first hand the events that led to the split during 1969-70. The resulting book contained unique insights into the rise of the Beatles, their final years, the chaos of Apple and the collapse of hippy idealism.
Now fully updated, and written with all of Norman’s trademark verve and skill, this is an essential book for anyone with an interest in pop music, the Sixties and the pleasures and perils of god-like fame.
Back in pop’s early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people’s songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions – the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.
How would you like a six-figure marketing job at the hallowed record label that signed everyone who counts in the last fifty years of pop music? Before you answer, we’ll throw in a plush office, a hip assistant and a bottomless expense account.
When Dan Kennedy is hired by a major label he thinks he has been handed a pass to the secret kingdom of rock and roll. In reality, he has walked into an episode of The Office. Whether directing a gangsta rapper’s video or battling his better judgement to create a campaign celebrating twenty-five years of Phil Collins’ love songs, he’s in way over his head. And from the looks of those around the boardroom, he’s not alone.
Cameos by aging pop stars, dinosaur music-biz kingpins, hip-hop thugs, Iggy Pop and others make up the cast of this brilliant power ballad to rock and roll, office life and all the wage slaves who’ve done their damndest to hide from Human Resources when the axe falls.
If you have ever bought a record, worked in an office, tried to get into a creative industry or suspected that some things are not all they’re cracked up to be, Rock On will make you laugh more than you thought possible.
Elvis Presley is a giant figure in American popular culture, a man whose talent and fame were matched only by his later excesses and tragic end. A godlike entity in the history of rock and roll, this twentieth-century icon with a dazzling voice blended gospel and traditionally black rhythm and blues with country to create a completely new kind of music and new way of expressing male sexuality, which simply blew the doors off a staid and repressed 1950s America.
In Being Elvis veteran rock journalist Ray Connolly takes a fresh look at the career of the world’s most loved singer, placing him, forty years after his death, not exhaustively in the garish neon lights of Las Vegas but back in his mid-twentieth-century, distinctly southern world. For new and seasoned fans alike, Connolly, who interviewed Elvis in 1969, re-creates a man who sprang from poverty in Tupelo, Mississippi, to unprecedented overnight fame, eclipsing Frank Sinatra and then inspiring the Beatles along the way.
Intimate and unsparing, Being Elvis explores the extravagance and irrationality inherent in the Elvis mythology, ultimately offering a thoughtful celebration of an immortal life.