Weight | 0.796 kg |
---|---|
Dimensions | 282 × 200 × 18 mm |
ISBN | 9781859839928 |
Cover | Hardback |
Publication Year | 2011 |
Publisher | Derby Books Publishing |
£12.00
Leeds in the Eighties and Nineties
This is a photographic history book of the 1980s and 1990s from the Yorkshire Evening Post, chronicling life in Leeds throughout these twenty years.
5 in stock
Related products
Richard Smith: Artworks 1956-2016
£60.00The first monograph on Richard Smith, a key figure in the development of British art.Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith’s major Tate Gallery retrospective in 1975, he was ‘at once in and out of touch with the currents of the mainstream … au courant and aloof at the same time.’ That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith’s entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the ‘Kite’ works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith’s art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith’s art, while Alex Massouras’s two themed essays, ‘Young and British’ and ‘From Motion Pictures to Flight’, explore Smith’s originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.
A Traveller’s History of Turkey
£4.90Throughout the millennia Turkey formed the core of several Empires–Persia, Rome, Byzantium–before becoming the center of the Ottoman Empire. All these civilizations have left their marks on the landscape, architecture and art of Turkey–a place of fascinating overlapping cultures. Traveller’s History of Turkey offers a concise and readable account of the region from prehistory right up to the present day. It covers everything from the legendary Flood of Noah, the early civilization of Catal Huyuk seven thousand years before Christ, through the treasures of Troy, Alexander the Great, the Romans, Seljuks, Byzantines and the Golden Age of the Sultans, to the twentieth century’s great changes wrought by Kemal Ataturk and the strong position Turkey now holds in the world community.
The Hidden Language of Symbols
£30.00A stimulating narrative and reference resource that guides the reader through the most significant symbols from worldwide art history.
Why do we reach for the red rose on Valentine’s day? Where did the owl gain its reputation for wisdom? Why should you never trust a fox? In this visual tour through art history, Matthew Wilson pieces together a global visual language enshrined in art: the language of symbols.
Symbols exert a strong hold in the image-saturated 21st century, and have done so for thousands of years. From national emblems to corporate logos and emojis, our day-to-day lives abound with icons with roots in the distant past. Expert art historian Matthew Wilson traces the often surprising trajectories that symbols have taken through history, from their original purposes to their modern meanings, identifying the common themes and ideas that link seemingly disparate cultures. Thus we meet the falcon as a symbol of authority from the ancient Egyptian pharaohs to the medieval aristocracy; the dog as stalwart companion from the classical era to the Renaissance; and the mythical phoenix as a symbol of female power connecting a queen in England with a goddess in China. We also see moments of radical reinterpretation and change: the transformation of the swastika from an auspicious symbol of hope to one of hate.
From Palaeolithic cave paintings to contemporary installations, Wilson deftly guides us through this world of symbols, showcasing their enduring ability to express power, hope, fear and faith, and to create and communicate identities, uniting – or dividing – the people that made them.
This is Tomorrow: Twentieth-century Britain and its Artists
£30.00A compelling and lively history that examines the lives of British artists from the late-19th century to today.
In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times.
At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.
If These Apples Should Fall: Cezanne and the Present
£30.00A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world’s most respected art historians.
For more than a century the art of Paul Cezanne was held to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rilke revered him deeply, as did Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding.
If These Apples Should Fall: Cezanne and the Present looks back on Cezanne from a moment – our own – when such judgments may seem to need justifying. What was it, the book asks, that held Cezanne’s viewers spellbound?
At the heart of Cezanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, examining the art of Pissarro, Matisse and others in relation to it. Above all, he speaks to the uncanniness and beauty of Cezanne’s achievement.