£6.00
Three plays, ‘all written for live theatre – with the emphasis on live’, and all first performed at the Stephen Joseph Theatre, Scarborough: The Revengers’ Comedies (1989); Things We Do for Love (1997); and House & Garden (1999).
The Revengers’ Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage – Strangers on a Train, Rebecca, Kind Hearts and Coronets – and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times
Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times
House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
1 in stock
| Weight | 0.120 kg |
|---|---|
| Dimensions | 198 × 126 × 42 mm |
| ISBN | 9780571274611 |
| Cover | Paperback |
| Publication Year | 2011 |
| Publisher | Faber and Faber |
How far would you go to resist oppression? What would you choose to remember, and what to forget? Are some wounds never meant to heal?
Siddhartha Bose’s play takes us to 1930s India to tell the story of Pritilata Waddedar, a young, female revolutionary who leads an attack on a whites-only club. ‘No Dogs, No Indians’ was commissioned by five major performing arts venues to mark the 70th anniversary of Indian independence.
Radio Castle, the voice of Jerusalem. Your local news broadcast from the bed of housebound ex-fireman, John Edward. His son doesn’t want to join the family business, and his wife is in love with the town’s ex-policeman, but Radio Castle continues to broadcast despite everything life throws at John Edward. When the coveted position of Entertainment Secretary at the Jerusalem Social Club comes up, only one man stands between John Edward and his dream – a certain ex-policeman. As two old adversaries square up, who will get the girl and who will get the job?
This dark musical comedy premiered at West Yorkshire Playhouse in November 2005.
Jack Kerouac’s Great American Novel, now in a delightful new Clothbound Classics edition
On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.
Contemporary Irish Plays showcases the new drama that has emerged since 2008. Featuring a blend of established and emerging writers, the anthology shows how Irish writers are embracing new methods of theatre-making to explore exciting new themes – while also finding new ways to come to terms with the legacies of the Troubles and the Celtic Tiger.
Drum Belly is a fascinating play about the Irish mafia in late 1960s’ New York. It premiered at the Abbey Theatre in 2012.
Previously unpublished, Planet Belfast by Rosemary Jenkinson is about a woman named Alice – Stormont’s only Green MLA who must toe a delicate line between large, sectarian power bases in order to promote an environmental agenda in Northern Ireland.
Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old.
Desolate Heaven is a story about two young girls hoping to find freedom from home in the trappings of love. It was first performed at Theatre 503, London, in 2013.
Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley Street by Louise Lowe is a piece of site-specific theatre which led audience members on a tour of the backstreets of inner-city Dublin.
Freefall is a sharp, humorous and exhilarating look at the fragility of a human life, blending impressionistic beauty, poignancy and comedy.
Edited by the leading scholar on Irish theatre, Patrick Lonergan, Contemporary Irish Plays is a timely reminder of the long-held tradition and strength of Irish theatre which blossoms even in its new-found circumstances.
Heather Harris is a piano teacher and professional musician, whose quiet life revolves around music, whose memories centre on a single song that haunts her. A song she longs to perform again. A song she wrote as a child, to drown out the violence in their home. A song she played with her little sister, Harriet.
But Harriet is gone… she disappeared when their parents died, and Heather never saw her again.
When Heather is offered an opportunity to play piano on a cruise ship, she leaps at the chance. She’ll read her recently released childhood care records by day – searching for clues to her sister’s disappearance – and play piano by night… coming to terms with the truth about a past she’s done everything to forget.
An exquisitely moving novel about surviving devastating trauma, about the unbreakable bond between sisters, Nothing Else is also a story of courage and love, and the power of music to transcend – and change – everything…
A high-ranking government minister with a colourful past is sent on a diplomatic mission to Istanbul. When his trip ends up in a bar-room brawl, he becomes Europe’s most wanted man overnight. Chased by the authorities, damned by religious leaders, pursued by those looking for vengeance and head-hunted by fanatics, his odyssey begins.
Plunged into the ancient past, Odysseus must now contend with all the unworldly beings and unnatural phenomena that stand in his way. The Cyclops, the Sirens, witches, whirlpools and flesh-eating armies must all be overcome in the struggle for survival and the long voyage back home.
Simon Armitage’s The Odyssey: Missing Presumed Dead premiered at the Liverpool Everyman in September 2015 then toured the UK in a co-production with English Touring Theatre.
