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Indie Publishers

The Reater Issue 1

£8.00

The Reater brought together challenging new British writing with the best of Southern California. It features established names alongside excellent newcomers. Interleaved among the poetry and prose are interviews, reviews, and striking illustrations. The Reater is also the best U.K. outlet for new and reprinted material by the great names of L.A./Long Beach literature: Charles Bukowski, Gerald Locklin, Fred Voss, Joan Jobe Smith and others.

 

Contributors

 

Dean Wilson, Thomas Kretz, Andrew W. Pye, Carol Coiffait, Labi Siffre, Lisa Glatt, Seamus Curran, Peter Werner, Fred Voss, Ian Parks, Jacqueline Karp Gendre, Charles Bukowski, Gerald Locklin, Dorothy Cowlin, Shane Rhodes, Devereaux Baker, Graham Hamilton, Joan Jobe Smith, R. Gerry Fabian. Photographs by James Brown & Simon Rees

The Reater Issue 2

£8.00

The shadow of the moth flicks the page I’m reading. I look up to the white blindness of a tired yellow bulb hanging heavy with temporary heat. My eyes recoil, staining the page with silverfish jizz. After blinking a couple of times, I push the button, raise the nib and I’m back to this…

 

Contributors

 

Devereaux Baker, Andrew Parker, P.D. Oliver, Maurice Rutherford, Rosemary Palmeira, Joan Jobe Smith, T. Anders Carson, Matthew Firth, Jaqueline Karp-Gendre, Ian Parks, Brian Docherty, Fred Voss, Peter Knaggs, Dean Wilson, Jules Smith, Linda K, Seamus Curran, Peter Didsbury, Joanne Pearson, Charles Bukowski, Norman Jackson, Andy Fletcher, Geoff Stevens, Gerald Locklin, Labi Siffre, Carol Coiffait. Illustrations by Kevin Rudeforth

The Reater Issue 3

£7.95

Issue 3 contains poetry by Brendan Cleary, Geoff Hattersley, Roddy Lumsden, Labbi Siffre, Joan Jobe Smith, Fred Voss, Gerald Locklin, Greta Stoddart, Simon Armitage. Reviews of ‘On The Buses With Dostoyevsky’ by Geoff Hattersley, ‘Sacrilege’ by Brendan Cleary, ‘New Blood’ a Bloodaxe anthology, and ‘Carnegie Hall With Tin Walls’ by Fred Voss.

 

Issue 3 also includes the first ever published interview with Charles Bukowski entitled ‘Charles Bukowski Speaks Out‘ by Arnold L. Kaye. – This is the first time the interview has been reprinted since its original publication in ‘The Chicago Literary Times‘, March 1963.

 

Contributors

 

Brendan Cleary, Gerald Locklin, Khan Singh Kumar, Peter Knaggs, K.M. Dersley, Roddy Lumsden, Joan Jobe Smith, Labi Siffre, Lisa Glatt, Carol Coiffait, Tricia Cherin, Charles Bukowski, Sean Burn, Devreaux Baker, Jules Smith, Rodney Wood, Fred Voss, Richard Whelan, Greta Stoddart, Maurice Rutherford, James Prue, Ben Myers, Simon Armitage, David Hernandez, Charles Bennet, B.A.J. Evans, A.A. Dodd, Dave Wright, Gordon Mason, Ian Parks, Andrew Parker, Michael Curran, Dean Wilson, Daithidh MacEochaidh, Jon Summers, Janet Oliver, Fiona Curran, Denise Duhamel, David Lyall, Raymond Robinson, Mark Mckain, Geoff Hattersley. Drawings by David Hernandez

The Reater Issue 5

£7.95

The Reater seems to carry on a colloquial poetic conversation between the east coast of Britain and the west coast of America with readers and writers listening in from many points in the middle. Much of the work it publishes has the rare quality of language overheard, avoiding the preached at spoken to told off stuff that sometimes characterizes grander or more traditional work.” Simon Armitage

 

“The streetwise slab-sized Reater is streets ahead of any other magazine in giving the reader a working report on the buzzy special relationship between British and American poetry. The new writers it generously showcases in each chunky issue are often as startlingly original as the more familiar names. All are in touch with our times as well as with our selves.” Neil Astley

 

Contributors:

Rodney Wood, Peter Ardern, Brian Docherty, Sean Burn, Virgil Saurez, Felicity Tumpkin, Steve Timms, Steve Sneyd, Jacqueline Karp, James Prue, Andrew Parker, Mary Rudbeck Stanko, Ken Smith, Peter Carpenter, David Roberts, David Lyall, Jacqueline Sousa, Jo Pearson, Brendan Mcmahon, Dave Newman, Anna Woodford, Finella Davenport, B.Z. Niditch, Robert Nazarene, Rosemary Palmeira.

 

Paintings by Dee Rimbaud

The Scene of My Former Triumph

£7.95

Matthew Caley’s debut Thirst [1999] was nominated for ‘The Forward Prize For Best First Collection’ and much acclaimed: “shaped and honed to a mosaic brilliance” – Ken Smith.

 

‘Stunning invention and remarkable versatility’ – Sophie Hannah.

 

“Thirst is a joy -comic, witty, even touchingly poignant” – Time Out.

 

This second collection ‘The Scene Of My Former Triumph‘ extends his patrol across the liminal borders between urban myth and the myth of pastoral escape.

The Secret World of Polly Flint

£6.99

“Have they told you?” His voice was lowered now, he was speaking of secrets to be told.
“Told me? What?”
“Of the lost village…”

 

As soon as she arrives in Wellow, Polly Flint knows there is magic in the place. And she should know because she is an unusual girl who can see things others can’t.

 

Polly Flint seems to be able to call up a village that had disappeared from the face of the earth – and the people who lived in it, as they slip in and out of time.

The Sin-eater: A Breviary

£12.00

The Sin-eater: A Breviary, Thomas Lynch’s fifth book of poems gathers together two dozen, twenty-four line poems – a book of hours – on the life and times of Argyle, the sin-eater and includes two dozen black and white photographic images by the author’s son, Michael Lynch, and a front cover watercolour by his son, Sean. The poems and images are situated on the West Clare peninsula in Ireland where the author keeps an ancestral home in the townland of Moveen between the North Atlantic and the River Shannon estuary. The poems are prefaced by an “Introit” which examines the nature of religious experience, faith and doubt, communion and atonement.

The Things I Learnt And The Things I Still Don’t Know About

£10.00

The debut poetry collection from writer and thrilling live performer of spoken word and poetry Talitha Wing, The Things I Learnt And The Things I Still Don’t Know About will propel Talitha to prominence in the world of poetry and spoken word. Talitha is an actor, writer and poet, based in London and Vienna. Talitha’s debut play Socks was commissioned by Paines Plough for the nationwide Come To Where I’m From program in 2019. Talitha’s next play will be She Calls Me Crazy, currently in development with TBA Productions.

The Threadbare Coat: Selected Poems

£12.99

A Telegraph Book of the Year 2020

 

This Selected celebrates Scotland’s most distinctive contemporary writer, a vivid minimalist, ruralist, and experimentalist. His poems most often are first published by Moschatel Press, which Clark and his wife, the artist Laurie Clark, set up in 1973. Here presentation is an aspect of form. Some poems appear in sequences, some feature singly and some are as short as a single line. The poems are verbally memorable, but also visually so. The longer poems are built up out of such precisions, extended, connected. Ballad and folk song are never far away.

The Universe and Me

£10.00

 “Toria’s words are silk javelins. Frank explorations of self, outpourings of a joyfully pained mind. She means it. Cos she’s lived it. I love that girl”  Mike Garry

 

“rendered unemployed by Arkwright’s spinning Jenny at twelve years old. No wonder she’s a luddite. Happily, she turned to the pen, with astonishing results. Ladies and gentlemen I give you, our mellifluous girl from the mills, Toria Garbutt” John Cooper Clarke

 

“Toria Garbutt is an utterly extraordinary poet, with a rich soul, hard kick and the biggest heart. In live performance she has an exquisite effect on the listener, she made me blush once and I am still blushing thinking about it now”  Salena Godden

 

“the most exciting poet I’ve seen in years”  Mark Grist

 

“I love her stuff” Hollie McNish

There Will Be No Miracles Here

£7.99

Stephen Sawyer’s remarkable first collection is a book about politics – public dreams, private desires and common fears. From a Merseyside housing estate in the 1960s via Pinochet and Thatcher to the floods in Sheffield in 2007, these poems trace the sutures of power and resistance on the body and under the skin through the mediations of love, death, class, art and oppression. They raise questions about identity and belonging in a time of rapid structural and technological change, and celebrate the creativity and courage of individual and collective responses. There Will Be No Miracles Here is a book of passion and humour about people who live at the sharp edge.

Three Dreams in the Key of G

£9.99

In peace-agreement Ulster a mother rears her two daughters, as her husband is decommissioned from his violent paramilitary past. In Florida a septuagenarian runs a community refuge for women and the authorities have surrounded it as a threat to national security. In laboratories all over the world the human genome is being dissected and decoded.

 

In Three Dreams in the Key of G three female voices, Mother, Crone and Creatrix, unknowingly influence each other’s fates as each battles to assert themselves and discover their voices in hostile environments.

Toxins (and Other Poisons)

£10.00

Toxins (and other poisons) is a collection of short stories, all with the same common denominator: a man with a hat and a turquoise scarf, and a merciless, inescapable feeling of being trapped. The main characters, starting from a realistic condition, find themselves in situations that slowly begin to disconnect from reality, and become disturbing and weird, putting them in a condition of (sometimes dark, sometimes lighter and ironic) uneasiness. Toxins (and other poisons) is an overall story of glitches in the system, of individuals floating in a sea of social and technological stimuli, trying their best to fit in, yet failing because defecting of the skills that allow them to be suited to their world.

Translation as Transhumance

£10.00

Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.

 

Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.

 

The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.

Two Tongues

£10.99

‘Two Tongues is a collection of singularly energetic grace, whose rueful, restless poems are as fascinated by what others want us to be, as by what we want to be ourselves.’ -W. N. Herbert

 

Slip-ups, skirmishes and the sidelong glance characterise Claudine Toutoungi’s Two Tongues, a surreal and startling second collection that takes on the dislocations and double takes of modern life and weaves from them poems of wit, grit and delicious abandon. In a landscape populated by levitating snailfish, sotto voce therapists, melancholic kittiwakes and collapsing stage sets, boundaries blur, languages merge, vision is partial and identity nothing but fluid. Misdirected medical reminders, discarded letters, crossed wires and linguistic mash-ups proliferate as the urban and natural worlds collide in an exuberant exploration of confusion – spatial, verbal and psychological. A gallery is overrun with mushrooms, a scientist takes home a fox-cub to nurse, a wild swimmer grapples with sharks and all the while these questing, querulous poems shape-shift from searing to soulful to droll to defiant, as they confess, cajole, sometimes ponder, occasionally pout and perpetually wrestle with our fractured world.

Una Marson: Selected Poems

£10.99

Presenting some of the most noteworthy pieces from a remarkably influential West Indian poet, this anthology sheds light on the lesser-known literary accomplishments of Una Marson. Revealing the work of a woman whose writing pioneered the articulation of gender and racial oppression, brought Jamaican vernacular voices alongside a Wordsworth-inspired passion for nature, and ventured to give subjectivity to marginalized subjects, this collection includes, in addition to her well-known poems, previously unpublished work from the 1930s through the 1950s. Striving to answer the question of how one writes as a modern black woman reaching out to the poor and powerless, this extensive selection embodies an exceptionally significant poetic achievement.

Verse Matters

£10.99

Verse Matters harnesses the power of everyday stories, highlighting the strength and inspiration that comes from speaking out proudly in unsettled times. This anthology of poems and prose, edited by award-winning Sheffield-based writers Helen Mort and Rachel Bower, brings a diverse range of voices to the fore, from celebrated contemporary poets like Malika Booker, Liz Berry and Hollie McNish to first-time published writers from home and abroad. What brings them together is the extraordinary, ordinary tales they tell each other, and their determination to be heard.

Waiting for the Past

£9.99

The clearly-focussed lyrics of Les Murray’s Waiting for the Past are rich in topographies and the languages peculiar to them – wonga vines, lyre birds, gum trees, shrike thrushes, tallow boughs, boab trees, the octopus in Wylies Baths killed by sterilising chlorine.

 

With the erasures the modern world brings, words, landscapes and lives descend to the Esperanto of the modern.

 

The poet, with a salutary resistance, rejects the computer and the incursions of the levelling Modern in favour of old-fashioned typewriters, unlikely saints, lived-in places, an Easter rabbit ‘edible and risen’, farming in the spirit of ancestors.

 

This is the past he waits for in scenes unmade by human carelessness, not only in his rural place but across the world.

 

The poems speak of the unspeakable, including old age, vertigo, illness, and the durable resilience of married love.

Way More Than Luck

£9.99

Way More Than Luck is the vivid debut collection from the well-known young poet and critic Ben Wilkinson. The book opens with a series of poems that, with a remarkable clarity and sympathy, recall a battle with clinical depression: the “days when you weren’t anyone. Days gone undercover…”. The author interrogates this malady: “two-parts sadness, one-part anger”, grapples to understand that its sources are both personal and cultural. It soon emerges that competitive running, which possibly starts as therapy, a means of combat, becomes a way of life, not just for fitness but for the long-haul, for endurance. The poet finds a still, calm centre: “Running is the pure solitude of a wordless hour.”

Where Am I?

£6.00

Redstone Press presents a charming children’s book by Tatiana Glebova, a celebrated soviet book illustrator and painter. A friend to many of Russia’s best-known avant-garde artists, poets and writers, her book Where Am I? was completed in 1928 but never printed.

 

Published to coincide with the House of Illustration’s much anticipated show A New Childhood: picture books from Soviet Russia, the images are both startlingly original yet completely timeless.

 

The perfect gift for curious children and parents alike, these engaging images will brighten any playroom!

Wild Kitchen

£25.00

Join leading chefs, food bloggers and restaurateurs in their private kitchens and dining spaces, and discover how they cook and entertain using home-grown, local and seasonal produce.

 

Green is the new black. The desire to know where our food comes from and to minimize our carbon footprints is ever-growing. Wild Kitchen offers fresh insights into kitchen design and styling from those who understand the sustainable lifestyle best, taking you into the home kitchens and dining areas of twenty of the world’s top chefs, food bloggers and restaurateurs, and revealing inspiring ways that the food-obsessed are embracing the ‘wild’ at home in their everyday cooking and dining.

Woven Landscapes

£9.95

Woven Landscapes is a vivid intermingling of landscapes emotional and physical, glowing colours of nature and love threaded together in a tapestry of sensual, intoxicating verse by six acclaimed poets. “Another stellar offering . . . each of the six poets anthologised here have something unique to say about the world around them and their place within it. An enlightened and illuminating collection that is a life-affirming celebration of the nature of being. This comes thoroughly recommended.” Literature Works

WOW

£10.99

A Poetry Book Society Winter 2020 Recommendation

 

Bill Manhire’s Wow opens with the voice of an extinct bird, a song from anciency, and takes us forward into the present and the darkening future of other extinctions. For Manhire, the reach of the lyric is long: it has the penetration of comedy, satire, the Jeremiad, but also the delicacy of minute detail and the rhythms of nature’s comfort and hope, the promise of renewal. In the title poem the baby says ‘Wow’, and the wonder is real at the world and at language. But the world will have the last word.

 

Writing of Manhire, Teju Cole declared, ‘Being the leading poet in New Zealand is like being the best DJ in Estonia, impressive enough on its own terms. But Bill Manhire is more than that: he’s unquestionably world-class. As with Seamus Heaney, you get a sense of someone with a steady hand on the tiller, and both the will and the craft to take your breath away.’

 

Bill Manhire was New Zealand’s first poet laureate. He established and until recently directed the International Institute of Modern Letters at Victoria University of Wellington. This is the ninth of his Carcanet books in 30 years. They include a Selected and a Collected Poems.

You’re So Vain You Probably Think This Book Is About You

£8.95

Barring Geoff Hattersley, you’d think most contemporary poets have never done a proper days work in their life. For me this poetic vacuum, this space walked around or avoided, leaves me unable sometimes to link myself to poetry and poets. We all work don’t we? So in, You’re So Vain You Probably Think This Book Is About You (YSVYPTTBIAY), I wanted to address this balance, to tackle work, the toad as Larkin called it, to show the vicissitudes of the work place, how employment shapes us and what it does to us. In doing this I use a sometime working class hero Crusoe whose mix of fecklessness and bad luck acts as a conduit for my own socio-political brand of Hulldonian existentialism. Either that or I just chew the fat about the workaday.

 

As the author, it would be completely wrong of me to tell you the subtext or underlying themes of this book, which are of course a virulent and rational hatred of Margaret Thatcher and a new blast in the re-emerging class war. So since my last book Cowboy Hat, I’ve pulled together all the poems about the toad and here they are. It’s not all work though, I can be found smashing up my old sofa in the kitchen, or telling you about Badger the Cadger, the slotterhodge blagging a free meal, or me being tied to Animal on a three legged pub crawl, or Renwick the serial chorer. Mostly it is work. You’re So Vain You Probably Think This Book Is About You, is a tribute to Bobby the TWOCKER, Ox the toilet door kettle balancing nutcase and the motley gang of wonderful workmates and workbanes I’ve had the fortune to work with. For me, a poetry book should be like a good night out with your mates, when you’re wearing a new snazzy shirt. It encompasses storytelling, drama, emotion, courage, humour and ultimately belief and spirit. Work will never diminish my spirit and my faith will remain strong. So here I come with my Northern Heart on one sleeve and my Yorkshire Soul on the other. I’ve bared my heart in this book to give you these poems. Now it’s your turn reader, chuffing eck, buy the book.

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