“Well, well,” said the Rocking Chair
£20.00Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
£13.99
A pocket-sized collection of Tom Waits songs, in chord songbook format, with complete lyrics and guitar chords diagrams. 84 songs include: Alice * Chocolate Jesus * Downtown Train * Hold On * I Wish I Was in New Orleans * Jersey Girl * Long Way Home * Martha * The Piano Has Been Drinking (Not Me) * Soldier’s Things * Warm Beer and Cold Women * and more.
Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
Metallica have sold in excess of 100 million albums and won seven Grammys. Their journey from scuzzy Los Angeles garages to the stages of the world’s biggest stadia has been an epic and often traumatic one, and one of the few truly great rock ‘n’ roll sagas.
No music writers have been afforded greater access to Metallica over the years than Paul Brannigan and Ian Winwood, two former editors of Kerrang. Having conducted hundreds of hours of interviews with the band, they have between them gained an unparalleled knowledge of the group’s history and an insiders’ view of how their story has developed: they have ridden in the band’s limos, flown on their private jet, joined them in the studio, been invited to the quartet’s ‘HQ’ outside San Francisco and shared beers and stories with them in venues across the globe. There are countless memorable stories about the band never before seen in print, tales of bed-hopping and drug-taking and car-crashes and fist-fights and back-stabbing that occur when you mix testosterone and adrenaline, alcohol and egomania, talent and raw ambition.
Perceptive, emotionally attached, and intellectually rigorous, Birth, School, Metallica, Death will be the essential and definitive story of this extraordinary band. Volume I takes us from the band’s inception through to the recording and eve of release of their seminal, self-titled, 1991 album.
‘Anchored in Love’ is an inside look into the life of June Carter Cash, through the eyes of her only child with Johnny Cash – John Carter Cash. With skillful prose, he reveals new information about the legendary woman through his tender memories and heartwarming stories.
How would you like a six-figure marketing job at the hallowed record label that signed everyone who counts in the last fifty years of pop music? Before you answer, we’ll throw in a plush office, a hip assistant and a bottomless expense account.
When Dan Kennedy is hired by a major label he thinks he has been handed a pass to the secret kingdom of rock and roll. In reality, he has walked into an episode of The Office. Whether directing a gangsta rapper’s video or battling his better judgement to create a campaign celebrating twenty-five years of Phil Collins’ love songs, he’s in way over his head. And from the looks of those around the boardroom, he’s not alone.
Cameos by aging pop stars, dinosaur music-biz kingpins, hip-hop thugs, Iggy Pop and others make up the cast of this brilliant power ballad to rock and roll, office life and all the wage slaves who’ve done their damndest to hide from Human Resources when the axe falls.
If you have ever bought a record, worked in an office, tried to get into a creative industry or suspected that some things are not all they’re cracked up to be, Rock On will make you laugh more than you thought possible.
Back in pop’s early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people’s songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions – the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.
On July 12, 1962, London’s Marquee Club debuted a new act, a blues-inflected rock band named after a Muddy Waters song – The Rolling Stones. They were a hard-edged band with a flair for the dramatic, styling themselves as the devil’s answer to the sainted Beatles.
A young, inexperienced producer named Andrew Loog Oldham first heard the band at a session he remembers with four words: ‘I fell in love.’ Though unfamiliar with such basic industry practices as mixing a recording, he made a brilliant decision – he pitched the band to a studio that had passed on the Beatles. Afraid to make the same mistake twice, they signed the Stones, and began a history-making career.
This is just one of the 50 classic stories that make up 50 Licks. Many are never-before told, some are from exclusive interviews – including with elusive bassist Bill Wyman – and all are illustrated and told by the people who lived them.
Half a century on, the Rolling Stones are still the greatest band working. And this is the book to commemorate their unparalleled achievement in rock music.