Weight | 0.315 kg |
---|---|
Dimensions | 224 × 263 × 10 mm |
ISBN | 9781908213679 |
Cover | Paperback |
Publication Year | 2019 |
Publisher | Little Toller Books |
£12.00
The Farmer’s Year
In the early 1930s Clare Leighton began work on a sequence of wood engravings depicting traditional farming in England over the course of a calendar year. The country was in the grips of the Great Depression. Unemployment had doubled. Hunger marches were beginning to spread through towns and cities. Machines were replacing men and women on the land.
Clare Leighton (1898-1989) was born in London and studied at Brighton, Slade and Central schools of art. Travel in Europe nurtured an empathy for rural workers and their culture, reflected in much of her work. An accomplished writer, Clare Leighton was encouraged to write a series of sketches to accompany the twelve engravings she produced. The Farmer’s Year was the result, published in 1933 to great acclaim in Britain and North America, running to three impressions by February 1934.
Out of stock
Related products
Sax Burglar Blues
£9.99The poems in Robert Walton’s Sax Burglar Blues range from vivid memories of childhood, such as ‘Twm Siôn Cati’ where a teacher ‘wiry-haired, fierce-eyed’ brings a fictional villain to life, banging out rhythms with her shoe on the floor of a Cardiff classroom, to memories of a rock‘n’roll influenced youth on the back of the Dusty Springfield night bus, or an archetypal narrative of getting kicked out of a band just before they hit the big time (‘Three Out of Four Original Members’).
The Hail Mary Pass
£7.95The Hail Mary pass is an American football term. It is used when a ball is thrown blind in the vague hope a receiver will make the catch and deliver a last minute victory.
‘Fiona Curran is a bright and fiesty northern voice. She treads the landscape of the urban and the domestic, from the smokey fug of the betting shop to the lavendar scent of the bathroom. I like Fiona’s poems because she writes about real people who truly exist and whose lives and wine-fuelled loves I can believe in. I just love this. “The Hail Mary Pass,” is spunky, sexy and brash. This is a belter of a debut and I very very much look forward to the next verse.’ – Wilton Carhoot; Editor of The Slab.
Flight Paths Over Finglas
£12.00Winner of the 2018 Shine/Strong Poetry Award
This powerful debut collection takes us back to ‘the hatchling, nestling, fledgling grounds’ of Finglas where Rachael Hegarty was born and reared. Portrait of a working class community, portrait of a dispossessed and politically betrayed community, portrait of a self-reliant, proud, and supportive community — ultimately it is a portrait made with love and gratitude, to family, to neighbours, to friends of her youth, feral and otherwise, to teachers and to her own students, by a sophisticated and knacky literary artist of the highest integrity. This is a joyous and clear eyed book that draws on and augments the song tradition of an artistically rich area of north Dublin, a lyric tradition that encompasses Bono and Dermot Bolger; it opens that tradition to the critique and edge of contemporary poetry practice, and to the winds of Japan, Boston, Walden Pond, Emily Dickinson’s Garden. Compassionate to the living and to the dead alike, this poet stakes her ground, as mother, as lover, as artist, as link in the eternal and marvellous chain of being. – Paula Meehan
Doing Time
£7.95“At the multi-laned intersection to the M20 I listened to Alanis singing her heart out about the pain of isolation and loss and I burst into tears in an Oxford Green Jaguar X Series 3 litre car.”
Like missiles, these poems shoot out into the world seeking light and warmth from out of the darkness of illness. Peter Carr’s poetic voice mirrors the fast-paced juxtopositions of a life previously spent in an internationalist world of commerce. Wide-ranging and uncompromising, ironic, darkly comedic and sometimes bitter, and populated by the unconventional, the displaced and the lonely, the collection is nevertheless bound together by the realisation and need of the importance of human encounter, companionship and love in an illusory and earth-shifting world. – Maggie Harris
Morningrustle
£12.00“This imagination creates a mystery you can’t paraphrase. Poems put things, or create things, in a place where they, and we, have never quite been before. A concise, mysterious language alters things. The result is a wonderful fidelity to the way things may be imagined, which also suggests it might just also be the way things are, once altered, re-imagined and imaginatively transformed.” John Brown Poet/writer, Northern Ireland