The Devil’s Playground

Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.

This is a book that lives in two parts – one set in the Ottoman empire of the 16th century, and the other in our own 21st century reality. Here we have the story of two friends, both taken as children from their homes and inducted into the Turkish Sultan’s private guard: Sokollu Mehmed Pasha, the Serbian shepherd boy who rose to the position of Grand Vizier and Koca Mimar Sinan, the ‘Michelangelo of the East’. Between them they represent both destruction and creation, while at the same time providing us with a harrowing insight into the heart of religion and identity. Back in our own time, we hear the voice of the author, sharing with us his experiences in the modern world, and his musings on faith, identity and nation. This is a truly ambitious book that rewards the reader with insights into some of the great questions of our time.

Under the intense summer sun on the Essex coast a gull falls from the sky and strikes an unassuming local council worker sitting on the beach below. From that moment on he is obsessed, a crazed visionary repeatedly depicting the scene and the unknown figure within it who filled his view at the moment of impact. The mysterious beauty of his creations draw others to him, but can they lay hold of that which possesses him? And what of his anonymous muse? MAN WITH A SEAGULL ON HIS HEAD is an insightful exploration of art, love and creativity. We follow Ray Eccles and his unlikely muse, their lives becoming intertwined with others as they advance on their bizarre journey through the London art scene. We meet Grace Zoob, an insecure heiress in search of meaning, validation and love; Amanda Parsons, an ambitious girl from the suburbs who suspects there’s more to life than marriage and children but finds herself consumed by both; and Grace’s daughter, Mira, a beautiful, damaged young woman. Five very different lives, linked by a common thread, for all have experienced the true and extraordinary beauty of life, bursting through the veil of daily existence, only to disappear again before it can be fully grasped.