Weight | 0.392 kg |
---|---|
Dimensions | 198 × 128 × 30 mm |
ISBN | 9780571349647 |
Cover | Paperback |
Publication Year | 2019 |
Publisher | Faber and Faber |
£6.99
The Dark Stuff
A new edition as part of the Faber Greatest Hits – books that have taken writing about music in new and exciting directions for the twenty-first century.
In The Dark Stuff Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of today’s market driven music business.
1 in stock
Related products
Anna Sewell: The Woman Who Wrote Black Beauty
£5.00The children’s novel “Black Beauty” was written by Anna Sewell in her fifties and she sold it outright for GBP20. She did not live to know of its success. This work chronicles her extraordinary life from the tragic accident that left her lame at the age of 14 to the writing of her novel from her death bed.
On the Edge: My Story (Audiobook CDs)
£6.50Richard Hammond is one of our most in-demand and best-loved television presenters. On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars.
The Distance Between Us
£12.99This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
Clubland Confidential
£5.50‘Owen writes fast and tough, like a cop flick voice-over – if anything, Clubland Confidential is Robin Moore’s The French Connection remixed for the “chemical generation” ‘ -The Guardian
Clubland Confidential is the true story of the rise and fall of a decadent nocturnal empire that stretched over several American cities and spawned its own subculture of celebrities and wannabes. Journalist, Frank Owen spent nearly a decade inside the nightclubs of the 1990s – an era when disco gave way to more unsettling dance music, cocaine was supplanted by Ecstacy and heroin, ‘clubkids’ mingled with bully boys, trans people danced with stockbrokers, and celebrities looked on. But as the drugs got out of control, their world became murkier and slowly began to implode. As clubland decadence turned to darkness, its self-publicised king, Michael Alig, committed one of the most notorious crimes of New York’s recent history – the violent murder of Angel Melendez. With his friends fleeing for cover, a tangled web of mafia-related crimes begins to emerge and the secrets of New York nightlife are dragged through the courts.
Cover Versions: Singing Other People’s Songs
£4.00Back in pop’s early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people’s songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions – the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.