|Dimensions||199 × 132 × 19 mm|
“Queer writing at its most exhilarating.” ―Times Literary Supplement
The slums of Buenos Aires, the government, the mafia, the Virgin Mary, corrupt police, sex workers, thieves, drug dealers, and debauchery all combine in this sweeping novel deemed a ‘revelation for contemporary literature’ and ‘pure dynamite’ (Andrés Neuman, author of Traveller of the Century & Talking to Ourselves).
When the Virgin Mary appears to Cleopatra, she renounces sex work and takes charge of the shantytown she lives in, transforming it into a tiny utopia. Ambitious journalist Quity knows she’s found the story of the year when she hears about it, but her life is changed forever once she finds herself irrevocably seduced by the captivating subject of her article. Densely-packed, fast-paced prose, weaving slang and classical references, Slum Virgin refuses to whitewash the reality of the poor and downtrodden, and jumps deftly from tragedy to comedy in a way that has the reader laughing out loud.
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Gabriel Bell is a grumpy 44-year-old web journalist irritated by the accumulating disappointments of life. He and his girlfriend Ellie want to start a family but Gabriel has so few sperm he can name them and knit them flippers. So it’s IVF, which is expensive. If losing his job was bad enough getting run over and waking up to find himself in a therapy group run by Angels just beneath heaven really annoys him. And it doesn’t do much for Ellie either. Gabriel is joined therapy by Kevin a professional killer, Yvonne, Kevin’s last victim, a rarely sober but successful businesswoman and Julie, an art teacher who was driving the car that put Gabriel in a coma. In a rural therapeutic community set in an eternal September the group struggles with the therapy. If they do well they may be allowed to go back to earth to finish their lives, or pass into heaven. If they don’t it’s Hell or worse: lots more therapy.
GABRIEL’S ANGEL was the Guardian readers’ book of the year 2011.
Byron and the Beauty is loosely based on Byron’s biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author’s style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.
Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
This is a book that lives in two parts – one set in the Ottoman empire of the 16th century, and the other in our own 21st century reality. Here we have the story of two friends, both taken as children from their homes and inducted into the Turkish Sultan’s private guard: Sokollu Mehmed Pasha, the Serbian shepherd boy who rose to the position of Grand Vizier and Koca Mimar Sinan, the ‘Michelangelo of the East’. Between them they represent both destruction and creation, while at the same time providing us with a harrowing insight into the heart of religion and identity. Back in our own time, we hear the voice of the author, sharing with us his experiences in the modern world, and his musings on faith, identity and nation. This is a truly ambitious book that rewards the reader with insights into some of the great questions of our time.
Under the intense summer sun on the Essex coast a gull falls from the sky and strikes an unassuming local council worker sitting on the beach below. From that moment on he is obsessed, a crazed visionary repeatedly depicting the scene and the unknown figure within it who filled his view at the moment of impact. The mysterious beauty of his creations draw others to him, but can they lay hold of that which possesses him? And what of his anonymous muse? MAN WITH A SEAGULL ON HIS HEAD is an insightful exploration of art, love and creativity. We follow Ray Eccles and his unlikely muse, their lives becoming intertwined with others as they advance on their bizarre journey through the London art scene. We meet Grace Zoob, an insecure heiress in search of meaning, validation and love; Amanda Parsons, an ambitious girl from the suburbs who suspects there’s more to life than marriage and children but finds herself consumed by both; and Grace’s daughter, Mira, a beautiful, damaged young woman. Five very different lives, linked by a common thread, for all have experienced the true and extraordinary beauty of life, bursting through the veil of daily existence, only to disappear again before it can be fully grasped.