|Dimensions||234 × 153 × 50 mm|
Faber and Faber
Psychedelia and Other Colours
A Guardian, Mojo and Rough Trade Book of the Year
Fifty years on from the psychedelic summer of love, acclaimed music writer Rob Chapman explores what was really going on during those heady times. In America he traces the multi-media history of the Light shows, Happenings, Be-Ins and Acid tests, and illustrates the thriving avant-garde scene that existed long before the Grateful Dead and the Fillmore Auditorium came into being.
In the UK, he shows an entirely different history, never before explored in such breath-taking detail, where the sublime and the silly co-existed side by side in a peculiarly British take on flower power that drew inspiration as readily from fairy tales, fairgrounds and music halls, as it did from LSD. With a fascinating new perspective on the role of the Beatles, Psychedelia and Other Colours documents a cultural phenomenon, in psychedelia’s seminal text.
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Richard Hammond is one of our most in-demand and best-loved television presenters. On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars.
This is a son’s search for his father. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful. In The Distance Between Us that son is Renato Cisneros, a talented writer and a well-known journalist, and that father is the former Army General Luis Federico ‘El Gaucho’ Cisneros, one of the most important figures in the recent history of Peru.
Renato Cisneros digs into his own family history to understand and demystify the figure of ‘El Gaucho’: the controversial Secretary during the regime of Francisco Morales Bermúdez and, shortly after, the country’s Minister of War. In this book, the intimate perspective and the passage of time reveal the unknown truths about a man, a family and an entire country.
In BUSHCRAFT SURVIVAL Ray Mears travels to some of the most remote and beautiful wildernesses in the world, and experiences first hand the survival techniques of different indigenous cultures.
From the Hudson Bay in Canada, via Tanzania and the jungles of Venezuela, to the moors and highlands of Britain, BUSHCRAFT SURVIVAL explores a range of locations and techniques from indigenous peoples. Drawing on centuries of knowledge as well as his own experience, Ray demonstrates how our enjoyment of the wilderness comes through respect for our surroundings and the people, plants and animals that live there.
Combining life-writing with poetic prose, Anthony Joseph gets to the heart of the man behind the music and the myth, reaching behind the sobriquet to present a holistic portrait of the calypso icon Lord Kitchener.
The poet and musician Anthony Joseph met and spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone for a moment in the heat of Port of Spain s Queen’s Park Savannah, one Carnival Monday afternoon. It was a pivotal meeting in which the great calypsonian, outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph’s unique biography of the Grandmaster.
Lord Kitchener (1922 – 2000) was one of the most iconic and prolific calypso artists of the 20th century. He was one of calypso’s most loved exponents, an always elegantly dressed troubadour with old time male charisma and the ability to tap into the musical and cultural consciousness of the Caribbean experience. Born into colonial Trinidad in 1922, he emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post War Britain. In the process Kitch, as he was affectionally called, single handedly popularised the calypso in Britain.
Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.
Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.
The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.