|Dimensions||250 × 129 × 19 mm|
It’s 1996. Emma’s been rejected by the man she loves and sacked from the job she hates. Feeling like she’s hit a new low, she finds herself serving ice-cream and phoney smiles at the local park.
Best mate Dave’s loved up, and her dad’s finally emerging from years of depression. Everyone’s life is on the up while Emma’s plummeting towards rock bottom.
Every day she gives a free ’99 to the lonely old man who sits on the park bench and reminds herself that life could be much worse.
But soon, even sprinkles and monkey’s blood can’t hide the truth. She’s in deep trouble and losing sight of the edge. Who will help her up when she falls?
Parklife is a story of friendship, recovery, and the rays of sunshine we sometimes find in the most surprising places.
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Hair Everywhere is the story of one family and how they manage to cope when the mother is diagnosed with cancer. It is a delicate tale that balances itself between the generations, revealing their strengths and weaknesses in times of trouble. It is also a story about how roles within a family can change when things become challenging, due to sickness or death, allowing some to grow and others to fade. Ultimately, this is a book about life; full of humour and absurdity as well as sadness, and set against an everyday background where the ordinary takes on new significance and colour. Tea Tulic’s debut novel is a brave glance at the human condition.
The City Always Wins is a remarkable novel from the psychological heart of a revolution. From the communal highs of pitched night battles against the police in Cairo to the solitary lows of defeated exile in New York, Omar Robert Hamilton’s debut is a unique immersion into one of the key chapters of the 21st century.
Bringing to life the 2011 Egyptian revolution, The City Always Wins conveys with extraordinary intensity all the stages of that place and that time through the lives of its two main characters Mariam and Khalil, ordinary young people caught up in an extraordinary moment.
Furthermore, The City Always Wins is a novel not just about Egypt’s revolution but about a global generation that tried to change the world.
Reminiscent of the writing of Jeet Thayil, Zia Haider Rahma and Nadeem Aslam, Hamilton’s prose is arrestingly visual, intensely lyrical and uncompromisingly political. A genuinely exciting new writer, he looks set to become a defining voice of his generation.
This is a book that lives in two parts – one set in the Ottoman empire of the 16th century, and the other in our own 21st century reality. Here we have the story of two friends, both taken as children from their homes and inducted into the Turkish Sultan’s private guard: Sokollu Mehmed Pasha, the Serbian shepherd boy who rose to the position of Grand Vizier and Koca Mimar Sinan, the ‘Michelangelo of the East’. Between them they represent both destruction and creation, while at the same time providing us with a harrowing insight into the heart of religion and identity. Back in our own time, we hear the voice of the author, sharing with us his experiences in the modern world, and his musings on faith, identity and nation. This is a truly ambitious book that rewards the reader with insights into some of the great questions of our time.
Malka Sabbatto is a young woman who flees the confines of her traditional family in Jerusalem, followed by Moshe, a Russian immigrant and her father’s top student. After falling in with a sinister cult in Safed she escapes to Jaffa, where she starts to build a new life under the wing of an Arab chef. When she feels she has finally found contentment, a family tragedy forces her to return to Jerusalem. RAISING SPARKS reveals the hidden worlds, shared histories and unknown stories of the modern Middle East.
Byron and the Beauty is loosely based on Byron’s biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author’s style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.