Weight | 1.143 kg |
---|---|
Dimensions | 247 × 206 × 25 mm |
ISBN | 9780500239957 |
Cover | Paperback |
Publication Year | 2019 |
Publisher | Thames & Hudson |
£19.95
Painting Masterclass
Learn the visual approaches and techniques of 100 great artists, and discover how to weave some of their magic into your own paintings.
The tradition of painting is extraordinarily rich in imagination, invention and skill, and long after its advent, it still lies at the heart of art practice. Painting Masterclassexamines 100 of the most fascinating paintings by the world’s greatest artists, exploring the way they were made, what they do well, and how and what we can learn from them. With detailed analyses and instructive creative tips sections, you can learn how to convey movement like Degas, command colour like Matisse and apply acrylic like Twombly.
Out of stock
Related products
Squaring the Circle
£12.00Philip Fried’s Squaring the Circle is humorous and yet also mysterious in its evocation of esoteric physics and theology. The title poem presents a mystic/scientific quest for an impossible geometry as both a vaudevillian historical catastrophe and a way of understanding God. Throughout, Fried uses pastiche and the mashup of texts to explore historical moments and personal history. Behind its many forms and approaches, however, the book conveys the strong sense of a “persona”—the feeling, as Stanley Kunitz once said, that the poet has imagined a person who could write these poems.
Morningrustle
£12.00“This imagination creates a mystery you can’t paraphrase. Poems put things, or create things, in a place where they, and we, have never quite been before. A concise, mysterious language alters things. The result is a wonderful fidelity to the way things may be imagined, which also suggests it might just also be the way things are, once altered, re-imagined and imaginatively transformed.” John Brown Poet/writer, Northern Ireland
Ghostlight – New & Selected Poems
£12.00Mark Granier is a meditative observer, offering us moments of suffused, painterly stillness. In his work there is no undue clamour to be heard, no flashy flailing about in order to be noticed. This might seem to be diffidence, but I perceive it as integritas. He is resolutely detached, has wit, is visually acute, verbally precise, finely tuned and formally in control. Yet you can feel his keen mind at work. – Liam Ó Muirthile
Flight Paths Over Finglas
£12.00Winner of the 2018 Shine/Strong Poetry Award
This powerful debut collection takes us back to ‘the hatchling, nestling, fledgling grounds’ of Finglas where Rachael Hegarty was born and reared. Portrait of a working class community, portrait of a dispossessed and politically betrayed community, portrait of a self-reliant, proud, and supportive community — ultimately it is a portrait made with love and gratitude, to family, to neighbours, to friends of her youth, feral and otherwise, to teachers and to her own students, by a sophisticated and knacky literary artist of the highest integrity. This is a joyous and clear eyed book that draws on and augments the song tradition of an artistically rich area of north Dublin, a lyric tradition that encompasses Bono and Dermot Bolger; it opens that tradition to the critique and edge of contemporary poetry practice, and to the winds of Japan, Boston, Walden Pond, Emily Dickinson’s Garden. Compassionate to the living and to the dead alike, this poet stakes her ground, as mother, as lover, as artist, as link in the eternal and marvellous chain of being. – Paula Meehan
Earwigging
£12.00Earwigging is a journey, never lingering for too long in any one place. It is the written equivalent of walking through a train station or waiting for a friend in a pub, conversations drifting in and out of earshot, only ever in part and neither beginning nor resolved. It is the overheard world. It is poignant, it is as unreal as only reality can be. It is hilarious.