Nineteen Eighty-Four

Mukesh Agarwal sits alone in the Black Eagle pub unaware that a riot is brewing or that Billy, his youngest son, is still out on his bike…. A mile away in the family home in Church Street, Anila, the youngest of the three Agarwal girls, is reading Smash Hits and listening to Radio One as she sprawls across the bottom bunk unaware of the tragic loss that is about to hit the family…. It is 1981, factories are closing, unemployment is high, the NF are marching and the neglected inner cities are ablaze as riots breakout across Thatcher’s fractured Britain. The Agarwals are facing their own personal nightmare but their pain is eased by family, friendships and a community that refuses to disappear. THE HANDSWORTH TIMES is abook about loss, friendship and working together because there is such a thing as society.

Born into a Roma family in 1960s’ Yugoslavia, Janek Hudorovec has grown up with a terrible secret. Given the opportunity to ‘make something of himself’, he abandons the familiar wild and tactile world of nature and enters the controlled, rational life of university and the city. Here Janek proves himself to be not a conscious rebel but a spontaneous one; under the influences of impulses he cannot control. While his teachers try to understand and categorize him, it is only his fellow student, Daria, who seems able to provide a rational insight into the causes of his behaviour and offer him true affection. Yet the battle that Janek must fight with his past leads him back to the gypsy village, and a terrible denouement. This tragic story of self-punishment explores the idea that man and nature, if they are to survive, together and separately, must forever remain in conflict. Flisar’s ability to describe Janek’s inner states through juxtaposition with the outer world create a mesmerizing claustrophobia, as the reader is pulled inexorably into the nightmarish world of a man in anguish. A Swarm of Dust is widely considered to be one of Flisar’s finest works of fiction, questioning the very notion of objective truth and subverting the norms of Judeo-Christian morality.

Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.