|Dimensions||243 × 188 × 10 mm|
Faber and Faber
Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino Records, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: Serge Gainsbourg in the Culture Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: Napalm Death and the Possibility of Life’s Destruction) and Frances Morgan on Red Square’s Thirty Three and the resonance of re-discovery after the event.
And then There’s The Man Who Wasn’t There, Paul Morley’s spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered.
Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Matt Thorne, Rob Chapman, Rubbish Raver, Miriam Linna, Mark Fisher, Tim Lawrence and Elisa Ambrogio in Loops‘ second outing.
5 in stock
This is one of the most accessible of Nietzsche’s works. It was published in 1887, a year after Beyond Good and Evil, and he intended it to be a continuation of the investigation into the theme of morality. In the first work, Nietzsche attacked the notion of morality as nothing more than institutionalised weakness, and he criticised past philosophers for their unquestioning acceptance of moral precepts. In On the Genealogy of Morals, subtitled ‘A Polemic’, Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards ‘morality’ evolved and the way congenital ideas of morality were heavily coloured by the Judaic and Christian traditions.
Richard Hammond is one of our most in-demand and best-loved television presenters. On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars.
From the tip of Cornwall to the Isle of Mull, through rural communities and the inner-city, Amber Massie-Blomfield takes the road less travelled to discover Britain’s most astonishing and unexpected theatres. A ruined playhouse, haunted halls, a stage hewn from granite cliffs. Theatres on wheels, squeezed into a former public lavatory and rescued from fire. A theatre that is not there at all.
Making the case for radical, quirky and non-conforming performance spaces alongside iconic venues, this book is a celebration of thriving against the odds. It also tells a personal account of a life-long love affair with the places where ‘anything is possible’: from open-air fry-ups and an impromptu can-can to paranormal manifestations. An adventure through theatre, place and the people who make it happen, Twenty Theatres to See Before You Die gives us reason to be hopeful.
As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history.
Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.
Featuring a vibrant cast of supporting characters (from school friends to rock stars), and built up from notebooks, diaries, interviews, letters, and issues of his now legendary fanzine Jamming!, Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.
‘Owen writes fast and tough, like a cop flick voice-over – if anything, Clubland Confidential is Robin Moore’s The French Connection remixed for the “chemical generation” ‘ -The Guardian
Clubland Confidential is the true story of the rise and fall of a decadent nocturnal empire that stretched over several American cities and spawned its own subculture of celebrities and wannabes. Journalist, Frank Owen spent nearly a decade inside the nightclubs of the 1990s – an era when disco gave way to more unsettling dance music, cocaine was supplanted by Ecstacy and heroin, ‘clubkids’ mingled with bully boys, trans people danced with stockbrokers, and celebrities looked on. But as the drugs got out of control, their world became murkier and slowly began to implode. As clubland decadence turned to darkness, its self-publicised king, Michael Alig, committed one of the most notorious crimes of New York’s recent history – the violent murder of Angel Melendez. With his friends fleeing for cover, a tangled web of mafia-related crimes begins to emerge and the secrets of New York nightlife are dragged through the courts.