Weight | 0.465 kg |
---|---|
Dimensions | 278 × 226 × 10 mm |
ISBN | 9780992872861 |
Cover | Hardback |
Publication Year | 2015 |
Publisher | Fat Fox Books |
£4.50
Little Bell and the Moon
Little Bell loves the Moon and the Moon loves Little Bell. Every night the Moon takes Little Bell’s hand and together they cross the oceans and the mountains on their adventures. Little Bell grows old and frail but one last flight with the Moon makes something very special happen to Little Bell. A wonderful rhyming tale of a little girl, who grows up, gets old and turns into a bright star in the sky. This story touches upon a subject rarely dealt with in children’s picture books in the most beautiful and positive way imaginable.
Out of stock
Related products
Clubland Confidential
£5.50‘Owen writes fast and tough, like a cop flick voice-over – if anything, Clubland Confidential is Robin Moore’s The French Connection remixed for the “chemical generation” ‘ -The Guardian
Clubland Confidential is the true story of the rise and fall of a decadent nocturnal empire that stretched over several American cities and spawned its own subculture of celebrities and wannabes. Journalist, Frank Owen spent nearly a decade inside the nightclubs of the 1990s – an era when disco gave way to more unsettling dance music, cocaine was supplanted by Ecstacy and heroin, ‘clubkids’ mingled with bully boys, trans people danced with stockbrokers, and celebrities looked on. But as the drugs got out of control, their world became murkier and slowly began to implode. As clubland decadence turned to darkness, its self-publicised king, Michael Alig, committed one of the most notorious crimes of New York’s recent history – the violent murder of Angel Melendez. With his friends fleeing for cover, a tangled web of mafia-related crimes begins to emerge and the secrets of New York nightlife are dragged through the courts.
Under the Mound
£9.00During the Yule season of 1153 Malcolm mac Alasdair is sent to serve the half-Scottish, half-Viking Earl of Orkney, who is on a quest to regain his earldom from a treacherous cousin. Malcolm is an artistic boy with no knack for warfare, he is certain that he will only hinder the young earl – and get himself killed in the bargain. His father’s reason for sending him out on this adventure does nothing to allay his fears: in a vision he has seen Malcolm go to Orkney with Earl Harald. But this vision is incomplete – he hasn’t seen Malcolm return…
Drysalter
£6.00Winner of the 2013 Forward Poetry Prize for Best Collection
Winner of the 2013 Costa Poetry Award
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2015 Portico Prize
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.
Mick Imlah: Selected Poems
£5.00Selected Poems brings together the best work of a poet who can now be seen, with increasing clarity, as a ‘lost leader’ of Scottish poetry in our time.
The Dark Film
£5.99The Dark Film, Paul Farley’s first collection since the highly acclaimed Tramp in Flames, expands the poet’s research into ‘the art of seeing’, and all that humans project of themselves into the world. Farley’s great poetic gift is his ability to switch between the local and the universal, the present and the historical past, with the most apparently effortless of gear changes; he brings to our immediate attention things previously hidden – whether out of sight, in the periphery of our vision, or right under our noses. The Dark Film is a profound meditation on time, on the untold stories of our history, and on the act of human beholding – as well as Farley’s most richly entertaining and rewarding collection to date.