|Dimensions||240 × 162 × 29 mm|
Faber and Faber
Klara and the Sun
‘The Sun always has ways to reach us.’
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.
In Klara and the Sun, his first novel since winning the Nobel Prize in Literature, Kazuo Ishiguro looks at our rapidly-changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?
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Gaudeamus (Let us Rejoice) is the second autobiographical novel written by the author about his university years, and follows on from his Diary of a Short-Sighted Adolescent, described by the Guardian’s Nick Lezard as ‘Romania’s Adrian Mole’. In this exuberant and touching portrait of youth, Eliade recounts the fictional version of his university years in late 1920’s Bucharest. Marked by a burgeoning desire to ‘suck out all the marrow of life’, the protagonist throws himself into his studies; engaging his professors and peers in philosophical discourse, becoming one of the founding members of the Student’s Union, and opening-up the attic refuge of his isolated teenage years as a hotspot for political debate and romantic exploration. Readers will recognize in these pages the joy of a life about to blossom, of the search for knowledge and the desire for true love. Already an accomplished writer as a young man, this follow-up to his Diary of a Short-Sighted Adolescent reveals a keen observer of human behaviour, a seeker of truth and spiritual fulfilment whose path would eventually lead him to become the ultimate historian of 20th-century religions.
The City Always Wins is a remarkable novel from the psychological heart of a revolution. From the communal highs of pitched night battles against the police in Cairo to the solitary lows of defeated exile in New York, Omar Robert Hamilton’s debut is a unique immersion into one of the key chapters of the 21st century.
Bringing to life the 2011 Egyptian revolution, The City Always Wins conveys with extraordinary intensity all the stages of that place and that time through the lives of its two main characters Mariam and Khalil, ordinary young people caught up in an extraordinary moment.
Furthermore, The City Always Wins is a novel not just about Egypt’s revolution but about a global generation that tried to change the world.
Reminiscent of the writing of Jeet Thayil, Zia Haider Rahma and Nadeem Aslam, Hamilton’s prose is arrestingly visual, intensely lyrical and uncompromisingly political. A genuinely exciting new writer, he looks set to become a defining voice of his generation.
When Vladan Borojević googles the name of his father Nedelko, a former officer in the Yugoslav People’s Army supposedly killed in the civil war after the decay of Yugoslavia, he unexpectedly discovers a dark family secret. The story which then unfolds takes him back to the catastrophic events of 1991, when he first heard the military term ‘deployment’, and his idyllic childhood came to a sudden end. Seventeen years later, Vladan’s discovery that he is the son of a fugitive war criminal sends him off on a journey round the Balkans to find his elusive father. On the way, he begins to understand how the falling apart of his family is closely linked with the disintegration of the world they used to live in. The story of the Borojević family deals intimately with the tragic fates of the people who managed to avoid the bombs, but were unable to escape the war.
An epic, homourous and quite unique historical novel which looks at Central Europe in the 16th century – a territory plagued by ceaseless battles for supremacy between the Protestant political elite and the ruling Catholic Habsburg Monarchy, as well as the ongoing battle between the sexes. In Kumerdej’s wonderful saga, history and fiction intertwine in wavelike fashion, producing a colourful portrait of the Renaissance; permeated by humanist attempts to resurrect antiquity through art, new scientific findings, and spirited philosophical and theological debates.
Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.