£9.50
The history of the original Wailers — Tosh, Livingstone and Marley — as never before told.
Over one dramatic decade, a trio of Trenchtown R&B crooners, Peter Tosh, Bunny Wailer and Bob Marley, swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers — one of the most influential groups in popular music.
One of our best and brightest non-fiction writers examines for the first time the story of the Wailers. It charts their complex relationship, their fluctuating fortunes, musical peak, and the politics and ideologies that provoked their split, illuminating why they were not just extraordinary musicians, but also natural mystics. And, following a trail from Jamaica through Europe, America, Africa and back to the vibrant and volatile world of Trench Town, Colin Grant travels in search of the last surviving Wailer.
2 in stock
| Weight | 0.589 kg |
|---|---|
| Dimensions | 242 × 162 × 28 mm |
| ISBN | 9780224086080 |
| Cover | Hardback |
| Publication Year | 2011 |
| Publisher | Jonathan Cape |
Like many of Marina’s essay and poems, ‘Letter to the Amazon’ is addressed to another writer, in this case Natalie Clifford Barney, a wealthy American expatriate in Paris. Though written in 1932, Marina’s letter was in response to what Natalie said about lesbian relationships and motherhood in her 1920 ‘Pensées dune Amazone’ (Thoughts of an Amazon).
Combining life-writing with poetic prose, Anthony Joseph gets to the heart of the man behind the music and the myth, reaching behind the sobriquet to present a holistic portrait of the calypso icon Lord Kitchener.
The poet and musician Anthony Joseph met and spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone for a moment in the heat of Port of Spain s Queen’s Park Savannah, one Carnival Monday afternoon. It was a pivotal meeting in which the great calypsonian, outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph’s unique biography of the Grandmaster.
Lord Kitchener (1922 – 2000) was one of the most iconic and prolific calypso artists of the 20th century. He was one of calypso’s most loved exponents, an always elegantly dressed troubadour with old time male charisma and the ability to tap into the musical and cultural consciousness of the Caribbean experience. Born into colonial Trinidad in 1922, he emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post War Britain. In the process Kitch, as he was affectionally called, single handedly popularised the calypso in Britain.
This is a photographic history book of the 1980s and 1990s from the Yorkshire Evening Post, chronicling life in Leeds throughout these twenty years.
In 1964, Nell Dunn spoke to nine of her friends over a bottle of wine about sex, work, money, babies, freedom and love. The novelist Ann Quin says she appears to be a ‘singular girl, singular and single’ but questions the use she makes of her freedom. The Pop artist Pauline Boty reveals she married ‘the first man I could talk very freely to’ ten days after meeting him. Kathy Collier, who worked with Dunn in a Battersea sweet factory, talks about what it takes to ‘get out’ of a life that isn’t fulfilling. Edna O’Brien tells us about the time she inadvertently stole a brown georgette scarf and the lesson she took from it: ‘Morality is not the same thing as abstinence.’ After more than fifty years out of print, Talking to Women is still as sparkling, honest, profound, funny and wise as when it was first published.
In his own words, the extraordinary childhood of one of the most influential writers of the twentieth century.
Robert Westall grew up on Tyneside during the 1930s and 40s, the only child of remarkable parents and grandparents. He was ten when the war broke out and the terror – and excitement – of the air raids influenced his outlook ever after.
‘When I come home and leave behind Dark things I would not call to mind …’ wrote Leslie Coulson, one of the many soldiers who tried to express his wartime experiences in writing: dreaming of an idyllic England in the face of the horror of the Western Front. Coulson was one of the hundreds of thousands who did not come home – but because of his poetry we glimpse something of his thoughts and experiences.
Today we can be grateful that so many of those who endured the First World War did write about it: giving us an unmatched view of an event which would otherwise be completely beyond our ability to imagine. The Writers’ War is a collection of excerpts from outstanding accounts of the First World War. It provides an essential insight to anyone interested in modern history or early twentieth-century literature. Extraordinary extracts bring the human experience of war brilliantly to life – from the terror of bombardment, or the camaraderie of military service, to the home front.
The writing reflects an enormous range of nationalities and personalities. It includes memorable poetry, fiction, and journalism. Some great names of modern English literature appear, such as Arthur Conan Doyle, D. H. Lawrence and Rudyard Kipling. In addition, there are superb accounts by foreign authors such as novelists Edith Wharton and Henri Barbusse, and flying ace Manfred von Richthofen. The Writers’ War gives an unparalleled insight into a world-changing event, and what it meant in human terms both to the writers and millions of others caught up in it.
