Weight | 0.848 kg |
---|---|
Dimensions | 226 × 249 × 20 mm |
ISBN | 9780995784611 |
Cover | Paperback |
Publication Year | 2018 |
Publisher | Paul Gibson |
£17.99
Hull City: The Boothferry Park Years
The greenest grass (or so it seemed to Tigers Fans), the tallest floodlights (six of them not four like other clubs), its own railway station, a state of the art gym and a highly individual character – these were just some of the reasons why Boothferry Park was so revered by City Fans. This fantastic new book brings together facts, figures and bags of photos of the 56 years at Boothferry Park. 191 pages of the history of Hull City.
Out of stock
Related products
The House of Dudley
£25.00Marriage, murder, deadly rumour, riot and rebellion – here, for the first time, is the story of England’s Borgias, a noble house competing for proximity to the throne through cunning, adultery and sheer audacity. In a narrative as rigorous and thought-provoking as it is page-turning, Joanne Paul traces the history of an utterly compelling family – the drama and tragedy of the House of Dudley.
The Story of Scottish Art
£25.00The compelling story of over 5,000 years of Scottish art, told by Lachlan Goudie, renowned contemporary Scottish artist, broadcaster and presenter of BBC Four ‘s ‘The Story of Scottish Art’.
This is the story of how Scotland has defined itself through its art over the past 5000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow’s fame as a centre of artistic innovation today. Lachlan Goudie brings his perspective and passion as a practising artist and broadcaster to narrate the joys and struggles of artists across the millennia striving to fulfil their vision and the dramatic transformations of Scottish society reflected in their art.
The Story of Scottish Art is beautifully illustrated with the diverse artworks that form Scotland’s long tradition of bold creativity: Pictish carved stones and Celtic metalwork; Renaissance palaces and chapels; paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by Pop Art pioneer Eduardo Paolozzi. Lachlan tells the compelling story of how and why these and many other Scottish masterpieces were created, and the impact they have had on the world.
This is Tomorrow: Twentieth-century Britain and its Artists
£30.00A compelling and lively history that examines the lives of British artists from the late-19th century to today.
In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times.
At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.
Jew Suss: His Life and Afterlife
£6.00Joseph Suss Oppenheimer (1698-1738), better known as Jew Suss, was a court Jew, who advised the Duke of Wurttemberg. Clever and handsome, even ostentatious, he fitted easily into court life, despite his humble origins. However, his unpopular economic policies made him enemies and when the Duke died suddenly Suss was arrested, convicted of ‘destestable abuses’ and exectued in Stuttgart in an iron cage. His spectacular rise and fall inspired a media outpouring in the eighteenth century and he has been much written about subsequently. In the twentieth century two films were made about him, one British in 1934, the other German in 1940. Goebbels took an active interest in the latter. After the war its director, Veit Harlan, was tried for Crimes against Humanity for having made the film. Despite his acquittal, the film’s association with the Holocaust remains controversial to this day.
Leeds in the Eighties and Nineties
£12.00This is a photographic history book of the 1980s and 1990s from the Yorkshire Evening Post, chronicling life in Leeds throughout these twenty years.