£9.99
Hair Everywhere is the story of one family and how they manage to cope when the mother is diagnosed with cancer. It is a delicate tale that balances itself between the generations, revealing their strengths and weaknesses in times of trouble. It is also a story about how roles within a family can change when things become challenging, due to sickness or death, allowing some to grow and others to fade. Ultimately, this is a book about life; full of humour and absurdity as well as sadness, and set against an everyday background where the ordinary takes on new significance and colour. Tea Tulic’s debut novel is a brave glance at the human condition.
1 in stock
| Weight | 0.400 kg |
|---|---|
| Dimensions | 200 × 130 × 13 mm |
| ISBN | 978-1-908236-31-9 |
| Cover | Paperback |
| Publication Year | 2017 |
| Publisher | Istros Books |
How did the girl who once dreamed of being a Charlie’s Angel become such a cowed and submissive woman? Marion’s life appears perfectly fine but she is controlled and bullied by her husband, her only respite a once a week trip to the local swimming pool. A chance meeting with an old school-friend develops into a secret relationship. She could leave her abusive and unfaithful husband. But is it too late?
Mukesh Agarwal sits alone in the Black Eagle pub unaware that a riot is brewing or that Billy, his youngest son, is still out on his bike…. A mile away in the family home in Church Street, Anila, the youngest of the three Agarwal girls, is reading Smash Hits and listening to Radio One as she sprawls across the bottom bunk unaware of the tragic loss that is about to hit the family…. It is 1981, factories are closing, unemployment is high, the NF are marching and the neglected inner cities are ablaze as riots breakout across Thatcher’s fractured Britain. The Agarwals are facing their own personal nightmare but their pain is eased by family, friendships and a community that refuses to disappear. THE HANDSWORTH TIMES is abook about loss, friendship and working together because there is such a thing as society.
First published in 1834, Two Old Men’s Tales is made up of two novels told by old men reflecting on events in their respective pasts. The Deformed tells of the “deformed” Earl of St. Germains, heir to the Marquis of Brandon. After his step-mother gives birth to a son, Lord Louis, who is as good-looking as his mother, the young Earl is neglected. He finds companionship in Lilia, a poor relative. The Admiral’s Daughter relates the story of Iñez, daughter of Admiral Thornhaugh, who is intended to marry Captain Harry Vivian, an honest and sensible naval officer. On one of his visits he brings with him his friend Laurence Hervey, a character quite different from Vivian. Vivian marries Iñez, while Hervey goes away to Paris for five years. When he visits his old friend and his wife, he is captivated by Mrs. Vivian, leading to an elopement and the consequences attendant upon such a drastic action, a time when honour was defended with pistols at dawn.
Under the intense summer sun on the Essex coast a gull falls from the sky and strikes an unassuming local council worker sitting on the beach below. From that moment on he is obsessed, a crazed visionary repeatedly depicting the scene and the unknown figure within it who filled his view at the moment of impact. The mysterious beauty of his creations draw others to him, but can they lay hold of that which possesses him? And what of his anonymous muse? MAN WITH A SEAGULL ON HIS HEAD is an insightful exploration of art, love and creativity. We follow Ray Eccles and his unlikely muse, their lives becoming intertwined with others as they advance on their bizarre journey through the London art scene. We meet Grace Zoob, an insecure heiress in search of meaning, validation and love; Amanda Parsons, an ambitious girl from the suburbs who suspects there’s more to life than marriage and children but finds herself consumed by both; and Grace’s daughter, Mira, a beautiful, damaged young woman. Five very different lives, linked by a common thread, for all have experienced the true and extraordinary beauty of life, bursting through the veil of daily existence, only to disappear again before it can be fully grasped.
Born into a Roma family in 1960s’ Yugoslavia, Janek Hudorovec has grown up with a terrible secret. Given the opportunity to ‘make something of himself’, he abandons the familiar wild and tactile world of nature and enters the controlled, rational life of university and the city. Here Janek proves himself to be not a conscious rebel but a spontaneous one; under the influences of impulses he cannot control. While his teachers try to understand and categorize him, it is only his fellow student, Daria, who seems able to provide a rational insight into the causes of his behaviour and offer him true affection. Yet the battle that Janek must fight with his past leads him back to the gypsy village, and a terrible denouement. This tragic story of self-punishment explores the idea that man and nature, if they are to survive, together and separately, must forever remain in conflict. Flisar’s ability to describe Janek’s inner states through juxtaposition with the outer world create a mesmerizing claustrophobia, as the reader is pulled inexorably into the nightmarish world of a man in anguish. A Swarm of Dust is widely considered to be one of Flisar’s finest works of fiction, questioning the very notion of objective truth and subverting the norms of Judeo-Christian morality.
