‘Being Alive’ is the sequel to ‘Staying Alive’, which became Britain’s most popular poetry book because it gave readers hundreds of thoughtful and passionate poems about living in the modern world. Now he has assembled this equally lively companion anthology for all those readers who’ve wanted more poems that touch the heart, stir the mind and fire the spirit. ‘Being Alive’ is about being human: about love and loss, fear and longing, hurt and wonder. ‘Staying Alive’ didn’t just reach a broader readership, it introduced thousands of new readers to contemporary poetry, giving them an international gathering of poems of great personal force, poems with emotional power, intellectual edge and playful wit. It also brought many readers back to poetry, people who hadn’t read poetry for years because it hadn’t held their interest. ‘Being Alive’ gives readers an even wider selection of vivid, brilliantly diverse contemporary poetry from around the world. A third companion anthology, ‘Being Human’ (2011), completes this modern poetry trilogy.
CCTV cameras, TV recording equipment, microphones, all capturing and recording events in peoples lives. In today’s Big Brother world, these constant intrusions are at once a threat and a comfort – moments would be lost forever without surveillance. Tim cumming tells of events caught on camera as they happen to disparate protagonists, seemingly at random, but which dissolve into one another as they loose partners, jobs, identities and belief. “Contact Print” is set in a traffic jam on the Holloway Road in London. Its hero is Tony Harris, who is seen driving away for the last time from his married girlfriend’s house into a traffic snarl-up, a demo, a pub, a maze of memories, the city or the city itself, repeating itself to the horizon, which finally swallows him up. Along the way we are treated to arresting images of urban life, from the kidnapping of a junior minister to doing smack in the toilets of Paddington station. This is a world of personal and political instability, captured with photographic accuracy.
Tim Cumming’s poems have been published widely in Britain and America, and he writes regularly for The Guardian and The Independent. His work has been broadcast on BBC radio and TV, and he has featured in the New Voices season at the South Bank. He lives and works in London.
The Sin-eater: A Breviary, Thomas Lynch’s fifth book of poems gathers together two dozen, twenty-four line poems – a book of hours – on the life and times of Argyle, the sin-eater and includes two dozen black and white photographic images by the author’s son, Michael Lynch, and a front cover watercolour by his son, Sean. The poems and images are situated on the West Clare peninsula in Ireland where the author keeps an ancestral home in the townland of Moveen between the North Atlantic and the River Shannon estuary. The poems are prefaced by an “Introit” which examines the nature of religious experience, faith and doubt, communion and atonement.
Eamonn Lynskey’s poems live on the edge of things – people’s ordinary lives as much as global concerns – and like all edges they can be razor-sharp. His is a voice unafraid to speak about political urgencies but also well sourced in everyday language and available form. A thought-provoking, unsettling collection of questions rather than answers.
Vicky Foster is one very capable writer and Bathwater is a very personal story. Using her own real-life experience of what happens when violence spills over into family life, Bathwater is a gripping, ever-twisting, often moving, somewhat shocking and often agonising piece of work. Rather than a cathartic over-share, however, Foster goes way beyond writing what she knows in order to craft something that is simultaneously hard-hitting and poetic. She has written a work of literary beauty, despite the harsh and uncomfortable subject matter, combining prose, poetry and dialogue.
This is as bold a line in the sand as a writer can make to announce their arrival. Given her enormous talent and ability to weave a piece of work so well, there’ll be plenty more to come from Foster’s experience-fuelled imagination as she strides, confidently, into the literary and poetic world.
Philosophical, exuberant, incantatory, sensual, and meditative; these poems embrace the complexities of death, loss, and love. Although observed with a detached eye their unflinching truth is simultaneously intimate and compassionate. The poems, written in both formal and free verse, explore the boundaries within the human situation. Ruth O’Callaghan was awarded a gold medal at the 30th World Congress of Poets in Taiwan, holds the prestigious Hawthornden Fellowship, and was nominated for the Pushcart Prize. She is a mentor and workshop leader both in the UK and abroad.