Weight | 0.430 kg |
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Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
Anne Bronte: A Biography
£50.00A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
£11.95
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
4 in stock
Weight | 0.430 kg |
---|---|
Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
David Lean’s films were nominated for an astonishing 57 Academy Awards, of which 27 won Oscars. He made unique movies on a grand scale, with huge stories on vast canvases. He was aided by hundreds of technicians, thousands of extras and the most talented actors in the world. Yet he singularly controlled this vast army giving pleasure and inspiration to millions.
His films reflected his own life – the single brooding perfectionist force to a great endeavour – whether they be Lawrence of Arabia, The Bridge on the River Kwai, Doctor Zhivago or Brief Encounter. Collated by his widow, Lady Sandra Lean, this is a highly personal account in text and images by the people that came into contact with David through his work and his private life.
Thousands of words have been written about David Lean the film director and the work he created. Yet until now, very little has been said about the man who sacrificed his private life for his art. Six marriages are proof of a man whose preferred family was the film crew and whose personal life was always subservient to making films. Yet, without a strong understanding of human emotion, how could a man make so many productions that touched the hearts of millions?
In this fascinating book, the answers are presented in both text and pictures. David always said that a good book should contain “Really good pictures…That’s all. Just bloody good pictures.” Illustrated throughout with over 300 well-known and previously unpublished photographs, which are complemented by David’s inspiration: letters, quotations, memorabilia or an anecdote relating to his travels or his films David Lean – An Intimate Portrait is a unique study, containing a wealth of fascinating photography, of a man who continues to entertain millions.
Combining life-writing with poetic prose, Anthony Joseph gets to the heart of the man behind the music and the myth, reaching behind the sobriquet to present a holistic portrait of the calypso icon Lord Kitchener.
The poet and musician Anthony Joseph met and spoke to Lord Kitchener just once, in 1984, when he found the calypso icon standing alone for a moment in the heat of Port of Spain s Queen’s Park Savannah, one Carnival Monday afternoon. It was a pivotal meeting in which the great calypsonian, outlined his musical vision, an event which forms a moving epilogue to Kitch, Joseph’s unique biography of the Grandmaster.
Lord Kitchener (1922 – 2000) was one of the most iconic and prolific calypso artists of the 20th century. He was one of calypso’s most loved exponents, an always elegantly dressed troubadour with old time male charisma and the ability to tap into the musical and cultural consciousness of the Caribbean experience. Born into colonial Trinidad in 1922, he emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post War Britain. In the process Kitch, as he was affectionally called, single handedly popularised the calypso in Britain.
“Gripping and at times ineffably sad, this book would be poetic even without the poetry. It will be the standard biography of Hughes for a long time to come” -Sunday Times
“Captures the great poet in all his wild complexity. Powerful and clarifying, richly layered and compelling” -Melvyn Bragg, Observer
Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He is one of Britain s most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work. Yet he is also a poet of deep tenderness, of restorative memory steeped in the English literary tradition. A poet of motion and force, of rivers, light and redemption, of beasts in brooding landscapes.
Ted Hughes left behind him a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems and memorandum books that make up an almost complete record of Hughes s inner life, preserved by him for posterity.
Renowned scholar Sir Jonathan Bate has spent five years in his archives, unearthing a wealth of new material. Shortlisted for the Samuel Johnson Prize, his book offers for the first time the full story of Ted Hughes’s life as it was lived, remembered and reshaped in his art. It is a book that honours, though not uncritically, Ted Hughes s poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes s own.
A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
A woman in the audience once handed Elvis a crown saying, “You’re the King.” “No, honey,” Elvis replied. “There is only one king — Jesus Christ. I’m just a singer.” Gary Tillery presents a coherent view of Elvis’s thoughts through such anecdotes and other recorded facts.
We learn, for instance, that Elvis read thousands of books on religion; that his crisis over making bimbo movies like Girl Happy led him to writers such as Gurdjieff, Krishnamurti, and Helena Blavatsky; and that, while driving in Arizona, an epiphany he had inspired him to learn Hindu practice. Elvis came to believe that the Christ shines in everyone and that God wanted him to use his light to uplift people. And so he did. Elvis’s excesses were as legendary as his generosity, yet, despite his lethal reliance on drugs, he remained ever spiritually curious. When he died, he was reading “A Scientific Search for the Face of Jesus.” This intimate, objective portrait inspires new admiration for the flawed but exceptional man who said, “All I want is to know and experience God. I’m a searcher, that’s what I’m all about.”